New Zealand’s stock of unreinforced masonry (URM) bearing wall buildings was principally constructed between 1880 and 1935, using fired clay bricks and lime or cement mortar. These buildings are particularly vulnerable to horizontal loadings such as those induced by seismic accelerations, due to a lack of tensile force-resisting elements in their construction. The poor seismic performance of URM buildings was recently demonstrated in the 2011 Christchurch earthquake, where a large number of URM buildings suffered irreparable damage and resulted in a significant number of fatalities and casualties. One of the predominant failure modes that occurs in URM buildings is diagonal shear cracking of masonry piers. This diagonal cracking is caused by earthquake loading orientated parallel to the wall surface and typically generates an “X” shaped crack pattern due to the reversed cyclic nature of earthquake accelerations. Engineered Cementitious Composite (ECC) is a class of fiber reinforced cement composite that exhibits a strain-hardening characteristic when loaded in tension. The tensile characteristics of ECC make it an ideal material for seismic strengthening of clay brick unreinforced masonry walls. Testing was conducted on 25 clay brick URM wallettes to investigate the increase in shear strength for a range of ECC thicknesses applied to the masonry wallettes as externally bonded shotcrete reinforcement. The results indicated that there is a diminishing return between thickness of the applied ECC overlay and the shear strength increase obtained. It was also shown that, the effectiveness of the externally bonded reinforcement remained constant for one and two leaf wallettes, but decreased rapidly for wall thicknesses greater than two leafs. The average pseudo-ductility of the strengthened wallettes was equal to 220% of that of the as-built wallettes, demonstrating that ECC shotcrete is effective at enhancing both the in-plane strength and the pseudo-ductility of URM wallettes. AM - Accepted Manuscript
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artwork is on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A photograph of street art on the Cathedral Square side of the Cathedral Junction building. The artwork was created by street artist Rone Wright for the RISE Festival. The artwork is titled 'Teresa', and depicts Australian model Teresa Oman.
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A photograph of street art on the wall of the Calendar Girls building on Hereford Street. The artwork is by Australian artist Seb Humphreys, who works under the name 'Order 55'.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Saves'.
A photograph of street art on the back wall of the AJ Creative Glass building on Fitzgerald Avenue. The photographer believes that the artwork was created by the artist 'Paulie'.
A photograph of fence art in Cathedral Square. The artwork shows different types of flowers.
A photograph of street art on the side wall of Canterbury Museum. The artwork was created by Belgian street artist 'ROA' as part of the RISE Festival.
A photograph of street art on the side wall of Canterbury Museum. The artwork was created by Belgian street artist 'ROA' as part of the RISE Festival.
A photograph of street art on the side wall of Canterbury Museum. The artwork was created by Belgian street artist 'ROA' as part of the RISE Festival.
A photograph of street art on the side wall of Canterbury Museum. The artwork was created by Belgian street artist 'ROA' as part of the RISE Festival.
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of street art on Gloucester Street near Cathedral Junction. The title of the art work is "Kristen". The artists are Askew One and Mark TMD.
A photograph of a sign attached to a chair at the Canterbury Cultural Recovery Centre. The sign reads, "Look at me... But please don't walk on me!" A object from one of the collections has been laid flat on the floor and wrapped in white linen for protection.
A trailer video for Elizabeth Guthrey's film series 'Dancing Through Impermanent Spaces', which was screened as part of the Body Festival 2014.
A photograph of Julia Holden's painting 'Blue Building' displayed on a billboard on Taranaki Street, Wellington.
A video of dance and physical theatre featuring Matt Grant and Elizabeth Guthrey, incorporating several central city locations. The voiceover is a poem written and read by Matt Grant.
A zip file of an interactive 360-degree panoramic photograph in SWF format. The photograph was taken at the intersection of Manchester Street and Hereford Street on 1 June 2014.
A photograph of Julia Holden's painting 'Cotter Building'.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of a portrait of Sarah Anderson, painted by Julia Holden. The portrait was from a 'selfie' provided by Sarah, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A close-up video of liquefied soil on a farm near River Road in Lincoln. Contractor Tony Fisher, of Fisher Agricultural Ltd, is jumping lightly up and down to demonstrate the soil's jelly-like structure.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Sammys Jazz Review Bar, 14 Bedford Row'.