
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
A photograph of street art on the Work and Income New Zealand building in New Brighton. The artwork depicts a musician.
A photograph of the installation titled Murmur being set up on the edge of Cathedral Square. The installation is part of LUXCITY.
A photograph of a man inflating one of the paper origami balloons of Halo. Halo is a temporary installation that is part of LUXCITY.
A photograph of people visiting the temporary installation titled Halo at LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of a crowd surrounding Murmur, a large-scale installation which is part of LUXCITY.
A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A photograph of the construction of Illusions taking place on an empty site on Gloucester street. The installation is part of LUXCITY.
A photograph of the LUXCITY installation Halo.
A photograph of a vacant site on Gloucester Street. This is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A photograph of people visiting the temporary installation titled Halo at LUXCITY.
A photograph of the installation titled Murmur being set up on the edge of Cathedral Square. The installation is part of LUXCITY.
The EQC has got the green light to start settling the claims of thousands of Christchurch people whose homes became more at risk of flooding after the earthquakes.
A stained-glass window in the Cathedral of the Blessed Sacrament casts coloured light onto carved angels on the wall, seen before the earthquakes.
The unforgettable beauty of lavender Occurs in both the earth As well as part of the many changing Shades of the daily heavens on high. Is quickly there, and then is gone. Light violet, lavender, How unique is its special glow, Colored in nature in light lilac, Amethyst, and airy, purple indigo. From a poem by Gil Saenz
On 22 February 2011, Ōtautahi Christchurch was struck by a devastating earthquake. The city was changed forever: lives were lost, buildings destroyed and much of the city’s infrastructure needed to be repaired or replaced. One of the unexpected outcomes of the process of recovery was the volume of archaeological work that was carried out in the city, including the substantial amount of buildings archaeology that was undertaken (that is, recording standing buildings prior to and during their demolition, using archaeological techniques). Amongst the numerous buildings recorded in this way were 101 houses from across the city (but concentrated in those areas hit hardest by the earthquakes), built between 1850 and 1900. This work yielded a wealth of data about what houses in the city looked like in the nineteenth century. It is this data that forms the core of my thesis, providing an opportunity to examine the question of what life was like in nineteenth century Christchurch through these houses and the people who built them. Christchurch was founded in 1850 by European settlers, most of whom were English. These people came to New Zealand to build a better life for themselves and their families. For many of them, this ‘better life’ included the possibility of owning their own home and, in some instances, building that house (or at least, commissioning its construction). The buildings archaeology data collected following the Canterbury earthquakes enabled a detailed analysis of what houses in the city looked like in the nineteenth century – their form, and both their external and internal appearance – and how this changed as the century progressed. A detailed examination of the lives of those who built 21 of the houses enabled me to understand why each house looked the way it did, and how the interplay of class, budget and family size and expectations (amongst other factors) shaped each house. It is through these life stories that more about life in Christchurch in the nineteenth century was revealed. These are stories of men and women, of success and failure, of businesses and bankruptcies. There are themes that run through the stories: class, appearances, death, religion, gender, improvement. Just as importantly, though, they reveal the everyday experiences of people as they set about building a new city. Thus, through the archaeology of the houses and the history of the people who built them, an earthquake has revealed more about life in nineteenth century Christchurch, as well as providing the means for a deeper understanding of the city’s domestic architecture.
At one minute to seven last night, two beams of light were switched on to commemorate the anniversary of the first Canterbury earthquake.
A photograph submitted by Anonymous to the QuakeStories website. The description reads, "Wandering around Bexley in the cold light of morning, Sept 4th.".
A photograph of a vacant site which is to be the location of the LUXCITY installations Tonic and Murmur.
A photograph of the LUXCITY installation titled Silhouette Carnival.
A photograph of architecture students working on part of the eLITE installation for LUXCITY.
A photograph of large fabric balloons being tied together as part of the eLITE installation for LUXCITY.
A photograph of the LUXCITY installations Archrobatics (left) and Altitude. The installations are on Manchester Street.
A photograph of crowds of people at LUXCITY, taken at the corner of Manchester Street and Gloucester Street.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of crowds on Manchester Street at LUXCITY. A large-scale, hanging sculpture titled Altitude can be seen on the right. In the distance is Archrobatics.
A photograph of a crowd outside the illuminated Silhouette Carnival installation at LUXCITY.
A photograph of the illuminated Silhouette Carnival installation at on Gloucester Street. Part of In Your Face can also be seen on the left. The installations are part of LUXCITY.
A photograph of the LUXCITY project titled Silhouette Carnival, on Gloucester Street.