
Photograph captioned by Fairfax, "Anne Edmond (proprietor) of Annie's wine bar and restaurant located in the Christchurch Arts Centre. Business is returning to normal despite the damage and closure of surrounding buildings caused by the September earthquake".
Photograph captioned by BeckerFraserPhotos, "The food caravans that used to operate in the Arts Centre, now travel to several places in the city. Here they are in the quad at Canterbury University with the lunchtime queues".
Photograph captioned by BeckerFraserPhotos, "Detail of Christ's College".
A PDF copy of pages 22-23 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'TEDxEQChCh'. Photos: Neil Macbeth
A scanned copy of a handmade poster advertising the University Bookshop (UBS) on campus, and the Book Shop in the Arts Centre. The poster was produced in the 1970s and was sourced from archives held at Macmillan Brown Library.
A red double-decker tour bus sits outside the former Registry building of the Christchurch Arts Centre. A broken window has been boarded up and security fencing has been placed around the building. A sign pointing towards the Christchurch Art Gallery is attached to the fence.
A photograph of volunteers standing in the centre of a labyrinth they have created on the former site of St Luke's church.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar, and tarpaulins provide a roof over a seating area.
A photograph of the exterior of the Lions Transitional Facility. A wooden ramp leads up to the entrance to the facility.
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Historic buildings around Christchurch received varying degrees of damage. Workers take material up to one of the turrets at the Rolleston Avenue end of the Arts Centre for stabilisation work".
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Historic buildings around Christchurch received varying degrees of damage. Workers take material up to one of the turrets at the Rolleston Avenue end of the Arts Centre for stabilisation work".
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Historic buildings around Christchurch received varying degrees of damage. Workers take material up to one of the turrets at the Rolleston Avenue end of the Arts Centre for stabilisation work".
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Historic buildings around Christchurch received varying degrees of damage. Workers take material up to one of the turrets at the Rolleston Avenue end of the Arts Centre for stabilisation work".
A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, present case studies.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."
Part four of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins in the Re:Start Mall on Cashel Street and includes commentary on the performance Last Day of Mankind at the Bridge of Remembrance. The tour then moves up Oxford Terrace, along the banks of the Avon River, until it reaches Worcester Boulevard. Turning left, it travels down Worcester Boulevard, past the Christchurch Art Gallery, providing commentary on the new and old art in the area, and the Christchurch Arts Centre. Lastly, it moves up Montreal towards Cranmer Square.
One green cotton t-shirt bearing the logo of the Student Volunteer Army in black print on the centre front and the words ‘Christchurch, New Zealand’ in black ink in Japanese and Spanish on the reverse. Jason Pemberton, from the Student Volunteer Army organising committee, wore this t-shirt during the cleanup following the 22 February 2011 earth...
In Christchurch the Court Theatre is about to reopen, more than nine months after the earthquake ruined its inner city premises. The country's most successful professional theatre, which used to be in the 19th century gothic style Arts Centre, has moved to a shed in the suburbs.
A photograph of local artist Gaby Montejo in a cow onesie, before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
One black, red and white plastic-backed fabric uniform badge commemorating the 22 February 2011 earthquake; the words 'Christchurch 6.3 Quake' are embroidered in red along the top along with '22-2-2011' and '12.51pm'; Along the bottom are the words 'In Memory'; In the centre is a map of New Zealand in green with a red embroidered star over Cante...
One red cap with Hawkes Bay softball logo at centre front; cap has been has been decorated with signatures and messages from the Hawkes Bay Under-19s Softball Team. This red cap, featuring the logo of the Hawkes Bay under 19s softball team, has been decorated with signatures and messages. The cap was left at the Canterbury Television (CTV) site...
A PDF copy of pages 352-353 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Breaking Wonderful'. Photos by Jesse Roscoe
A photograph of the opening of the Think Differently Book Exchange. In the centre of the photograph, two people are browsing the books in the fridge, and to the left people are sitting at a picnic table reading.
A photograph of Ryan Reynolds (left) and a participant in Milk Fight, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of Milk Fight participants Hera Hjartardottir, Audrey Baldwin and Brie Sherow, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is bending over a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A video of a panel discussion at the 2016 Seismics in the City Conference. The panel is titled, "Engaging: Generating Community Input and Feedback".Leanne Curtis of Breakthrough Services, Evan Smith, Programme Manager of Eastern Vision, and André Lovatt, CEO of the Arts Centre, respond to questions from the floor. Brendon Burns, of Brendon Burns and Associates, facilitates the discussion.The theme of the panel reads, "'Regenerate Christchurch must and will engage with the community around what will be done' (André Lovatt, Chair, Regenerate Christchurch). Learning from the past by tapping the wisdom of communities and applying the lessons to the future as we shape the new city."
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/2013-2/
One white over-painted hand-made electric guitar made primarily from ash and maple timbers, also incorporating wood from a variety of historic buildings in Canterbury damaged or destroyed in the 2010 - 2011 earthquakes including the Arts Centre, Kutwell’s Warehouse, Lyttleton main street pub, Timeball Station, Carlton Hotel, Merivale shops, bui...