
Looking across to the Town Hall. Will it stay or will it go?
A photograph of graffiti on a building on the corner of Colombo Street and Peterborough Street. Originally a recruitment advertisement for the police, the image has been altered and the words, "You can paint, but we can't!" added.
Damage to the building that housed the LSI English Language School on Peterborough Street. The side wall where bricks have fallen from has been covered up, and the area around the building has been cordoned off. Piles of bricks are still visible on the site.
A photograph of graffiti on a building on the corner of Colombo Street and Peterborough Street. Originally a recruitment advertisement for the police, the image has been altered and the words, "You can paint, but we can't!" added.
A PDF copy of pages 266-267 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Te Ariki'. Photos: Trent Hiles
A PDF copy of pages 28-29 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Infogap'. Photos: Barnaby Bennett
A photograph of local artist Gaby Montejo in a cow onesie, before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph showing All Right? posters at the Central Library Peterborough. The posters feature images from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing.
A PDF copy of pages 352-353 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Breaking Wonderful'. Photos by Jesse Roscoe
A photograph of a demolished building on Peterborough Street and Victoria Street. On the inner wall, a painting shows a woman with blonde hair sitting down. She has a scroll open in front of her, but she is looking away from it.
A photograph of Ryan Reynolds (left) and a participant in Milk Fight, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of Milk Fight participants Hera Hjartardottir, Audrey Baldwin and Brie Sherow, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is bending over a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
A PDF copy of pages 262-263 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Flying Cup and Just a Couple of Strangers'. Photos: Jess de Boer
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A mural on the exposed wall of a building on Peterborough Street. This was a joint project between Gap Filler and the Flying Cup Cafe. The mural is a beach scene with a quote from Anne Frank, reading, "Isn't it wonderful that nobody need waste a single moment to improve the world", and incorporates pre-existing street art and posters.
A photograph of street art on the wall of a building on Colombo Street. The artwork is by Otis Frizzell and depicts police officer Constable Nao Yoshimizu comforting the grieving relative of an earthquake victim. Constable Yoshimizu acted as liaison officer for the families of Japanese victims of the earthquake. The mural was commissioned by the New Zealand Police as a recruitment advertisement.
4th September 2010 a 7.1 magnitude earthquake strikes near Christchurch, New Zealand’s second largest city of approximately 370,000 people. This is followed by a 6.3 magnitude quake on 22nd February 2011 and a 6.4 on 13th June. In February 181 people died and a state of national emergency was declared from 23 February to 30th April. Urban Search and Rescue teams with 150 personnel from New Zealand and 429 from overseas worked tirelessly in addition to Army, Police and Fire services. Within the central business district 1,000 buildings (of 4,000) are expected to be demolished. An estimated 10,000 houses require demolition and over 100,000 were damaged. Meanwhile the over 7,000 aftershocks have become part of the “new normal” for us all. During this time how have libraries supported their staff? What changes have been made to services? What are the resourcing opportunities? This presentation will provide a personal view from Lincoln University, Te Whare Wanaka o Aoraki, Library Teaching and Learning. Lincoln is New Zealand's third oldest university having been founded in 1878. Publicly owned and operated it is New Zealand's specialist land-based university. Lincoln is based on the Canterbury Plains, 22 kilometres south of Christchurch. On campus there was mostly minor damage to buildings while in the Library 200,000 volumes were thrown from the shelves. I will focus on the experiences of the Disaster Team and on our experiences with hosting temporarily displaced staff and students from the Christchurch Polytechnic Institute of Technology, Library, Learning & Information Services. Experiences from two other institutions will be highlighted: Christchurch City Libraries, Ngā Kete Wānanga-o-Ōtautahi. Focusing on the Māori Services Team and the Ngā Pounamu Māori and Ngāi Tahu collections. The Central library located within the red zone cordon has been closed since February, the Central library held the Ngā Pounamu Māori and Ngai Tahu collections, the largest Māori collections in the Christchurch public library network. The lack of access to these collections changed the way the Māori Services Team, part of the larger Programmes, Events and Learning Team at Christchurch City Libraries were able to provide services to their community resulting in new innovative outreach programmes and a focus on promotion of online resources. On 19th December the “temporary” new and smaller Central library Peterborough opened. The retrieved Ngā Pounamu Māori and Ngai Tahu collections "Ngā rakau teitei e iwa”, have since been re-housed and are once again available for use by the public. Te Rūnanga o Ngāi Tahu. This organisation, established by the Te Rūnanga o Ngāi Tahu Act 1996, services the statutory rights for the people of Ngāi Tahu descent and ensures that the benefits of their Treaty Claim Settlement are enjoyed by Ngāi Tahu now and in the future. Ngāi Tahu are the indigenous Māori people of the southern islands of New Zealand - Te Waipounamu. The iwi (people) hold the rangatiratanga or tribal authority to over 80 per cent of the South Island. With their headquarters based in the central business they have also had to be relocated to temporary facilities. This included their library/archive collection of print resources, art works and taonga (cultural treasures).