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Images for Christchurch City; more images...

Images, Canterbury Museum

One white linen tea towel with the poem ‘Stronger City’ by Gertrude Ryder Bennett, 1931, printed in black. This tea towel was produced by Lyttelton retailer 'God Save the Queen' in response to the 22 February earthquake. Rebecca Lovell-Smith owned and operated the vintage shop ‘God Save the Queen’ in Lyttelton. She lost both her home and the sh...

Images, UC QuakeStudies

A photograph of Nick Sargent sitting at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of Hugh Grant (right) drawing at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of a person drawing at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of Sally Airey (left) drawing at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of Nick Sargent and Jessica Halliday of FESTA outside the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, eqnz.chch.2010

Showing Ruben Blades (top-right section of image) on the corner of Lichfield and Manchester Streets after the 6.3 quake hit Christchurch 22 February 2011 and the building being demolished along with many others. This image also shows the remains of the very heavy snow fall we had on Monday 25 July 2011. The centre of the city is still cordoned o...

Audio, Radio New Zealand

Christchurch and its surrounding towns are slowly starting to be rebuilt after the devastating earthquakes of 2010 and 2011. Our political editor Brent Edwards has been in Christchurch to find out whether the rebuild debate will dominate the election campaign in the city.

Audio, Radio New Zealand

Christchurch residents will gather today to mark the tenth anniversary of the Christchurch Earthquake. The 6.2 magnitude quake killed 185 people and caused widespread destruction across the city. It hit at 12.51pm while many people were in the city centre, working, shopping or enjoying their lunch in the sunshine. This is where our coverage began. A warning this is confronting audio of events that day.

Research papers, University of Canterbury Library

In this paper we introduce CityViewAR, a mobile outdoor Augmented Reality (AR) application for providing AR information visualization on a city scale. The CityViewAR application was developed to provide geographical information about the city of Christchurch, which was hit by several major earthquakes in 2010 and 2011. The application provides information about destroyed buildings and historical sites that were affected by the earthquakes. The geo-located content is provided in a number of formats including 2D map views, AR visualization of 3D models of buildings on-site, immersive panorama photographs, and list views. The paper describes the iterative design and implementation details of the application, and gives one of the first examples of a study comparing user response to AR and non-AR viewing in a mobile tourism application. Results show that making such information easily accessible to the public in a number of formats could help people to have richer experience about cities. We provide guidelines that will be useful for people developing mobile AR applications for city-scale tourism or outdoor guiding, and discuss how the underlying technology could be used for applications in other areas.

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch in their workshop. A number of mosaics of flowers and leaves have been laid out on the carpet in front of them. In the background there are boxes of broken china and furniture stacked in a pile.Crack'd for Christchurch comments, "Early November 2013. Last day for Shirley Walden who is leaving the city. From left: Helen Campbell, Shirley Walden, and Sharon Wilson. We miss you Shirley."

Research Papers, Lincoln University

The major earthquakes of 2010 and 2011 brought to an abrupt end a process of adaptive reuse, revitalisation and gentrification that was underway in the early 20th century laneways and buildings located in the south eastern corner of the Christchurch Central Business District. Up until then, this location was seen as an exemplar of how mixed use could contribute to making the central city an attractive and viable alternative to the suburban living experience predominant in New Zealand. This thesis is the result of a comprehensive case study of this “Lichfield Lanes” area, which involved in depth interviews with business owners, observation of public meetings and examination of documents and the revitalisation research literature. Findings were that many of the factors seen to make this location successful pre-earthquakes mirror the results of similar research in other cities. These factors include: the importance of building upon historic architecture and the eclectic spaces this creates; a wide variety of uses generating street life; affordable rental levels; plus the dangers of uniformity of use brought about by focussing on business types that pay the most rent. Also critical is co-operation between businesses to create and effectively market and manage an identifiable precinct that has a coherent style and ambience that differentiates the location from competing suburban malls. In relation to the latter, a significant finding of this project was that the hospitality and retail businesses key to the success of Lichfield Lanes were not typical and could be described as quirky, bohemian, chaotic, relatively low rent, owner operated and appealing to the economically important “Creative Class” identified by Richard Florida (2002) and others. In turn, success for many of these businesses can be characterised as including psychological and social returns rather than simply conventional economic benefits. This has important implications for inner city revitalisation, as it contrasts with the traditional focus of local authorities and property developers on physical aspects and tenant profitability as measures of success. This leads on to an important conclusion from this research, which is that an almost completely inverted strategy from that applied to suburban mall development, may be most appropriate for successful inner city revitalisation. It also highlights a disconnection between the focus and processes of regulatory authorities and the outcomes and processes most acceptable to the people likely to frequent the central city. Developers are often caught in the middle of this conflicted situation. Another finding was early commitment by businesses to rebuild the case study area in the same style, but over time this waned as delay, demolition, insurance problems, political and planning uncertainty plus other issues made participation by the original owners and tenants impossible or uneconomic. In conclusion, the focus of inner city revitalisation is too often on buildings rather than the people that use them and what they now desire from the central city.

Audio, Radio New Zealand

Between demolition and rebuild stands a time of opportunity in the earthquake ravaged city of Christchurch. Greening the Rubble and Gap Filler are temporary pockets of enterprise which began as early responses and have built in momentum to define the new city.

Images, UC QuakeStudies

A photograph of a Christchurch City Council completed authorization form. This form was part of the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake. Personal information has been removed from this photograph in order to protect the individual's privacy.

Images, UC QuakeStudies

A photograph of part of a collaborative drawing on a table at the Pallet Pavilion. The drawing was made during Supernova City, a workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of Nick Sargent (middle) and Melanie Oliver (right) drawing at a table at the Pallet Pavilion during Supernova City, a drawing workshop led by Melbourne-based New Zealand artist and architect Byron Kinnaird. This event was part of FESTA 2013, and invited people to make new, imaginative drawings of Christchurch city.

Images, UC QuakeStudies

A photograph of the spire of ChristChurch Cathedral sitting on the ground in Cathedral Square. The photograph is captioned by BeckerFraserPhotos, "The dry summer grass shows the passing of the seasons while the top of the spire of the ChristChurch Cathedral stays still".

Videos, UC QuakeStudies

A video of journalist Charlie Gates introducing the 2012 World Buskers Festival. Gates revisits the performance venues for the festival in the Christchurch central city to show how the city has changed since the 2010 and 2011 earthquakes.