A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
A photograph of detail of a model of the ChristChurch Cathedral built from LEGO by Sam Butcher, finished in September 2011.
Photograph captioned by BeckerFraserPhotos, "Christchurch Music Centre".
Photograph captioned by BeckerFraserPhotos, "Christchurch Music Centre".
Photograph captioned by BeckerFraserPhotos, "Christchurch Music Centre".
Photograph captioned by BeckerFraserPhotos, "Christchurch Music Centre".
Photograph captioned by BeckerFraserPhotos, "Christchurch Music Centre".
A photograph of a detail of damage to the Music Centre of Christchurch.
A photograph of a detail of damage to the Music Centre of Christchurch.
A photograph of a detail of damage to the Music Centre of Christchurch.
Colour photograph showing the IRD building and Latimer Square, and the now empty site where the CTV building once was.
An Alumni and Fundraising pamphlet from the University of Canterbury, promoting the restoration of the Townsend Telescope. The pamphlet is titled, "Return Star Gazing to Christchurch".
A graphic showing heritage buildings restored using public money, which have since been marked for demolition due to earthquake damage.
A photograph of the damaged Music Centre of Christchurch.
Cultural heritage is a dynamic concept, incorporating the ideas and values of many different organisations and individuals; it is heavily dependent on the context of the item or site being conserved, and transforms something from an old article into a historically significant object. A formal definition of cultural heritage did not appear in the Antarctic Treaty System until 1995, however Antarctic heritage value has been applied to various sites and monuments since the inception of the Treaty, from Shackleton’s Nimrod Hut to a heavy tractor. This report examines a number of case studies to determine the various ways in which heritage items and sites can be managed – such as the removal of the South Pole Dome – as well as their conservation after natural disasters, for instance the Christchurch earthquakes.
Looking south west across Cathedral Square showing the eastern side of Christchurch Cathedral (left), the Godley statue (centre left) with the (from left to right) Chief Post Office, the Regent Theatre Building (directly behind the statue on the corner of Worcester Street), the AMP Building, the Government Life Building and the Grand Theatre.
A map showing the locations of heritage buildings which are in areas marked for projects in the Christchurch Central Recovery Plan.
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
A photograph of a detail of damage to the Music Centre of Christchurch.
Earthquake damage to the Christchurch Chinese Methodist Church at 163 Papanui Road.
Earthquake damage to the Christchurch Chinese Methodist Church at 163 Papanui Road.
A brochure created for Beca Heritage Week 2014, outlining SCIRT's repair work on heritage structures in the Central City. It was handed out to members of the public at SCIRT's walk and talk tours.
A photograph of the Observatory tower at the Christchurch Arts Centre, taken before the 2010 and 2011 Canterbury earthquakes.
A page banner which is part of a series of banners about earthquake-related articles.
The David and Goliath battle over a heritage building sitting in the way of a planned $473 million dollar, multi-use arena for Christchurch has ended up in court. The 25,000-seated, roofed arena is the final anchor project for the Christchurch rebuild and will be designed to host everything from All Blacks tests to big concerts. But sitting on the edge of the site, at 212 Madras Street, is the NG Building, a 115-year old warehouse that's home to a number of creative businesses. It escaped the worst of the 2011 earthquake and was strengthened by its owners: Roland Logan and Sharon Ng. They say they were told in 2013 the building could be incorporated into the arena's design, and are at loggerheads over its compulsory acquisition. Last week they were at the High Court seeking an injunction that would allow them to temporarily maintain ownership of the building, and that decision was released yesterday - and upheld. Roland joins Kathryn to discuss why they hope the building can be saved.