A photograph of an excavator demolishing the Cranmer Centre.
A photograph of 170 Tuam Street.
An aerial photograph of the earthquake damage to a window of the Canterbury Provincial Chambers Buildings on Durham Street.
A photograph of the earthquake damage to 127-133 Manchester Street.
A photograph of the restored Bank of New Zealand building on the corner of Charles Street and Williams Street in Kaiapoi.
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
Photograph captioned by Fairfax, "Demolition of Manchester Courts building continues with beams now exposed. The heritage building was severely damaged by the September earthquake. Demolition workers visible in top left corner".
he 2016 Building (Earthquake Prone Building) Amendment Act aims to improve the system for managing earthquake-prone buildings. The proposed changes to the Act were precipitated by the Canterbury earthquakes, and the need to improve the seismic safety of New Zealand’s building stock. However, the Act has significant ramifications for territorial authorities, organisations and individuals in small New Zealand towns, since assessing and repairing heritage buildings poses a major cost to districts with low populations and poor rental returns on commercial buildings.
<b>Construction and Demolition (C&D) waste contributes to over 50% of New Zealand’s overall waste. Materials such as timber, plasterboard, and concrete make up 81% of the C&D waste that goes into landfills each year. Alongside this, more than 235 heritage-listed buildings have been demolished in Christchurch since the 2011 earthquakes. This research portfolio aims to find a solution to decrease C&D waste produced by demolishing heritage buildings.</b> With the recent announcement of The Cathedral of the Blessed Sacrament’s demolition, this will be another building added to the list of lost heritage in Christchurch. This research portfolio aims to bridge the relationship between heritage and waste through the recycling and reuse of the demolished materials, exploring the idea that history and heritage are preserved through building material reuse. This research portfolio mainly focuses on reducing construction and demolition waste in New Zealand, using the design of a new Catholic Cathedral as a vessel. This thesis will challenge how the construction and design industry deals with the demolition of heritage buildings and their contribution to New Zealand’s waste. It aims to explore the idea of building material reuse not only to reduce waste but also to retain the history and heritage of the demolished building within the materials.
Witnesses before the Canterbury Earthquake Royal Commission have been questioned over whether preservation of heritage buildings was given more consideration than preserving human lives.
A page banner promoting an article titled, "Change of heart: 70-year-old aerial photo found".
A video of a tour of the Christchurch Arts Centre, lead by Director Ken Franklin. Franklin talks about the strengthening work which was done to the Arts Centre before the earthquakes, the damage caused by the 4 September 2010 earthquake, and the importance of preserving the character of the buildings.
A video of a tour of the historic Canterbury Club building on Cambridge Terrace. The club will reopen on 9 June 2012, after an intensive rebuild and restoration process which has fixed the damage from the 22 February 2011 earthquake. The video also includes an interview with Dr Brent Stanley, the Canterbury Club President. Stanley talks about the strengthening work that was done in 2009, as well as the history of the club.
Photograph captioned by Fairfax, "Crowd shot of firemen from all over Canterbury who were awarded by the New Zealand Fire Commission and New Zealand Government for their service during the Canterbury earthquake crisis. The event was held at the Hall of Flame at Ferrymead Heritage Park".
Photograph captioned by Fairfax, "Cranmer Court residents Kristin Hollis (left) and Rod McKay talk to Australian heritage architects Edward Clode and Barney Collis about the earthquake damage to the old buildings, which have been converted into apartments".
Photograph captioned by Fairfax, "Historic building owner John Phillips wants the red tape to go so he can pull his very badly damaged heritage building down and start again so the businesses in the premises can start again".
The Christchurch City Council says it needs Government money to help repair its earthquake damaged heritage and character buildings.
Monavale, a publicly owned heritage building and gardens - can't see it surviving this one.
A page banner promoting articles titled, "This one's saved: Peterborough building" and "Square open".
A company helping to demolish earthquake damaged buildings in Christchurch, has come to the rescue of the heritage-listed Peterborough Centre.
Photograph captioned by Fairfax, "Life in ruins: 27 year-old Chris Meyer, owner and operator of Federal Coffee House, which was located at 160 Manchester Street. The Heritage 1 building that he used to run his business from is being torn down tomorrow".
Photograph captioned by Fairfax, "Life in ruins: 27 year-old Chris Meyer, owner and operator of Federal Coffee House, which was located at 160 Manchester Street. The Heritage 1 building that he used to run his business from is being torn down tomorrow".
Photograph captioned by Fairfax, "Life in ruins: 27 year-old Chris Meyer, owner and operator of Federal Coffee House, which was located at 160 Manchester Street. The Heritage 1 building that he used to run his business from is being torn down tomorrow".
A video of the reopening ceremony for the Heritage Hotel in Cathedral Square, which has been closed since the 22 February 2011 earthquake. The video shows Governor General Sir Jerry Mateparae opening the building while a string trio plays. It also includes footage of a speech by the Governor General, and a tour of the hotel.
We are taking a look at some of Christchurch's icon and heritage buildings lost, or at least badly damaged by last Tuesdays earthquake.
A video of an interview with stonemason Mark Whyte, about the demolition of the Holy Trinity Church in Avonside. Whyte discusses how the building should have been deconstructed slowly in order to salvage unique heritage material such as stained-glass windows and hand-painted ceilings.
A video of a press conference with Bishop Victoria Matthews in the Botanic Gardens about the plans for the earthquake-damaged ChristChurch Cathedral. Matthews announces that the cathedral will be deconstructed, allowing the safe retrieval of taonga and heritage items within the building.
A video about the time capsule found in the foundations of the former Press Building in Cathedral Square. Heritage consultant Jenny May shows the contents of the time capsule, including several coins, newspaper articles, and messages. The capsule was left by the architects and the people working on the building, rather than the editors of The Press.
The UC CEISMIC Canterbury Earthquakes Digital Archive contains tens of thousands of high value cultural heritage items related to a long series of earthquakes that hit Canterbury, New Zealand, from 2010 - 2012. The archive was built by a Digital Humanities team located at the center of the disaster in New Zealand's second largest city, Christchurch. The project quickly became complex, not only in its technical aspects but in its governance and general management. This talk will provide insight into the national and international management and governance frameworks used to successfully build and deliver the archive into operation. Issues that needed to be managed included human ethics, research ethics, stakeholder management, communications, risk management, curation and ingestion policy, copyright and content licensing, and project governance. The team drew heavily on industry-standard project management methods for the basic approach, but built their ecosystem and stakeholder trust on principles derived directly form the global digital humanities community.