Detail of the damage to a building on Colombo Street. Some of the windows are missing, and cracks are clearly visible on the wall. The front has been protected by a tarp.
A photograph of an empty site on the corner of Lichfield Street and Madras Street. An old painted sign on the brick wall reads 'McCormick Reapers and Binders'.
A house in Richmond being demolished. All but the front wall has been demolished, and a crane bucket looms over the roof. The photographer comments, "The end of 393 River Rd".
A digital photograph in PDF format with caption. Image taken from within a Red Zoned home on Kingsford st. Residents still living here and have written poems on the walls of the lounge.
A house in Richmond being demolished. Looking through a gap where an external wall has been removed, the interior of a room can be seen. The photographer comments, "The end of 393 River Rd".
The roof of this collapsed building on Atlas Lane has fallen almost intact on top of the rubble. The photographer comments, "Whenever I go past this place it reminds me of a sinking ship".
Test results are presented for wall-diaphragm plate anchor connections that were axially loaded to rupture. These connection samples were extracted post-earthquake by sorting through the demolition debris from unreinforced masonry (URM) buildings damaged in the Christchurch earthquakes. Unfortunately the number of samples available for testing was small due to the difficulties associated with sample collection in an environment of continuing aftershocks and extensive demolition activity, when personal safety combined with commercial activity involving large demolition machinery were imperatives that inhibited more extensive sample collection for research purposes. Nevertheless, the presented data is expected to be of assistance to structural engineers undertaking seismic assessment of URM buildings that have existing wall-diaphragm anchor plate connections installed, where it may be necessary to estimate the capacity of the existing connection as an important parameter linked with determining the current seismic capacity of the building and therefore influencing the decision regarding whether supplementary connections should be installed.
Large cracks run through the brick cladding of this house in Wainoni. The photographer comments, "During the numerous earthquakes in Christchurch the land which ran alongside the Avon river on Avonside Drive slumped towards the waterway. Houses which were wooden framed and had an external brick veneer started to sink into the liquefied soil. This caused the brick walls to crack, but the houses' occupants though shook up were saved by the wooden framework from the houses collapsing on them".
A photograph of a colourful wall of bricks. There is damage on the right hand side. In front of it is a pattern made from fallen bricks.
A brick building supported by shipping containers on Colombo Street. The side wall of the building has been revealed by the demolition of the adjoining building. Security fences have been placed around the building to restrict access.
A photoshopped image of the front of the cathedral with its broken tower. The upper part of the front wall has crumbled completely, exposing the inside space. Security fences have been placed around the building to restrict access.
A photograph of a weather-worn graffiti paste-up of a sticking plaster on a damaged wall. The photograph is captioned by Paul Corliss, "Gap Filler Monopoly Board site, corner Manchester and Dundas Streets".
A photograph of a Nero playing while Rome burns, painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of graffiti reading, "City Council cares, yeah right", painted on a concrete block in a retaining wall. The photograph is captioned by BeckerFraserPhotos, "Cunningham Terrace, Lyttelton".
A photograph of a paste-up on an earthquake-damaged brick wall. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A poem written on Gap Filler and Poetica's "Instant Poetry" wall on Colombo Street. The poem reads, "Kia ora, kautou. It must be windy, the trees are kissing. Heath, 4".
A wall clock with its glass broken. The photographer comments, "A very appropriate title as the numbers are not sequential and the clock has a very odd shape".
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
Flowers blooming in a vacant site left by the demolition of a building at the corner of Worcester Street and Stanmore Road. On the wall at the back are the words 'Do Not Demo!!'.
Photograph captioned by BeckerFraserPhotos, "Looking through the wall of shipping containers holding up the facade of the New Excelsior Backpackers to the rear of 197 High street, viewed from Manchester Street".
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A photograph of a weather-worn graffiti paste-up of a sticking plaster on a damaged wall. The photograph is captioned by Paul Corliss, "Gap Filler Monopoly Board site, corner Manchester and Dundas Streets".
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), is a shadowboard mural on an empty wall in Sydenham which depicts things lost during the earthquake.
A digitally manipulated image of the word 'Lyttelton' made out of damaged bricks. The photographer comments, "This shows the courage and humour of the earthquake wrecked port of Lyttelton. There is lots of little things that make you smile that the locals and volunteers from around the area have created".
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".