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Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Site manager Mike McKee (left) and leading hand, Iain Piper, look over the work to be done in the towers".

Videos, UC QuakeStudies

A video about the reopening of the city branch of the Punting on the Avon route, which has been closed since the 22 February 2011 earthquake. The video includes an interview with Mayor Bob Parker about tourism in Christchurch. He mentions that Australia has updated its travel advisory on Christchurch to say that it is as safe as the other cities in New Zealand. The video also includes footage of Parker poling a punt.

Videos, UC QuakeStudies

A video of an interview with Mayor Bob Parker about the building consent crisis at the Christchurch City Council. The council received a letter from International Accreditation New Zealand (IANZ) on 30 May 2013. The letter says that the Council has until 28 June 2013 to improve its processes or it will be stripped of its accreditation as a building consent authority.

Videos, UC QuakeStudies

A video about the South Brighton Motor Camp which has been given a month by the Christchurch City Council to close down. The video includes an interview with campsite leaseholder Dominic Brownin, and residents Malcolm Farrell, Ngaire Fyffe, and Deidre McGowan. The residents talk about the lifestyles and community that will be lost if the camp is closed.

Images, UC QuakeStudies

A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Images, UC QuakeStudies

A photograph of a Christchurch City Council red sticker. The sticker was used by the Civil Defence after the 2010 and 2011 earthquakes to indicate that a building had been inspected and that serious structural damage had been found. The sticker states that there should be no entry to the building. It also states that 'entry may result in death or injury'.

Images, UC QuakeStudies

A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.

Audio, Radio New Zealand

Building plans signed off by the Christchurch City Council show one of its own structural engineers was involved in the design of a new multistorey building that is unstable. The eight-storey office building at 230 High Street is off-limits as it is too weak and might 'rupture' in an earthquake. But the council insists the planning documents are wrong and its engineer had only a minor role. Phil Pennington reports.

Audio, Radio New Zealand

Christchurch is home to many diverse ethnic groups whose voices have sometimes gone unheard in the aftermath of the earthquakes and the city's rebuild plans. Katy Gosset visits a gathering in Christchurch's battered eastern suburbs to hear their thoughts on post-quake life and the future of their adopted home.

Audio, Radio New Zealand

Plumbers say EQC paying bills too slowly, Earthquake Commission defends its claim process, Events centre, not stimulus package, for West Coast, Harawira calls meeting to consider forming new party, Government, Auckland council split over development, Search work in Christchurch central city nears completion, Power in South Christchurch threatened by cut cable.

Audio, Radio New Zealand

Hundreds of Christchurch homeowners have discovered extensive damage to the on-sold properties they purchased after the 2010/2011 earthquakes. Licenced Building Practictioner Dan Paltridge talks to Logan Church about what people need to look out for, and what they need to do before buying a home in the city.

Research papers, University of Canterbury Library

On 22 February 2011, Ōtautahi Christchurch was struck by a devastating earthquake. The city was changed forever: lives were lost, buildings destroyed and much of the city’s infrastructure needed to be repaired or replaced. One of the unexpected outcomes of the process of recovery was the volume of archaeological work that was carried out in the city, including the substantial amount of buildings archaeology that was undertaken (that is, recording standing buildings prior to and during their demolition, using archaeological techniques). Amongst the numerous buildings recorded in this way were 101 houses from across the city (but concentrated in those areas hit hardest by the earthquakes), built between 1850 and 1900. This work yielded a wealth of data about what houses in the city looked like in the nineteenth century. It is this data that forms the core of my thesis, providing an opportunity to examine the question of what life was like in nineteenth century Christchurch through these houses and the people who built them. Christchurch was founded in 1850 by European settlers, most of whom were English. These people came to New Zealand to build a better life for themselves and their families. For many of them, this ‘better life’ included the possibility of owning their own home and, in some instances, building that house (or at least, commissioning its construction). The buildings archaeology data collected following the Canterbury earthquakes enabled a detailed analysis of what houses in the city looked like in the nineteenth century – their form, and both their external and internal appearance – and how this changed as the century progressed. A detailed examination of the lives of those who built 21 of the houses enabled me to understand why each house looked the way it did, and how the interplay of class, budget and family size and expectations (amongst other factors) shaped each house. It is through these life stories that more about life in Christchurch in the nineteenth century was revealed. These are stories of men and women, of success and failure, of businesses and bankruptcies. There are themes that run through the stories: class, appearances, death, religion, gender, improvement. Just as importantly, though, they reveal the everyday experiences of people as they set about building a new city. Thus, through the archaeology of the houses and the history of the people who built them, an earthquake has revealed more about life in nineteenth century Christchurch, as well as providing the means for a deeper understanding of the city’s domestic architecture.

Research papers, University of Canterbury Library

Christchurch Ōtautahi, New Zealand, is a city of myriad waterways and springs. Māori, the indigenous people of New Zealand, have water quality at the core of their cultural values. The city’s rivers include the Avon/Ōtākaro, central to the city centre’s aesthetic appeal since early settlement, and the Heathcote/Ōpāwaho. Both have been degraded with increasing urbanisation. The destructive earthquake sequence that occurred during 2010/11 presented an opportunity to rebuild significant areas of the city. Public consultation identified enthusiasm to rebuild a sustainable city. A sustainable water sensitive city is one where development is constructed with the water environment in mind. Water sensitive urban design applies at all scales and is a holistic concept. In Christchurch larger-scale multi-value stormwater management solutions were incorporated into rapidly developed greenfield sites on the city’s outskirts and in satellite towns, as they had been pre-earthquake. Individual properties on greenfield sites and within the city, however, continued to be constructed without water sensitive features such as rainwater tanks or living roofs. This research uses semi-structured interviews, policy analysis, and findings from local and international studies to investigate the benefits of building-scale WSUD and the barriers that have resulted in their absence. Although several inter-related barriers became apparent, cost, commonly cited as a barrier to sustainable development in general, was strongly represented. However, it is argued that the issue is one of mindset rather than cost. Solutions are proposed, based on international and national experience, that will demonstrate the benefits of adopting water sensitive urban design principles including at the building scale, and thereby build public and political support. The research is timely - there is still much development to occur, and increasing pressures from urban densification, population growth and climate change to mitigate.

Audio, Radio New Zealand

Construction delays and cost over-runs are prolonging the earthquake risks facing patients and staff at Christchurch hospital. Six major hospital buildings at the central city site have been listed as earthquake prone since May, but there is no safer space to shift patients into. Christchurch Hospital boss David Meates pron; Mates says the hospital is still basically a construction site. One earthquake prone building has roof tanks containing 75 tonnes of water. Mr Meates told RNZ reporter Phil Pennington removing the water from the tanks in the meantime is not an option.

Images, eqnz.chch.2010

Much of the CBD is still cordoned off and without power (as you should be able to spot) as a result of the damage caused by February's deadly earthquake. This photo clearly shows the extent of the lean that the Hotel Grand Chancellor is now on. Apparently it is out by 1m at the top leaning east. Demolition will start about mid June and is expec...

Audio, Radio New Zealand

Days after Christchurch was devastated by a 6.3 magnitude earthquake, Simon Morton traverses the city, using the Avon River as his route, and finds everyone has a story to tell.