A photograph of a woman on a raised platform outside the Police Building, corner of Hereford Street and Cambridge Terrace. She is painting a mural titled Intersection Point, a collaboration between architect Amiria Kiddle and engineer Helen Trappitt for FESTA 2013.
A photograph of a mural on the corner of the Police Building, corner of Hereford Street and Cambridge Terrace. The mural is titled Intersection Point, and is a collaboration between architect Amiria Kiddle and engineer Helen Trappitt for FESTA 2013.
A close-up photograph of a 3D-printed WikiHouse stamp, made for FESTA 2013. As part of FESTA, a demonstration and hands-on building workshop titled Go Ahead... Make Your Space was held at CPIT.
A photograph of a mural on the corner of the Police Building, corner of Hereford Street and Cambridge Terrace. The mural is titled Intersection Point, and is a collaboration between architect Amiria Kiddle and engineer Helen Trappitt for FESTA 2013.
A photograph of modular, wooden WikiHouse pieces, ready to be assembled during a demonstration and hands-on building workshop. The workshop, titled Go Ahead... Make Your Space, was held at CPIT as part of FESTA 2013.
A photograph of a cleared building site between Hereford Street and Cashel Street. Part of the site has been fenced off. In the distance there is an excavator behind a partially-demolished brick building, and there is a crane across the road on Hereford Street.
Page 1 of Section A of the Christchurch Press, published on Tuesday 30 July 2013.
It is well known that buildings constructed using unreinforced masonry (URM) are susceptible to damage from earthquake induced lateral forces that may result in partial or full building collapse. The 2010/2011 Canterbury earthquakes are the most recent New Zealand example of destructive earthquakes, which have drawn people's attention to the inherent seismic weaknesses of URM buildings and anchored masonry veneer systems in New Zealand. A brief review of the data collected following the 2010 Darfield earthquake and more comprehensive documentation of data that was collected following the 2011 Christchurch earthquake is presented, along with the findings from subsequent data interrogation. Large stocks of earthquake prone vintage URM buildings that remain in New Zealand and in other seismically active parts of the world result in the need for minimally invasive and cost effective seismic retrofit techniques. The principal objective of the doctoral research reported herein was to investigate the applicability of near surface mounted (NSM) carbon fibre reinforced polymer (CFRP) strips as a seismic improvement technique. A comprehensive experimental program consisting of 53 pull tests is presented and is used to assess the accuracy of existing FRP-to-masonry bond models, with a modified model being proposed. The strength characteristics of vintage clay brick URM wall panels from two existing URM buildings was established and used as a benchmark when manufacturing replica clay brick test assemblages. The applicability of using NSM CFRP strips as a retrofitting technique for improving the shear strength and the ductility capacity of multi-leaf URM walls constructed using solid clay brick masonry is investigated by varying CFRP reinforcement ratios. Lastly, an experimental program was undertaken to validate the proposed design methodology for improving the strength capacity of URM walls. The program involved testing full-scale walls in a laboratory setting and testing full-scale walls in-situ in existing vintage URM buildings. Experimental test results illustrated that the NSM CFRP technique is an effective method to seismically strengthen URM buildings.
A photograph captioned by Paul Corliss, "Crichton Cobbers demolition".
A photograph of the former Trinity Church.
A photograph of the former Trinity Church.
A photograph of the former Trinity Church.
A view looking north along London Street of buildings in Lyttelton.
A photograph of the backs of badly-damaged High Street buildings.
A photograph of the back of badly-damaged High Street buildings.
Tributes left on the cordon fence around the CTV Building site.
Tributes left on the cordon fence around the CTV Building site.
Graffiti on the side of a damaged building on Lichfield Street
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the back of badly-damaged High Street buildings.
A photograph of the back of badly-damaged High Street buildings.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the badly-damaged building at 128 Manchester Street.
The Crossing building on Colombo Street, seen through the cordon fence.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the back of badly-damaged High Street buildings.
Heritage buildings are an important element of our urban environments, representing the hope and aspirations of a generation gone, reminding us of our achievements and our identity. When heritage buildings suffer damage, or fall into disrepair they are either met by one of two extremes; a bulldozer or painstaking repair. If the decision to conserve defeats the bulldozer, current heritage practice favours restoration into a mausoleum-type monument to yesteryear. But what if, rather than becoming a museum, these heritage buildings could live on and become a palimpsest of history? What if the damage was embraced and embodied in the repair? The Cathedral of the Blessed Sacrament on Barbadoes Street, Christchurch is the case study building for this thesis. Suffering damage in the Canterbury earthquakes of 2010 and 2011, the Cathedral sits in ruin waiting for decisions to be made around how it can be retained for future generations. This thesis will propose a reconstruction for the Cathedral through the analysis of precedent examples of reconstructing damaged heritage buildings and guided by a heritage framework proposed in this thesis. The employed process will be documented as an alternative method for reconstructing other damaged heritage buildings.
A time-lapse video of New Regent Street, taken from The Press building, which accidentally captured the collapse of the Copthorne Hotel. A cloud of dust from the collapsing building can be seen in the top of the video. The hotel collapsed while it was being demolished.