A photograph of a poster on the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster is in the style of Barack Obama's "Hope" campaign poster, and depicts Bryan Staples with the message "Insurance, hope".
A PDF copy of pages 48-49 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Reconstruction: Conversations on a City'. Photo: Tim Church. With permission: Christchurch City Council.
A digital copy of a painting by Julia Holden. The painting is of building rubble and an excavator. In the background is the Forsyth Barr building.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Catholic Basilica, partially supported by shipping containers.
A digital copy of a painting by Julia Holden. The painting is of shipping containers along the right side of the ChristChurch Cathedral.
A photograph of a cleared building site between High Street and Lichfield Street. Part of a sculpture installation by Miranda Parkes can be seen on the right.
A digital copy of a painting by Julia Holden. The painting is of building rubble on an empty building site on the corner of Gloucester and Colombo Streets.
A digital copy of a painting by Julia Holden. The painting is of the Inland Revenue building on the corner of Cashel Street and Madras Streets.
A copy of the CanCERN online newsletter published on 3 May 2013
A copy of the CanCERN online newsletter published on 23 August 2013
The "Lyttelton Harbour Review" newsletter for 21 January 2013, produced by the Lyttelton Harbour Information Centre.
A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A photograph of picket signs in the windows of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The signs read, "Welcome to EQC,. Your call is important to us...", "EQC: fool me once, shame on you...", "Pig brother is watching you", and "Another winter of discontent".
A photograph of a mural by Chris Finlayson and Dean Blundell on the side of the Manchester Street car park. The artwork gives the illusion that unconventional vehicles are parked in the parking building. The vehicles include an aeroplane, steam train, helicopter, tractor, steamroller, excavator, and two old-fashioned cars.
A digital copy of a painting by Julia Holden. The painting is of Lichfield Street, looking east from the intersection of Colombo Street. The road has been fenced off and there are damaged buildings in the background.
A photograph of damaged buildings and empty site on the corner of Lichfield Street and Madras Street. A mural commissioned by Gap Filler titled 'Knit Happens' has been painted on the brick wall in the corner of the remaining buildings.
A photograph of damaged buildings near the corner of Lichfield Street and Madras Street. A mural commissioned by Gap Filler titled 'Knit Happens' has been painted on the brick wall in the corner of the remaining buildings.
A PDF copy of pages 370-371 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Orange Tree'. Photos, except sewing, by Joyce Majendie. Sewing photo by Pete Majendie.
A PDF copy of pages 338-339 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Inside Out Project With Central New Brighton School'. Photos: Denise Mill
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
A digital copy of a painting by Julia Holden. The painting is of road cones on Colombo Street. In the background is the badly-damaged ChristChurch Cathedral.
A digital copy of a painting by Julia Holden. The painting is of the badly-damaged Octagon Live restaurant on the corner of Oxford Terrace and Manchester Street.
A digital copy of a painting by Julia Holden. The painting is of shipping containers stacked against a building on the corner of Manchester Street and Lichfield Street.
A PDF copy of pages 256-257 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Crux'. Photos: Trent Hiles
A PDF copy of pages 118-119 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Mural Madness'.
A PDF copy of pages 120-121 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Brighton Up!'.
A PDF copy of pages 346-347 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Frames'. Photos: Te-O