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Images, UC QuakeStudies

Lyttelton band, Runaround Sue, perform at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of their project's site with a fence made of old metal bed heads. The fence has been decorated with fairy lights.

Images, UC QuakeStudies

A damaged brick building has wooden bracing holding the walls together. The photographer comments, "This building came through the September Christchurch quake with a few band aid plasters, but the February quake means that she is now DNR (Do Not Resuscitate)".

Images, Canterbury Museum

One landscape colour digital photograph taken on 1 March 2011 showing a band playing in the memorial service in Queenstown's central square. The 6.3 magnitude earthquake that struck Christchurch on 22 February 2011 shocked most New Zealanders. Memorial services were held around the country, many were held in conjunction with a fundraising initi...

Research papers, University of Canterbury Library

In this paper we apply Full waveform tomography (FWT) based on the Adjoint-Wavefield (AW) method to iteratively invert a 3-D geophysical velocity model for the Canterbury region (Lee, 2017) from a simple initial model. The seismic wavefields was generated using numerical solution of the 3-D elastodynamic/ visco- elastodynamic equations (EMOD3D was adopted (Graves, 1996)), and through the AW method, gradients of model parameters (compression and shear wave velocity) were computed by implementing the cross-adjoint of forward and backward wavefields. The reversed-in-time displacement residual was utilized as the adjoint source. For inversion, we also account for the near source/ station effects, gradient precondition, smoothening (Gaussian filter in spatial domain) and optimal step length. Simulation-to-observation misfit measurements based on 191 sources at 78 seismic stations in the Canterbury region (Figure 1) were used into our inversion. The inversion process includes multiple frequency bands, starting from 0-0.05Hz, and advancing to higher frequency bands (0-0.1Hz and 0-0.2Hz). Each frequency band was used for up to 10 iterations or no optimal step length found. After 3 FWT inversion runs, the simulated seismograms computed using our final model show a good matching with the observed seismograms at frequencies from 0 - 0.2 Hz and the normalized least-squared misfit error has been significantly reduced. Over all, the synthetic study of FWT shows a good application to improve the crustal velocity models from the existed geological models and the seismic data of the different earthquake events happened in the Canterbury region.

Images, UC QuakeStudies

Photograph captioned by BeckerFraserPhotos, "The Forsyth Barr building and PricewaterhouseCoopers building. It was recently announced that PricewaterhouseCoopers will be demolished as it is uneconomic to restore, and we understand Forsyth Barr is still under discussion".

Images, UC QuakeStudies

Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.

Images, UC QuakeStudies

A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.

Images, UC QuakeStudies

A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a bus stop timetable.

Images, UC QuakeStudies

A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a wall.

Images, UC QuakeStudies

Lyttelton band, Runaround Sue, performing at Gap Filler's "Film in the Gap!" project in Beckenham. Gap Filler have enclosed one side of the site with a fence made of old metal bed heads. The fence has been decorated with fairy lights. Other decorations to the project sight includes the brightly coloured bunting above the audience, which is attached to the wall of Beckenham's Mitre 10.

Images, UC QuakeStudies

A digitally manipulated image of a poster advertising a performance in New Brighton by bands Mynor Star, Reflekshun and Loaded Victim. The photographer comments, "The Bar 25 had this night of rock on the 18 December 2011, but the earthquake on December 23 just off of the coast close by got it shut down".

Research papers, University of Canterbury Library

The combination of music and disaster has been the subject of much study, especially starstudded telethons and songs that commemorate tragedy. However, there are many other ways that music can be used after disaster that provide benefits far greater than money or memorials but are not necessarily as prominent in the worldwide media landscape. Beginning in September 2010, the city of Christchurch, New Zealand, has been struck by several major earthquakes and over 11,000 aftershocks, the most destructive of which caused 185 deaths. As with many other disasters, music has been used as a method of fundraising and commemoration, but personal experience suggests many other ways that music can be used as a coping mechanism and aid to personal and community recovery. Therefore, in order to uncover the connections, context, and strategies behind its use, this thesis addresses the question: Since the earthquakes began, how has popular music been beneficial for the city and people of Christchurch? As well as documenting a wide variety of musical ‘earthquake relief’ events and charitable releases, this research also explores some of the more intangible aspects of the music-aid relationship. Two central themes are presented – fundraising and psychosocial uses – utilising individual voices and case studies to illustrate the benefits of music use after disaster at a community or city-wide level. Together the disparate threads and story fragments weave a detailed picture of the ways in which music as shared experience, as text, as commodity, and as a tool for memory and movement has been incorporated into the fabric of the city during the recovery phase.

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 showing the Godley Head Lighthouse and cliffs. Taken from the entrance to Lyttelton Harbour looking north. The Godley Head Lighthouse (K4286) was discontinued on 6 July 2012. Volcanic banding is visible in the face of the cliffs. There were several major rock falls along the coastal ...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 off Godley Head looking north to Boulder Bay and Taylors Mistake. Rock which fell from the cliffs is heaped at the waters edge. Volcanic banding is visible in the face of the cliffs. There were several major rock falls along the coastal cliffs near Christchurch and Lyttelton Harbour....

Images, UC QuakeStudies

A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a sign board attached to a cordon fence.

Images, Canterbury Museum

One black metal spade with plastic handle; white band towards handle. Spade is well used and features remnants of liquefaction. Used by Student Volunteer Army in the clean up after 4 September 2010 earthquake. It is estimated that 1,750 spades similar to this one were used in the cleanup of Christchurch after both the 4 September 2010 and 22 Fe...

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 off Godley Head looking west towards the face of the cliffs. Rock which fell from the cliffs is heaped at the waters edge. Some of the buildings from the coastal defence battery are visible on top of the cliff. Volcanic banding is visible in the face of the cliffs. There were severa...

Audio, Radio New Zealand

From the time it opened in the 1920s, the Winter Garden ballroom was the place to go for debutante balls and big-band concerts in Christchurch. Queen Elizabeth II even dined there during her visit in 1954. But this special part of Christchurch's history is over and the Armagh Street building has been placed on the urgent demolition list because of earthquake damage. Tiny Kirk is the chairman of the Trade Union Centre which has owned the building since 1984.

Videos, UC QuakeStudies

A video of Adam McGrath, Jess Shanks and Alice Ryan Williams from Lyttelton band The Eastern singing songs to people in the community. The song recipients were nominated by family, friends or workmates, and in total seven people were chosen, including a teacher, office worker and traffic controller. The video and event were organised by All Right?. The video was distributed by The Press and was posted to the All Right? Facebook Timeline in October 2014.

Images, UC QuakeStudies

An aerial photograph of the Copthorne Hotel on Colombo Street. The photograph has been captioned by BeckerFraserPhotos, "When the PricewaterhouseCoopers building is demolished, the Copthorne Central Hotel will be alone on the block. Oxford on the Avon and Plunket House are also gone from Oxford Terrace, and on the other side of the river is the demolition site of the PGC building where 18 people died".

Images, UC QuakeStudies

Digitally manipulated image of graffiti on a brick building on St Asaph Street. The graffiti depicts a sticking plaster over a broken section of the wall, with the words "I'll kiss it better". The photographer comments, "After the 22 February 2011 earthquake in Christchurch band aid plasters starting to appear in different parts of the city on damaged buildings. A year later most can still be seen. This one was once a whole plaster, but it has slowly broken up where it crossed the gap. The red bricks seen to symbolise the terrible wounds caused to the City and it's people".