It seems almost expected now that many of us will go on semi-frequent overseas jaunts and visit the spectacular local scenery that New Zealand has to offer. However, most of us probably don’t often think about when these destinations became … Continue reading →
Being a Roman archaeologist by trade, wherever I go in the world I seem to sniff out some classical antiquities. Some call it a talent, some call it an obsession (I’ll leave that to you to decide…). There’s something about … Continue reading →
Bones, of the animal variety, are a common find on historic archaeological sites in Christchurch. The vast majority of the bones we come across are sheep and cattle, with the occasional pig and chicken showing up as well. From these … Continue reading →
This dissertation explores the advocacy for the Christchurch Town Hall that occurred in 2012-2015 after the Canterbury Earthquakes. It frames this advocacy as an instance of collective-action community participation in a heritage decision, and explores the types of heritage values it expressed, particularly social values. The analysis contextualises the advocacy in post-quake Christchurch, and considers its relationship with other developments in local politics, heritage advocacy, and urban activism. In doing so, this dissertation considers how collective action operates as a form of public participation, and the practical implications for understanding and recognising social value. This research draws on studies of practices that underpin social value recognition in formal heritage management. Social value is held by communities outside institutions. Engaging with communities enables institutions to explore the values of specific places, and to realise the potential of activating local connections with heritage places. Such projects can be seen as participatory practices. However, these processes require skills and resources, and may not be appropriate for all places, communities and institutions. However, literature has understudied collective action as a form of community participation in heritage management. All participation processes have nuances of communities, processes, and context, and this dissertation analyses these in one case. The research specifically asked what heritage values (especially social values) were expressed through collective action, what the relationship was with the participation processes, communities, and wider situation that produced them, and the impact on institutional rhetoric and decisions. The research analysed values expressed in representations made to council in support of the Town Hall. It also used documentary sources and interviews with key informants to analyse the advocacy and decision-making processes and their relationships with the wider context and other grassroots activities. The analysis concluded that the values expressed intertwined social and professional values. They were related to the communities and circumstance that produced them, as an advocacy campaign for a civic heritage building from a Western architectural tradition. The advocacy value arguments were one of several factors that impacted the decision. They have had a lasting impact on rhetoric around the Town Hall, as was a heritage-making practice in its own right. This dissertation makes a number of contributions to the discussion of social value and community in heritage. It suggests connections between advocacy and participation perspectives in heritage. It recommends consideration of nuances of communities, context, and place meanings when using heritage advocacy campaigns as evidence of social value. It adds to the literature on heritage advocacy, and offers a focused analysis of one of many heritage debates that occurred in post-quake Christchurch. Ultimately, it encourages practice to actively integrate social and community values and to develop self-reflexive engagement and valuation processes. Despite inherent challenges, participatory processes offer opportunities to diversify understandings of value, co-produce heritage meanings with communities, and empower citizens in democratic processes around the places they live with and love.
One of the most fascinating things about studying and interpreting the past is the possibilities it holds. Could the broken tea cup I’ve found been smashed against a wall in a fit of rage after a wife found her husband … Continue reading →
The word archaeology comes from the Greek archaia (“ancient things”) and logos (“theory” or “science”). So, archaeologists study past societies through the material culture. In other words, we write the history analysing what people threw away or left behind. That’s … Continue reading →
Today, art is my inspiration, at least as a starting point. The title of this blog post may seem whimsical, but it is both a practical description of our subject today and a reference to the art of centuries past. … Continue reading →
On 4 September 2010, a 7.1 magnitude earthquake struck near Darfield, 40 kilometres west of Christchurch, New Zealand. The quake caused significant damage to land and buildings nearby, with damage extending to Christchurch city. On 22 February 2011, a 6.3 magnitude earthquake struck Christchurch, causing extensive and significant damage across the city and with the loss of 185 lives. Years on from these events, occasional large aftershocks continue to shake the region. Two main entomological collections were situated within close proximity to the 2010/11 Canterbury earthquakes. The Lincoln University Entomology Research Collection, which is housed on the 5th floor of a 7 storey building, was 27.5 km from the 2010 Darfield earthquake epicentre. The Canterbury Museum Entomology Collection, which is housed in the basement of a multi-storeyed heritage building, was 10 km from the 2011 Christchurch earthquake epicentre. We discuss the impacts of the earthquakes on these collections, the causes of the damage to the specimens and facilities, and subsequent efforts that were made to prevent further damage in the event of future seismic events. We also discuss the wider need for preparedness against the risks posed by natural disasters and other catastrophic events.
The decision on what to do with Christchurch's earthquake damaged redzone is one step closer, with the end of the public consultation period on the plan for the area. Over the past month Christchurch people have been asked to comment on a draft land use plan for the 602 hectares of land. Now those pitching ideas want the authorities to get on with the next step, so they can have some certainty about whether their projects can go ahead.
This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.
<b>In the late 1960s the Wellington City Council surveyed all the commercial buildings in the city and marked nearly 200 as earthquake prone. The owners were given 15 years to either strengthen or demolish their buildings. The end result was mass demolition throughout the seventies and eighties.¹ Prompted by the Christchurch earthquakes, once again the council has published a list of over 630 earthquake prone buildings that need to be strengthened or demolished by 2030.²Of these earthquake prone buildings, the majority were built between 1880 and 1930, with 125 buildings appearing on the Wellington City Council Heritage Building List.³ This list accounts for a significant proportion of character buildings in the city. There is a danger that the aesthetic integrity of our city will be further damaged due to the urgent need to strengthen these buildings. Many of the building owners are resistant because of the high cost. By adapting these buildings to house co-workspaces, we can gain more than just the retention of the building’s heritage. The seismic upgrade provides the opportunity for the office space to be redesigned to suit changes in the ways we work. Through a design-based research approach this thesis proposes a framework that clarifies the process of adapting Wellington’s earthquake prone heritage buildings to accommodate co-working. This framework deals with the key concepts of program, structure and heritage. The framework is tested on one of Wellington’s earthquake prone heritage buildings, the Wellington Working Men’s Club, in order to demonstrate what can be gained from this strengthening process. ¹ Reid, J., “Hometown Boomtown,” in NZ On Screen (Wellington, 1983).</b> ² Wellington City Council, List of Earthquake Prone Buildings as at 06/03/2017. (Wellington: Absolutely Positively Wellington. 2017). ³ ibid.
For This Way Up's last shows, presenter Simon Morton and longtime producer Richard Scott have trawled through the archives of 600 shows recorded over the past (nearly) 13 years. This week, they mark the major seismic events that occurred during their time on the airwaves; the Christchurch and Kaikoura earthquakes.
Christchurch central seems to have a business micro-climate. And right now it's chilly. The CBD is nothing like it used to be before the 2011 earthquake and those businesses that re-opened say they really had no choice because of the demands of insurance companies.
Whether you share your home with one or not, they say that you’re either a cat person or a dog person. Hamish’s mid-week ‘hands up if you’re a dog person or a cat person’ office poll revealed that most of … Continue reading →
It’s been a busy month for Underground Overground Archaeology as we’ve been actively involved in New Zealand Archaeology Week 2018 running displays, historical tours, and talks – all of them highly successful thanks to history and archaeology lovers across the … Continue reading →
‘If you dig a hole through the centre of the Earth, you would arrive in New Zealand’. As Spanish children, we learnt that at school. Spain is the Antipodes of New Zealand. Both countries are at the same time joined … Continue reading →
When people first settled in Aotearoa, they had no idea that they were sitting upon a slice of one of two supercontinents; Gondwanaland. Around eighty-three million years ago this slice we now live on, known to us as Zealandia, broke … Continue reading →
And just like that another year has passed us by. 2018 has been a year of changes here at Underground Overground. It’s with a very heavy heart we’ve said a few goodbyes to some tremendously talented archaeologists; Chelsea, Shana, Matt, … Continue reading →
Have you always wanted to travel the world? See the famous cathedrals of Europe? Smell the streets of China? Taste the spices of India? But travelling is expensive and everything’s just so damn far away, right? Well have we got … Continue reading →
As a 90s baby millennial, Helen Clark was Prime Minister from the time I started primary school to the time I started high school. I grew up in a world where in the eyes of a child there was never … Continue reading →
The dinner party; a minefield of social etiquette and proper behaviour for both the host and the guests. For the host – the pressure of who to invite, where to sit them, what to serve them? Having the right invitation … Continue reading →
The ideal Victorian woman In Victorian society, a woman was to be meek, mild, virtuous and peaceful (Whiteside 2007). She was expected to marry and have children. She would stay at home, looking after her children and her husband and … Continue reading →
Today we would like to take you through some art work created by our team over the years. But this isn’t for your local charity art auction – these images illustrate the archaeological process we undertake on a daily basis. … Continue reading →
Christchurch is rightly or wrongly traditionally thought of as an English city, but at every turn we can see a glimpse of England’s arch enemy…the Scots. While they may now technically be at peace, they do still meet annually on … Continue reading →
Lyttelton is a fun and exciting place to do archaeology. I’ve been lucky enough to get to do a bit of archaeology in Lyttelton in the last few months, mainly out in the road, because of the digging that’s been … Continue reading →
“It must have been a happy household,” was the remark made by one of our team members when she saw the artefact assemblage we are discussing on today’s blog post. Whilst children’s artefacts are relatively common finds on New Zealand … Continue reading →
We have published previously on the importance of buildings, be they residential or commercial, as an artefact in understanding 19th century culture in New Zealand. While it’s easy to overlook the humble cottage as a source of archaeological data, houses … Continue reading →
Underfloor deposits are as exasperating as they are exciting. Exasperating because the context is not particularly secure: objects usually accumulate under a house over time (thrown or swept from the outside, lost or dropped between the floorboards, dragged in by … Continue reading →
In 1848, when the City of Christchurch was nothing but a design concept of the Canterbury Association back in London the idea of a ‘little slice of England’ (but half the world away) was born (Rice 2014, 9). Exactly how … Continue reading →
“Bridges are as much a distinctive part of the Christchurch landscape as its well-planted appearance and its old Gothic style provincial buildings. The chance which placed the city by the river Avo…