A photograph of Helen Campbell in the Green Room garden on Colombo Street. Helen has been repairing Crack'd for Christchurch's armchair and ottoman mosaics.
A photograph of Crack'd for Christchurch's finished armchair mosaic.Crack'd for Christchurch comments, "Mid September 2014, 5 days before the launch. Flora ready to go and meet Otto."
A photograph of members of Crack'd for Christchurch coating their armchair mosaic with sealant.
A photograph of Marie Hudson lifting a tarpaulin to examine Crack'd for Christchurch's armchair artwork in the Green Room garden on Colombo Street. The armchair has just been lowered onto a platform in the garden.
A digital copy of a plan for the Greening the Rubble Green Room garden on Colombo Street. The plan shows a sketch of the garden including a raised floor, flower beds, a paved path, and a picket fence. It also contains measurements and notes on what will be planted in the beds.
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Once the opus starts to go on, things speed up. We have a September deadline for the big reveal. Here we are in July. From left: Helen Campbell, Jennie Cooper, and Sharon Wilson."
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."
A photograph of a camera operator from TVNZ filming the placement of Crack'd for Christchurch's ottoman artwork onto a platform. The platform is in the Green Room garden on Colombo Street.
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair.Crack'd for Christchurch comments, "Slow progress. Sometimes we thought we'd never get her finished. We were all battling our own earthquake consequences: losing homes and jobs, battling with insurers, illnesses and repairs. It was a long winter. But the conversation, food, laughter, and company were wonderful. An unforgettable experience."
A photograph of the paved path in the Green Room garden on Colombo Street. The path was designed to travel around the garden, leading up to the platform holding Crack'd for Christchurch's armchair and ottoman artworks.Crack'd for Christchurch comments, "The Green Room was built by Jonathan Hall and planted by Gina Payne."
A photograph of the partially-completed Green Room garden on Colombo Street. Crack'd for Christchurch's armchair and mosaic artworks are on a platform in the back. The armchair and ottoman have been wrapped in tarpaulins until their unveiling. Wire fences have been placed around the section as a cordon.Crack'd for Christchurch comments, "Flora and Otto waiting for their big day, with the garden still to be finished."
A photograph of members of Crack'd for Christchurch polishing the flower mosaics on their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, and Jenny Cooper."
A photograph of Crack'd for Christchurch's armchair and ottoman artworks in the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Flora and Otto in their lovely garden, made up of plants and materials salvaged from the Christchurch Red Zone."
A promotional flyer which describes the For Real recruitment and training process.
Young women's experiences of the COVID-19 pandemic - Information sheet.
A photograph taken in 2013, showing one of the 32 large 'Open for Business' signs placed on all of the main routes into the CBD.
A promotional flyer which describes the experiences of four For Real recruits.
A photograph of street art constructed against the wall of a building in New Brighton Mall. The artwork is titled, "My Hope for New Brighton", and consists of a blackboard full of messages and images from the public.
Friday 22 February 2013. File reference: CCL-2013 -02-22-IMG_4089 From the collection of Christchurch City Libraries.
Re:START Mall, Cashel Street, Christchurch. Friday 22 February 2013. File reference: CCL-2013 -02-22-IMG_4090 From the collection of Christchurch City Libraries.
A document which describes the SCIRT model and how it drove both collaboration and competition.
A natural disaster will inevitably strike New Zealand in the coming years, damaging educational facilities. Delays in building quality replacement facilities will lead to short-term disruption of education, risking long-term inequalities for the affected students. The Christchurch earthquake demonstrated the issues arising from a lack of school planning and support. This research proposes a system that can effectively provide rapid, prefabricated, primary schools in post-disaster environments. The aim is to continue education for children in the short term, while using construction that is suitable until the total replacement of the given school is completed. The expandable prefabricated architecture meets the strength, time, and transport requirements to deliver a robust, rapid relief temporary construction. It is also adaptable to any area within New Zealand. This design solution supports personal well-being and mitigates the risk of educational gaps, PTSD linked with anxiety and depression, and many other mental health disorders that can impact students and teachers after a natural disaster.
Photograph captioned by BeckerFraserPhotos, "Memorials left at the Cashel Street cordon by the Bridge of Remembrance".
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
Photograph captioned by BeckerFraserPhotos, "A memorial left at the Cashel Street cordon by the Bridge of Rembrance".
Photograph captioned by BeckerFraserPhotos, "A memorial left by the Governor General at the Cashel Street cordon by the Bridge of Rembrance".
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.