A photograph of emergency management personnel working in the Christchurch Art Gallery.
A photograph of the earthquake damage to the roof of the Bealey Denture Clinic on Bealey Avenue.
A photograph of USAR codes spray painted on a set of letterboxes in the Christchurch central city.
A photograph of USAR tools and supplies laid out and organised in Latimer Square.
A photograph of USAR tools and supplies laid out and organised in Latimer Square.
A photograph of rubble from a demolished house on the corner of Springfield Road and Bealey Avenue.
A photograph of children playing around a pouwhenua outside Nga Hau e Wha Marae on Pages Road.
A photograph of masonry removed from Cranmer Courts on the corner of Montreal and Kilmore Streets.
A photograph of USAR tools and supplies laid out and organised in Latimer Square.
A photograph of emergency management personnel working in the Christchurch Art Gallery.
A photograph of a member of the Wellington Emergency Management Office on a ferry.
A photograph of a tree in Hagley Park which has fallen over and crushed a shipping container.
A photograph of a member of the Wellington Emergency Management Office on a ferry.
A photograph of a tree in Hagley Park which has fallen over and crushed a shipping container.
A photograph of a tree in Hagley Park which has fallen over and crushed a shipping container.
A photograph of furniture outside Asko Designs on Victoria Street being placed in a shipping container.
The Canterbury earthquake sequence of 2010-2011 wrought ruptures in not only the physical landscape of Canterbury and Christchurch’s material form, but also in its social, economic, and political fabrics and the lives of Christchurch inhabitants. In the years that followed, the widespread demolition of the CBD that followed the earthquakes produced a bleak landscape of grey rubble punctuated by damaged, abandoned buildings. It was into this post-earthquake landscape that Gap Filler and other ‘transitional’ organisations inserted playful, creative, experimental projects to bring life and energy back into the CBD. This thesis examines those interventions and the development of the ‘Transitional Movement’ between July 2013 and June 2015 via the methods of walking interviews and participant observation. This critical period in Christchurch’s recovery serves as an example of what happens when do-it-yourself (DIY) urbanism is done at scale across the CBD and what urban experimentation can offer city-making. Through an understanding of space as produced, informed by Lefebvre’s thinking, I explore how these creative urban interventions manifested a different temporality to orthodox planning and demonstrate how the ‘soft’ politics of these interventions contain the potential for gentrification and also a more radical politics of the city, by creating an opening space for difference.
A photograph of building rubble on the footpath outside the Caffe Roma restaurant on Oxford Terrace.
A photograph of the ChristChurch Cathedral in Cathedral Square with the tower and spire still intact.
A photograph of USAR codes spray painted on the front windows of Kebab Masters on Cashel Street.
A photograph of the earthquake damage to the Westpac Trust Building on Cashel Street.
A photograph of the earthquake damage to the façade of Smith's Bookshop on Manchester Street.
A photograph of a volunteer at the temporary emergency management offices at the Mainland Foundation Ball Park.
A photograph of USAR and emergency management personnel lining up for lunch in Latimer Square.
A photograph looking across a courtyard in Victoria Square, towards the Town Hall. Liquefaction covers the courtyard.
A photograph of a WRFF Helitack Rappel Crew emergency response vehicle in Wellington.
A photograph of USAR and emergency management personnel lining up for lunch in Latimer Square.
A photograph of a camouflaged armoured vehicle on St Asaph Street.
A photograph of workers digging up tree stumps next to the river. Next to them is a damaged water tank.
A photograph of cracks in a field indicating the location of the Greendale fault line. The fence has toppled.