A digital copy of a painting by Julia Holden. The painting is of an excavator on St Asaph Street. In the background is the back of the badly-damaged Odeon Theatre.
A digital copy of a painting by Julia Holden. The painting is of road cones on Colombo Street. In the background is the badly-damaged ChristChurch Cathedral.
A copy of the CanCERN online newsletter published on 16 August 2013
The "Lyttelton Harbour Review" newsletter for 15 July 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 22 April 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 24 June 2013, produced by the Lyttelton Harbour Information Centre.
An entry from Deb Robertson's blog for 4 January 2013 entitled, "A quilt for James in the Pallet Pavilion...".
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of a poster and picket signs in the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster depicts Gerry Brownlee in the style of Barack Obama's "Hope" campaign poster, and reads "Democracy nope". The picket signs read "Brownlee: rise, lies and pies" and "Overwrought, overdrawn, over EQC".
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
A digital copy of a painting by Julia Holden. The painting is of an excavator parked on a cleared block of land. The land is on Colombo Street, near the corner of Armagh Street.
A PDF copy of pages 328-329 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Unsanctioned Graffiti Across the City'. Photo: Reuben Woods
A digital copy of a painting by Julia Holden. The painting is of building rubble and machinery. Gloucester Arcade and the badly-damaged Farmers building are in the background to the right.
A PDF copy of pages 142-143 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Artbox'. Drawings and photos with permission: F3 Design
A PDF copy of pages 288-289 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Greenzone'. Photo: Reuben Woods
A PDF copy of pages 66-67 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Capitalism Has Collapsed'. Photo: Reuben Woods
A PDF copy of pages 82-83 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Wonky Peterborough'. Photo: Reuben Woods
A PDF copy of pages 330-331 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Social Soup'. Photos: Joel Cocks
A PDF copy of pages 190-191 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Projects in Kaiapoi'. Photos: Gap Filler
The "Lyttelton Harbour Review" newsletter for 10 June 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 25 February 2013, produced by the Lyttelton Harbour Information Centre.
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged ChristChurch Cathedral, behind a temporary hoarding. The hoarding has been constructed on part of the footpath around Cathedral Square.