A photograph of a TVNZ camera operator filming the members of Crack'd for Christchurch during the launch of the Green Room garden. The members have gathered around their armchair and ottoman artwork. The armchair and ottoman are covered in white sheets and tied with a blue bow. They will be unveiled for the first time during the launch.Crack'd for Christchurch comments, "The whole team together."
An image featuring quotes from Henry Jaiswal (General Manager for Canterbury Migrants Centre Trust), Suzanne Lemon (Manager the Westpac Upper Riccarton) and Mark Jenkins (Manager for Westpac The Palms). The image reads, "Five years on I feel... Awesome! Henry Jaiswal, Christchurch Migrant Centre Trust. Tired, but hopeful. Suzanne Lemon, Upper Riccarton. Optimistic. Mark Jenkins, Westpac (The Palms)." All Right? uploaded the image as a Facebook cover photo on 1 March 2016 at 3:02pm.
An image featuring a quote by Anna Wilson, Physical Health Advisor for Sport Canterbury. The image reads, "Five years on I feel... Upset about what we've lost and gone through but excited for what may come// Anna Wilson, Sport Canterbury." All Right uploaded the image as a Facebook cover photo on 23 February 2016 at 9:37am. The view the image, see All Right? Five Years On I Feel: Creative Material 4 (JPEG)
A photograph of the earthquake damage to Café Valentino on Colombo Street. The façade of the closest section of the building has collapsed and the bricks have spilled onto the awning below. The same section of the awning has broken under the weight of the bricks and is resting against the ground. Bricks and other rubble cover the other sections of the awning and have spilled onto the footpath and street in the distance.
The ruins of the historic Durham Street Methodist Church in the aftermath of the 22 February 2011 earthquake. The only parts of the building still upright are those supported by steel braces placed there after the 4 September 2010 earthquake to strengthen the building as it awaited repairs. Rubble has spilled out onto the street, knocking over the safety fences that were also erected after September. Silt from liquefaction has covered the road around the church.
The ruins of the historic Durham Street Methodist Church in the aftermath of the 22 February 2011 earthquake. The only parts of the building still upright are those supported by steel braces placed there after the 4 September 2010 earthquake to strengthen the building as it awaited repairs. Rubble has spilled out onto the street, knocking over the safety fences that were also erected after September. Silt from liquefaction has covered the road around the church.
The ruins of the historic Durham Street Methodist Church in the aftermath of the 22 February 2011 earthquake. The only parts of the building still upright are those supported by steel braces placed there after the 4 September 2010 earthquake to strengthen the building as it awaited repairs. Rubble has spilled out onto the street, knocking over the safety fences that were also erected after September. Silt from liquefaction has covered the road around the church.
Damage to River Road in Richmond. The road surface is badly cracked and slumped, and liquefaction silt covers part of the road. Two people in gumboots walk towards a barrier erected across the road using road cones and warning tape, and in the background the badly twisted Medway Street bridge can be seen. The photographer comments, "Longitudinal cracks indicate lateral movement as the land sagged towards the river. Near 373 River Rd, looking south-east towards Medway St. The Medway St bridge is visible in the background".
Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. Weeds grow between cracks in the concrete patio. The photographer comments, "Revisiting our abandoned house. Cracked patio. The wooden floor is all that remains of a sunny living space with bifold doors, opening the house to the garden. This was so broken on 4/9/10 that it was immediately demolished".
A photograph of Crack'd for Christchurch's preparation for mosaicking their armchair artwork in a garage. A number of mosaics of flowers and leaves have been laid over the floor. Several cars covered in dust sheets are parked in the background. To the right, Jenny Cooper is placing paper mosaic designs on the arms of the chair.Crack'd for Christchurch comments, "Some of the flowers made over the summer, laid out and ready to go on the chair."
Volunteers photographed with one of Gap Filler's painted pianos. The piano has been set up at the demolished site of the Crowne Plaza Hotel. In the background, Gap Filler's Pallet Pavilion can be seen. The back of the piano has been covered by plastic sheeting with a picture of a dog. A wooden structure has also been built around the piano with Perspex and corrugated iron on top and plastic sheeting to the left and right. This is to protect the piano and pianist from wind and rain.
Welcome to the Recover newsletter Issue 5 from the Marine Ecology Research Group (MERG) of the University of Canterbury. Recover is designed to keep you updated on our MBIE-funded earthquake recovery project called RECOVER (Reef Ecology, Coastal Values & Earthquake Recovery). This 5th instalment covers the question of how much of the coast uplifted how much, recent lab work on seaweed responses to stressors, and more on our drone survey work to quantify earthquake impacts and recovery along 130 km of coastline in the intertidal zone!
An image of 'Polar Opposite': a cartoon cat and dog. 'Polar Opposite' is one of the 'Festive Besties, a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a Facebook cover photo on 18 December 2015 at 9:27am with the caption, "Who's your Polar Opposite? Hint: Like avo and Marmite, it'll be someone who you're an unlikely pair with! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
An image of 'Terrific Tinsel', an 'All Rightie' wrapped in Christmas decorations. 'Terrific Tinsel' is one of the 'Festive Besties, a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a Facebook cover photo on 17 December 2015 at 10:10am with the caption, "Who's your Terrific Tinsel? Hint: It'll be someone who brings sparkle to any situation and isn't afraid to stand out! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
An image of 'Jazzy Jandal': an 'All Rightie' riding a giant jandal like a surfboard. 'Jazzy Jandal' is one of the 'Festive Besties', a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a Facebook cover photo on 19 December 2015 at 5:41pm with the caption, "Who's your Jazzy Jandal? Hint: It'll be someone who is #1 for laid-back fun! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
An image of 'Energetic Elf': an 'All Rightie' with elf ears carrying a stack of presents. 'Energetic Elf' is one of the 'Festive Besties', a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a cover photo on 20 December 2015 at 5:22pm, with the caption, "Who's your Energetic Elf? Hint: It'll be someone who puts in the hard graft, often behind the scenes! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
An image of 'Brandy Snap': an 'All Rightie' wearing a brandy snap costume. 'Brandy Snap' is one of the 'Festive Besties, a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a Facebook cover photo on 20 December 2015 at 8:45am with the caption, "Who's your Brandy Snap? Hint: It'll be someone with a tough exterior and sweet insides to say it like it really is! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
The University of Canterbury's E-Learning team's temporary office in the James Hight building. The photographer comments, "First looks at our new temporary (maybe) office space. Our group will stay here until April or May 2011, then will move to another floor in the Central Library. My desk. I hope to get blinds to cover this internal window. Later - blinds are not allowed, so I rotated the desk 180 degrees. My back is now facing the window, but I'm far enough away that people won't be able to read my screens - and I don't have to look at people looking at me".
An image of 'Sparkly Spud': an 'All Rightie' harvesting a giant potato. 'Sparkly Spud' is one of the 'Festive Besties, a series of characters created by All Right? for their 2015 Christmas e-cards. All Right? used the image as a Facebook cover photo on 19 December 2015 at 7:40am with the caption, "Who's your Sparkly Spud? Hint: It'll be someone who is a new friend - tasty, sweet and signal that a new season of fun is just around the corner! Thank them and your other 2015 Besties today with our fab FREE tiles: allright.org.nz/festive".
A car on Rowses Road has its entire front half embedded in liquefaction after falling into a sink hole. Another car has its wheels stuck in the silt. In the foreground, a car drives through flooding which covers the road. The photographer comments, "Perhaps the most impressively stuck car was this small silver hatchback that went head first into a large hole in a street just off Shortland Street (between Shortland and Breezes Road) in Aranui. The rear hatch was open when we came across it. Apparently there had been one person and a dog inside but they managed to escape. The silt has now settled around and inside the car, making the vehicle an intimidating monument to the earthquake".
A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."
Results from a series of 1D seismic effective stress analyses of natural soil deposits from Christchurch are summarized. The analysed soil columns include sites whose performance during the 2010-2011 Canterbury earthquakes varied significantly, from no liquefaction manifestation at the ground surface to very severe liquefaction, in which case a large area of the site was covered by thick soil ejecta. Key soil profile characteristics and response mechanisms affecting the severity of surface liquefaction manifestation and subsequent damage are explored. The influence of shaking intensity on the triggering and contribution of these mechanisms is also discussed. Careful examination of the results highlights the importance of considering the deposit as a whole, i.e. a system of layers, including interactions between layers in the dynamic response and through pore water pressure redistribution and water flow.
The latest two great earthquake sequences; 2010- 2011 Canterbury Earthquake and 2016 Kaikoura Earthquake, necessitate a better understanding of the New Zealand seismic hazard condition for new building design and detailed assessment of existing buildings. It is important to note, however, that the New Zealand seismic hazard map in NZS 1170.5.2004 is generalised in effort to cover all of New Zealand and limited to a earthquake database prior to 2001. This is “common” that site-specific studies typically provide spectral accelerations different to those shown on the national map (Z values in NZS 1170.5:2004); and sometimes even lower. Moreover, Section 5.2 of Module 1 of the Earthquake Geotechnical Engineering Practice series provide the guidelines to perform site- specific studies.
We measure the longer-term effect of a major earthquake on the local economy, using night-time light intensity measured from space, and investigate whether insurance claim payments for damaged residential property affected the local recovery process. We focus on the destructive Canterbury Earthquake Sequence (CES) 2010 -2011 as our case study. Uniquely for this event, more than 95% of residential housing units were covered by insurance, but insurance payments were staggered over 5 years, enabling us to identify their local impact. We find that night-time luminosity can capture the process of recovery and describe the recovery’s determinants. We also find that insurance payments contributed significantly to the process of economic recovery after the earthquake, but delayed payments were less affective and cash settlement of claims were more effective than insurance-managed repairs in contributing to local recovery.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Risk Acceptance. It is the role of insurance companies, the EQC included, to accept the risks covered under their terms of reference/policies and compensate policyholders when such risks eventuate. However, many policyholders in Christchurch have not been compensated for the damage to their homes and their lives. These responsibilities need to be faced by the entities responsible. An equitable solution needs to be found for properties with hazards such as flooding that are a direct result of the earthquakes. In tandem with this, every effort must be made to protect residents from the risks posed by climate change. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents".
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? Looking at the recovery from the perspective of the eastern suburbs, it is impossible to avoid thinking of phenomenon referred to as 'Disaster Capitalism' and considering the aspects that have already become evident in the recovery process. Loss of equity and quality of life, risk transfer and other substantial shifts are taking place. We suggest that a regular mini-census should be conducted through the remainder of the recovery at intervals of 6-12 months to monitor deprivation, insurance cover (or lack of it), mortgage, home equity, and rental status. If unexpected changes identified, investigation and correction measures should be implemented. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents ."
The Catholic Cathedral of the Blessed Sacrament is a category 1 listed heritage building constructed largely of unreinforced stone masonry, and was significantly damaged in the recent Canterbury earthquakes. The building experienced ground shaking in excess of its capacity leading to block failures and partial collapse of parts of the building, which left the building standing but still posing a significant hazard. In this paper we discuss the approach to securing the building, and the interaction of the structural, heritage and safety demands involved in a dynamic seismic risk environment. We briefly cover the types of failures observed and the behaviour of the structure, and investigate the performance of both strengthened and un-strengthened parts of the building. Seismic strengthening options are investigated at a conceptual level. We draw conclusions as to how the building performed in the earthquakes, comment on the effectiveness of the strengthening and securing work and discuss the potential seismic strengthening methods.
Research following the 2010-2011 Canterbury earthquakes investigated the minimum vertical reinforcement required in RC walls to generate well distributed cracking in the plastic hinge region. However, the influence of the loading sequence and rate has not been fully addressed. The new minimum vertical reinforcement limits in NZS 3101:2006 (Amendment 3) include consideration of the material strengths under dynamic load rates, but these provisions have not been validated at a member or system level. A series of tests were conducted on RC prisms to investigate the effect of loading rate and sequence on the local behaviour of RC members. Fifteen axially loaded RC prisms with the designs representing the end region of RC walls were tested under various loading rates to cover the range of pseudo-static and earthquake loading scenarios. These tests will provide substantial data for understanding the local behaviour of RC members, including hysteretic load-deformation behaviour, crack patterns, failure mode, steel strain, strain rate and ductility. Recommendations will be made regarding the effect of loading rate and reinforcement content on the cracking behaviour and ductility of RC members.
This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.
The Canterbury earthquake series of 2010/2011 has turned the city of Christchurch into a full scale natural laboratory testing the structural and non-structural response of buildings under moderate to very severe earthquake shaking. The lessons learned from this, which have come at great cost socially and economically, are extremely valuable in increasing our understanding of whole building performance in severe earthquakes. Given current initiatives underway on both sides of the Tasman towards developing joint Australasian steel and composite steel/concrete design and construction standards that would span a very wide range of geological conditions and seismic zones, these lessons are relevant to both countries. This paper focusses on the performance of steel framed buildings in Christchurch city, with greatest emphasis on multi-storey buildings, but also covering single storey steel framed buildings and light steel framed housing. It addresses such issues as the magnitude and structural impact of the earthquake series, importance of good detailing, lack of observed column base hinging, the excellent performance of composite floors and it will briefly cover research underway to quantify some of these effects for use in design.