The book launch for "The Shaken Heart Booklet", a collection of interviews with members of the Lyttelton Community put together by Sue-Ellen Sandilands (left), Bettina Evans (middle) and Jen Kenix (right). The event was held at the Lyttelton Pentanque Club, a Gap Filler project on the site of the Ground Culinary Centre on London Street. In the background, members of the public are also making wool medals to celebrate the achievements of the community after the earthquake.
A damaged car sits on top of the rubble of the Bealey Pharmacy. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... A new feature now also appears to be a large pile of rubble with a new looking red Holden placed on top. Weird".
A damaged car sits on top of the rubble of the Bealey Pharmacy. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... A new feature now also appears to be a large pile of rubble with a new looking red Holden placed on top. Weird".
A damaged car sits on top of the rubble of the Bealey Pharmacy. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... A new feature now also appears to be a large pile of rubble with a new looking red Holden placed on top. Weird".
A damaged car sits on top of the rubble of the Bealey Pharmacy. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... A new feature now also appears to be a large pile of rubble with a new looking red Holden placed on top. Weird".
A damaged car sits on top of the rubble of the Bealey Pharmacy. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... A new feature now also appears to be a large pile of rubble with a new looking red Holden placed on top. Weird".
Large piles of liquefaction silt at a dump on Breezes Road. One of the piles is covered with black plastic and weighted down with tyres. Trucks and diggers are adding more silt to the piles. The photographer comments, "Breezes Road and Anzac Drive have recently opened but are now home to a brand new range of hills thanks to mountains of silt that have been collected by the hard working construction guys that have done a sterling job on the road there".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
Shoppers and tourists in the Re:Start mall. The photographer comments, "The new temporary city mall has been open in Christchurch now for a week. Buildings damaged in the earthquake have been demolished and replaced with cargo containers to create a new, temporary, Cashel Mall. I visited the mall yesterday and was quite impressed with what they have done. The cargo containers have been nicely converted, brightly painted and smartly branded to create some good looking stores".
A photograph of the former Kaiapoi residence of Bob and Joan Cattermole (deceased). The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Bob (left) and Judy Hawker (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Jenny (back) and Pat Barker (front) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Sarina McCormick (left) and Julie Burgess-Manning (right) cutting The Worry Bug Project cake. McCormick and Burgess-Manning are from Kotuku Creative, designer and publisher of The Worry Bug Project. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A photograph of Wainoni School pupils presenting the AWA Trails at a school assembly. The pupils are holding 'Five Ways to Wellbeing posters and AWA Trails material. The photograph was taken at the launch of the Wainoni AWA trail at Wainoni School. All Right? posted the photograph on their Facebook page on 2 September 2015 at 3:56pm.
A photograph of street art on the side of the Manchester Street parking building, seen from Hereford Street. The artists are Chris Finlayson and Dean Blundell. The art work depicts a tram, an aeroplane, a helicopter, a boat and other unusual vehicles parked in the parking building.
A photograph of a poster and picket signs in the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster depicts Gerry Brownlee in the style of Barack Obama's "Hope" campaign poster, and reads "Democracy nope". The picket signs read "Brownlee: rise, lies and pies" and "Overwrought, overdrawn, over EQC".
A photograph of street art on several clothing bins on Battersea Street. The middle bin has a tag which reads, "Prove ANSR Morris". Above this are two doves on either side of a yellow flower. One dove is white and the other is pink. Another tag is on the bin to the right. The second tag reads, "ARK".
A photograph of street art on several clothing bins on Battersea Street. The middle bin has a tag which reads, "Prove ANSR Morris". Above this are two doves on either side of a yellow flower. One dove is white and the other is pink. Another tag is on the bin to the right. The second tag reads, "ARK".
A photograph of boxes of broken china stored in a bedroom.Crack'd for Christchurch comments, "May 2011, Crack'd has been going for a month. The china begins to collect in our spare room. It often arrived covered in liquefaction and broken glass, food and mud, and it was incredibly bulky. It had to be cleaned, sorted, but not broken down, before it was stored."
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.
A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs. The bottom half of the frame has been covered with mesh, wood, polystyrene, and concrete by Jonathan Hall.
A photograph of Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of Helen Campbell and Marie Hudson working on Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of a volunteer from the Wellington Emergency Management Office inspecting The Painted Room on Colombo Street. The roof of the building has caved in and can be seen inside the building through the smashed windows. The front facade has begun to peel away at the right. Wire fencing and tape has been used to create a cordon around the building.