The dome of the Isaac Theatre Royal, covered in plastic sheeting and suspended in its stage area, awaits restoration.
The Rolleston Avenue side of the Arts Centre, cordoned off. The turret from one of the towers is on the ground to prevent further damage.
Damage to the Cranmer Courts. Missing sections of wall have been replaced with plywood sheeting.
The Great Hall of the Arts Centre, with bracing protecting its roof.
Broken and buckled stained glass windows on the Provincial Chambers.
Damage to the Cathedral. A public walkway through to a small viewing area in the Square was opened up for a few weekends to allow the public to see inside the Red Zone.
Damage to the Cathedral. A public walkway through to a small viewing area in the Square was opened up for a few weekends to allow the public to see inside the Red Zone.
Damage to the Cathedral, seen from Gloucester Street during the LuxCity event.
One building left standing in an otherwise empty block.
The old Magistrate's Court, one of the few old stone buildings still standing, and apparently unharmed.
Bracing and shelters built over the Provincial Chambers to prevent further damage.
A sign on the cordon fence near Victoria Square gives the opening hours for public access to the recently re-opened square. In the background, the Cathedral is visible, seen through the gap where a building has been demolished.
The statue of Queen Victoria overlooks a pile of demolition rubble on Colombo Street.
The damaged Provincial Chambers, seen through the cordon fence.
Temporary covering protecting the Provincial Chambers from further damage.
Protective coverings on the damaged Provincial Chambers.
The Kate Shepard memorial and Our City O-Tautahi seen through the cordon fencing.
Damage to the north side of the Cathedral. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the Cathedral.
Weeds growing around the war memorial in Cathedral Square. A walkway from Gloucester Street to the Square was opened up for a few days to allow the public a closer look at the Cathedral.
Caleb Middendorf tries out the penny farthing bicycle in one of the reopened galleries of the Canterbury Museum.
The east side of the Odeon Theatre, showing the severe damage at the back of the theatre. Shipping containers in front of the building protect Tuam Street in case it falls.
The east side of the Odeon Theatre, showing the severe damage at the back of the theatre. Part of the roof sits on the ground in the section next door.
The former Majestic Theatre on the corner of High, Lichfield and Manchester Streets, seen through the cordon fencing from Tuam Street.
Detail of damage to the Odeon Theatre.
An old advertising sign for Polson's decorators and signwriters exposed on the side of a building on Manchester Street. Behind is the facade of the Excelsior Hotel, protected by shipping containers.
Scaffolding supporting the McKenzie and Willis building. A New Zealand flag still flies from the flagpole above the damaged building.
The C.F. Cotter & Co building stands alone, with the buildings on either side having been demolished. A sign on the building reads "Buy me don't bowl me!
Seen through the cordon fence, the C.F. Cotter & Co building stands alone, with the buildings on either side having been demolished.
The text of a Pecha Kucha talk titled, "A working week in the Recovery Centre". The talk was given by Moya Sherrif, CCCRC Intern, at the Museums Aotearoa Conference on 4 April 2014.
A blog post from Moya Sherriff about her ninth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff writes about treatment of textile collections following a visit from Te Papa conservator Rachel Collinge. This blog post was downloaded on 18 November 2014.