Sarah McMullan reviews 'When A City Falls', a documentary about the Christchurch earthquakes.
A photograph of a chalkboard painted on the wall of a building. The chalkboard advertises upcoming Gap Filler events. A woman is chalking a message on the wall.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of metal bedsteads which have been used to create a fence at Gap Filler's 'Film in the Gap' project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of fairy lights strung over metal bedsteads. The bedsteads have been used to create a fence at Gap Filler's 'Film in the Gap' project.
A photograph of children running across the site of Gap Filler's 'Film in the Gap' project. On the wall behind them is a chalkboard advertising upcoming events.
A photograph of a woman hanging bunting at Gap Filler's 'Film in the Gap' project.
A PDF copy of pages 158-159 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Film in the Gap'. Photos: Gap Filler
A video about the studio in Templeton where the earthquake drama series "Hope and Wire" was filmed. The video includes interviews with Jordan Mauger, owner of the studio, and Chris Hampson, co-producer of the series.
Damage to the Knox Church. The walls of the church have collapsed, but the woodwork ceiling is still intact. A small film crew is filming in front of the Church.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
This research is a creative exploration of transmedia’s ability to offer up a model of distribution and audience engagement for political documentary. Transmedia, as is well known, is a fluid concept. It is not restricted to the activities of the entertainment industry and its principles also reverberate in the practice of political and activist documentary projects. This practice-led research draws on data derived from the production and circulation of Obrero, an independent transmedia documentary. The project explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. Obrero began as a film festival documentary that co-exists with two other new media iterations, each reaching its respective target audience: a web documentary, and a Facebook-native documentary. This study argues that relocating the documentary across new media spaces not only expands the narrative but also extends the fieldwork and investigation, forms like-minded publics, and affords the creation of an organised hub of information for researchers, academics and the general public. Treating documentary as research can represent a novel pathway to knowledge generation and the present case study, overall, provides an innovative model for future scholarship.
A graph showing revenue for the film, "When a City Falls".
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Sir Miles Warren and Maurice Mahoney were architectural revolutionaries who built a legendary partnership spanning 37 years. A new film currently in production aims to celebrate their incredible legacy and document the bitter fight to save their most iconic building - the Christchurch Town Hall - from demolition after the 2011 earthquake. Co-director and Maurice's daughter Jane Mahoney talks to Mark Leisham about the pairs legacy and the process of making the film.
CTV journalist Emily Cooper was out filming when the Canterbury earthquake hit. Fifteen of her colleagues are unaccounted for.
A photograph of the entrance to the Re:Entry event.
A graph showing the effect of the earthquakes on ticket sales for the International Film Festival.
A photograph of a musician performing at the Re:Entry event.
The first full-length film documenting the lives of those affected by the Canterbury earthquakes had its premiere in Christchurch last night.
A time-lapse video of excavators demolishing the Heritage Tower in Cathedral Square. The video was filmed over three months.
Homeless earthquake victims arrive in Hobbiton with their bags when it seems that New Zealand is going to lose The Hobbit to another country. Refers to the dispute between Warner Brothers, represented by Peter Jackson, and NZ Actors Equity over a union demand for negotiations over the terms and conditions offered in the contracts for actors and others working on the film very nearly caused the film to be made somewhere else. The battle, which was eventually resolved successfully after meetings between PM John Key and Warner Brothers representatives, divided New Zealanders. Refers also to the Canterbury earthquake of 4th September and its aftershocks that have left many houses uninhabitable. Quantity: 1 digital cartoon(s).
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers.
A time-lapse video showing pedestrians using the temporary walkway through Cathedral Square. The video was filmed over the space of an hour.
A digitally manipulated image of demolition machinery, with the Hotel So in the background. The photographer comments, "Strange things happen when you use technicolor film".
A PDF copy of pages 184-185 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Re:Entry'. Photos: Gap Filler
A photograph of an exhibition sign about a skateboard video filmed on Christchurch's damaged streets. The video was part of the Canterbury Quakes exhibition at the Canterbury Museum.