A photograph of an artwork detail of an All Right? poster. The artwork detail is from the poster which usually reads, "Tried something a little different lately?" The poster is part of a set of advertisements which asks a question of the viewer, related to their mental health and wellbeing.
A photograph submitted by Bettina Evans to the QuakeStories website. The description reads, "A memorial blanket in creation, depicting some of the buildings lost in the earthquake in Lyttelton. Dozens of people are helping with the sewing – this is a follow on from the heart stitching which happened spontaneously in Lyttelton on London street after the February earthquake.".
A digital photograph in PDF format with caption. Image from the inside of a Red Zoned home in the Horseshoe Lake area. Image depicts the dining area where a poem had been written on the walls by a member of the family. Poem talks about the earthquake, living in Horseshoe Lake, and being Red Zoned and what that means.
An image promoting the All Right? '#BrighterAutumn' competition. The competition encouraged people to upload a photograph of something good about autumn to the All Right? Facebook page or Instagram with the hashtag '#BrighterAutumn'. All Right? posted the image on their Facebook Timeline on 15 April 2016 at 9:25pm.
A photograph submitted by Ginny Larsen to the QuakeStories website. The description reads, "Roadworks are a constant way of life in Christchurch post’quake. This is October 2012 – two weeks out from a major community event attended by over 1,000 people – imagine the organiser’s stress as they had moved right across the entrance to Redwood Place by the time it was happening!".
An image describing how to enter the All Right? '#BrighterAutumn' competition. The competition encouraged people to upload a photograph of something good about autumn to the All Right Facebook page or Instagram with the hashtag '#BrighterAutumn'. All Right? posted the image on their Facebook Timeline on 18 April 2016 at 6:40pm.
A photograph submitted by Scott Thomas to the QuakeStories website. The description reads, "The picture is of St Martins, a suburb just 2 minutes drive up the street from my place. The photo does not do it justice but this road was like the moon, it used to be flat and it is wet due to burst pipes. Photo taken shortly after the 22 Feb 2011 earthquake".
A photograph submitted by Scott Thomas to the QuakeStories website. The description reads, "The two separate piles of dirt outside on the street from mine and the 5 other townhouses I share my driveway with. In the distance you can see rubble on the ground and if you look carefully you can make out the bumps where the energy released has warped the road. Taken 28 February 2011.".
A photograph submitted by Tim Kerr to the QuakeStories website. The description reads, "This little one became my main shit truck. It wore out clutch mechanisms at a great rate. Several drivers were sacked for buggering it up. When having the little truck serviced I checked up on its history. It had had incessant clutch problems BEFORE it was allocated to the TransPac shit-collectors!".
A paper submitted by Andrew Moore in partial fulfilment of the degree of Bachelor of Music with Honours, covering the effects of the Canterbury earthquakes on the musical life of Christchurch. Dissertation supervised by Dr Elaine Dobson, University of Canterbury School of Music. All photographs from The Press are copyright Fairfax Media and are used with permission.
A PDF copy of red-zoned Kaiapoi resident Barbara Townsend and Jackson's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Carroll family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Willy and Andrew Martin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Evans family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi resident Arline Grimshaw's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Rolleston-Belworthy-Mataki family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Amanda from Halswell taking part in #FiveYearsOn. Evans holds a sign which reads, "Amanda Evans, Halswell Lyttelton areas// Five years on, I feel... Waiting to hear and wats our city had to Rebuild and feel Better to see our New City because No more Sad City either. Wants to feels happy and sleeping Much Better [sic]".
A PDF copy of red-zoned Kaiapoi residents Karen, Clive, Kirsty and Daniel Lingley Richardson's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gillian Rayner and Harry Stanton's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Dee, Marc, Nicole and Thomas Brocherie's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Jenny Barker and Pat Barker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bev Evans and Fred Evans's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bob Hawker and Judy Hawker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Lana, Dan, Tori, Rico and Aria McLean's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Shirley Jenkin's and Peter Jenkin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of All Right? advertisements on the back of a bus at the Red Bus depot on Ferry Road. The advertisement depicts an 'All Rightie' trimming a hedge and reads, "When did you last show a little love?" The posters are part of a set of advertisements which ask a question of the viewer, related to their mental health and wellbeing.
A PDF copy of red-zoned Kaiapoi residents Chris Patterson and Nigel Swain's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Mick Mariner and Rose Mariner's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Derek Woodward and Claire Woodward's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.