A photograph of a pad of brochures for The Stadium Broadcast, a 72-hour non-stop performance by Australian artist collective Field Theory. The launch event for The Stadium Broadcast was part of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performace ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of Jason Maling from the Australian artist collective Field Theory. Maling is on the roof of C1 Espresso for the launch event of The Stadium Broadcast - a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of members of the Australian artist collective Field Theory. They are on the roof of C1 Espresso for the launch event of The Stadium Broadcast - a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from from 14 to 17 November. The launch event was part of FESTA 2014.
This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had been unused for three years and nine months, and its future was uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130-year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, postdisaster transitionality, and the impermanence of place.
Page 3 of Section A of the Christchurch Press, published on Wednesday 9 July 2014.
Page 4 of Section A of the Christchurch edition of the Christchurch Press, published on Monday 9 May 2011.
A PDF copy of The Star newspaper, published on Friday 22 November 2013.
A video about the return of CTV to air after the 22 February 2011 earthquake.
Page 2 of The Box section of the Christchurch Press, published on Tuesday 26 April 2011.
Page 4 of Section A of the South Island edition of the Christchurch Press, published on Monday 9 May 2011.
Page 12 of Section A of the Christchurch Press, published on Tuesday 19 April 2011.
Page 8 of Section C of the Christchurch Press, published on Thursday 29 September 2011.
Page 15 of Section A of the Christchurch Press, published on Monday 4 April 2011.
Page 3 of The Box section of the Christchurch Press, published on Tuesday 13 December 2011.
Page 20 of Section C of the Christchurch Press, published on Saturday 24 September 2011.
Page 3 of Section A of the Christchurch Press, published on Thursday 7 April 2011.
Page 4 of Section A of the Christchurch Press, published on Tuesday 3 May 2011.
Page 2 of Section C of the Christchurch Press, published on Saturday 25 January 2014.
Page 1 of Section A of the Christchurch Press, published on Tuesday 19 April 2011.
Page 13 of Section A of the Christchurch Press, published on Saturday 7 May 2011.
This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.
Page 3 of Section C of the Christchurch Press, published on Saturday 25 January 2014.
A video of a CTV News broadcast of a Ministry of Women's Affairs initiative to attract more women into trades and construction related jobs.
Page 5 of Section A of the Christchurch Press, published on Tuesday 21 February 2012.
This audio file was recorded in Lyttelton. It captures the human and electronic responses following the 22nd February 2011 earthquake such as people talking, snips of radio broadcast, and alarms going off.
The Panel Christmas Special in downtown Auckland atop the Tyler Street Garage, featuring many of the regular panellists from 2011. Due to a Checkpoint special covering the Christchurch earthquake, this was not broadcast.
Page 1 of Section A of the Christchurch Press, published on Tuesday 7 June 2011.