A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The talk was part of FESTA 2012.
A photograph of Martin Trusttum, CPIT Faculty of Creative Arts, giving a public talk about ArtBox on the corner of St Asaph Street and Madras Street. The photograph was taken during a public talk about the temporary studio and gallery space. The event was part of FESTA 2012.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The talk was part of FESTA 2012.
An image designed for use as a sticker for the All Right? Winter Survival Kit. The image reads, "What makes you feel all right? Sharing kai with the whānau".
An image designed for use as a sticker for the All Right? Winter Survival Kit. The image reads, "What makes you feel all right? Enjoying little moments of wonder".
A PDF copy of a bookmark design. The first image reads, "Amazing Adventures can begin when we discover something new," and the second reads, "We love our local libraries".
A photograph captioned by BeckerFraserPhotos, "St Bartholomew's Anglican Church in Kaiapoi is the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An image designed for use as a sticker for the All Right? Winter Survival Kit. The image reads, "What makes you feel all right? Reading or exploring your local library".
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
Photograph captioned by BeckerFraserPhotos, "The inside of St Bartholomew's Anglican Church in Kaiapoi, the oldest surviving church in Canterbury. It was designed by Benjamin Mountfort and completed in 1855".
A PDF copy of a billboard design advertising All Right?, including the All Right? smartphone app. The advertisement featuring a smartphone appeared on a hoarding opposite C1 cafe, and on Marshlands Road.
A PDF copy of a Christmas card design. The front of the card depicts a family of 'All Righties' sharing some kai. The inside of the card reads, "Merry Christmas. Meri Kirihimete".
A PDF copy of The Star newspaper, published on Friday 7 September 2012.
An image designed for use as a web button. The image depicts two 'All Righties' knitting. The image is usually accompanied by the text, "When did you last share your hidden talents?".
A photograph of a half-finished mosaic design sitting on a table.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.
An image designed for use as a web button. The image depicts two 'All Righties' catching up over coffee. The image is usually accompanied by the text, "When was your last mate date?".
An image designed for use as a web button. The image depicts an 'All Rightie' listening to music and dancing. The image is usually accompanied by the text, "Had a good boogie lately?".
A PDF copy of a two posters designed for Christchurch's Samoan speaking communities. The posters are from phase 1 of All Right? Campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of a poster designed for Christchurch's Mandarin speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of a poster designed for Christchurch's Gaelic speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
A PDF copy of the designs for the 'Canterbury Rollercoaster' fridge magnets that were available from the All Right? website. The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF copy of a poster designed for Christchurch's Korean speaking communities. The poster is from phase 1 of the All Right? campaign, which sought to normalise emotional experiences in post-quake Christchurch.
An image designed for use as a web button. The image depicts two 'All Righties' carrying a couch together. The image is usually accompanied by the text, "Shown a mate you care lately?".
A Gap Filler mini-golf site made out of recycled materials. This hole was situated on Manchester Street on an empty demolition site. Gap Filler volunteers and community groups designed and installed mini-golf holes on vacant sites around the central business district.
A plan which describes how SCIRT will manage the coordination of utility authority liaison and utility relocation or protection during the design and construction phases of the rebuild schedule. The first version of this plan was produced on 15 November 2011.