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Images for Christchurch Art Gallery; more images...

Videos, UC QuakeStudies

A video about the government's financial aid plan for workers affected by the 4 September 2010 earthquake. Prime Minister John Key has travelled to Christchurch to announce the plan. This video includes footage of a press conference with John Key at the Christchurch Art Gallery. It also includes footage of John Key meeting residents at the Civil Defence Centre at Addington Raceway.

Images, UC QuakeStudies

Deputy Administrator for Protection and National Preparedness at the Federal Emergency Management Agency, Tim Manning, and Michael Layne from the US Embassy in Wellington, speaking to Ray Kennedy, an Area Manager from the New Zealand Fire Service, in the Christchurch Art Gallery about the 22 February 2011 earthquake.

Videos, UC QuakeStudies

A video of a presentation by Grant Wilkinson, Senior Engineer for Ruamoko Solutions, at the 2016 Seismics in the City Conference. The presentation is titled, "Engineering Regeneration, Collaboration and Innovation ".The abstract for the presentation reads, "Applying some seismic lessons learnt to saving several heritage gems and collaborating on the Christchurch Art Gallery Base Isolation retrofit project."

Videos, UC QuakeStudies

A video of a press conference with Mayor Bob Parker about the 4 September 2010 earthquake. The conference is held outside the temporary Civil Defence headquarters in the Christchurch Art Gallery. Parker announces that he had declared a state of emergency for Christchurch. He also gives advice to residents, telling them to conserve water, avoid flushing the toilets, to not go out and 'rubberneck', and to check on their neighbours.

Articles, UC QuakeStudies

A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.

Images, UC QuakeStudies

View of Christchurch Art Gallery's forecourt, which includes the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole. Behind it is the HSBC House and the new Christchurch City Council Civic offices.

Audio, Radio New Zealand

The Christchurch Art Gallery is on track to reopen late next year, almost five years after the most devastating of the city's earthquakes put it out of commission. One of the key players in this important next step is Dr Lara Strongman who is the gallery's new senior curator.

Images, UC QuakeStudies

Looking down Montreal Street, with the Christchurch Art Gallery on the left, and the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole. Behind it is the new Christchurch City Council Civic Offices building.

Research papers, University of Canterbury Library

This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.

Videos, UC QuakeStudies

A video of an interview with Mayor Bob Parker, recorded at the Civil Defence Headquarters in the Christchurch Art Gallery on the evening of the 22 February 2011. Parker talks about the fatalities and damage caused by the 22 February 2011 earthquake.

Audio, UC QuakeStudies

Part four of the audio that makes up Gap Filler's 29th project, the Transitional City Audio Tour. This part of the tour begins in the Re:Start Mall on Cashel Street and includes commentary on the performance Last Day of Mankind at the Bridge of Remembrance. The tour then moves up Oxford Terrace, along the banks of the Avon River, until it reaches Worcester Boulevard. Turning left, it travels down Worcester Boulevard, past the Christchurch Art Gallery, providing commentary on the new and old art in the area, and the Christchurch Arts Centre. Lastly, it moves up Montreal towards Cranmer Square.

Research papers, The University of Auckland Library

This exhibition, eight years in the planning, had the misfortune to open one week before the 22 February 2011 Christchurch earthquake; the exhibition was immediately taken down and never went up again – the Christchurch Art Gallery has still not reopened. Although in my book Fantastica: The World of Leo Bensemann (NRO1) I covered the whole of Bensemann’s career, in the exhibition I took responsibility for the paintings (portraits and landscapes) , while Dr. Noel Waite (University of Otago) looked after Bensemann’s graphic work, book design and printing. This was the most extensive exhibition of Bensemann’s work ever mounted and together with Fantastica will compel a major reassessment of his place in New Zealand culture. Art New Zealand wrote of it: ‘The exhibition (including more than 100 items) is significant in bringing together what has in the past appeared disparate and unrelated; here Bensemann's entire oeuvre - the output of a painter, illustrator, calligrapher, typographer, designer and publisher is given equal billing. Although this exhibition is an important re-assessment and valuable for a new generation unfamiliar with his work, a national touring show would have precipitated an even greater awareness’.