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Images for restoration; more images...

Videos, UC QuakeStudies

A video about the restoration of New Regent Street. The restoration is hoped to be completed in time for the Christmas shopping season. The project is being led by Edward Leeson of Naylor Love, who is also managing the restoration of the Isaac Theatre Royal next door.

Audio, Radio New Zealand

A momentous day in Christchurch as a huge steel frame was installed as part of the stabilisation work for Christ Church Cathedral. Karyn speaks with project director Keith Paterson about the plans to return the famed rose window extensively damage in the 2011 earthquake.

Images, UC QuakeStudies

A digitally manipulated image of furniture and machinery. The photographer comments, "This furniture restoration company got caught in the middle of the Christchurch earthquake and lost a whole wall. After constant exposure to the elements everything now needs a bit of restoration. They are now working in a different part of Christchurch, but their past can still be seen".

Videos, UC QuakeStudies

A video about the restoration of New Regent Street. New Regent Street was damaged during the 22 February 2011 earthquake. The video includes an interview with Edward Leeson, manager of the restoration project.

Audio, Radio New Zealand

The company running the restoration of Christchurch's Anglican Cathedral is confident it will be able to raise the extra $51 million still needed to finish the job, and says potential large donors are already being approached here and overseas. The building has sat derelict since the 2011 earthquake and now the cost to fix it has soared from an original estimate of $104 million to $154 million. Some Cantabrians are finding the price hard to justify. The director of the restoration project Keith Paterson speaks to Corin Dann.

Videos, UC QuakeStudies

A video of interviews with members of the public about which option they prefer for the restoration of the ChristChurch Cathedral. The options considered are those unveiled by the Anglican Church: the restoration option which would restore the current cathedral; the traditional option which would reinterpret the original cathedral in modern materials; and the contemporary option which would create a new building featuring a lightweight timber frame, more glazing, and modern interiors.

Research papers, University of Canterbury Library

The article asks whether disasters that destroy life but leave the material infrastructure relatively intact tend to prompt communal coping focussing on loss, while disasters that destroy significant material infrastructure tend to prompt coping through restoration / re-building. After comparing memorials to New Zealand’s Christchurch earthquake and Pike River mine disasters, we outline circumstances in which collective restorative endeavour may be grassroots, organised from above, or manipulated, along with limits to effective restoration. We conclude that bereavement literature may need to take restoration more seriously, while disaster literature may need to take loss more seriously.

Videos, UC QuakeStudies

A video of an interview with Arts Centre CEO Andre Lovatt about the restoration of the Arts Centre after the 22 February 2011 earthquake. The video also includes a tour of the Arts Centre, including the Boys' High School swimming pool and gymnasium which was exposed after another building was demolished.

Audio, Radio New Zealand

Moves towards returning the famed rose window to Christ Church Cathedral begin today. An eighteen-tonne steel frame is being installed onto the cathedral's west facade as part of restoration work. It will eventually housing the rose window. The cathedral was critically damaged in the Christchurch earthquake of 2011. Project director Keith Paterson is in Cathedral Square. He speaks to Susie Ferguson.

Images, eqnz.chch.2010

Awaiting restoration, the Cathedral was damaged in a series of major earthquakes. 52 in 2018: 30. Ruin or Archaelogical site

Videos, UC QuakeStudies

A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.