A photograph of the earthquake damage to the Kenton Chambers on Hereford Street. Large cracks have formed between each window. Many of the windows have also broken.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A PDF copy of the North Canterbury News community newspaper, published on Tuesday 20 September 2011.
A PDF copy of the North Canterbury News community newspaper, published on Tuesday 14 August 2012.
An image used as a cover photo on the All Right? Facebook page. The image reads, "Three years on... It's all right to be excited about our future." All Right? posted the image on their Facebook page on 18 February 2014 at 3:06pm.
A PDF copy of a postcard from phase 1 of the All Right? campaign. The front of the postcard reads, "It's all right to feel proud of how we've coped." On the reverse is text introducing All Right? and the initial three phases of the campaign.
A PDF copy of a poster promoting the 'Write Now' 2014 young writers workshops. Some of the best works from the workshop were published in a chapbook and in posters for Christchurch 2014 WORD Festival. The workshops were supported by All Right?, Christchurch City Libraries and The School for Young Writers.
A photograph captioned by BeckerFraserPhotos, "Oxford Street, Lyttelton".
A photograph captioned by BeckerFraserPhotos, "A villa on the corner of Madras Street and Chester Street East".
A photograph of All Right? Campaign Manager Sue Turner with Christchurch International Airport CEO Malcolm Johns. All Right? posted the photograph on their Facebook page on 11 March 2014 at 11:38am.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 19 and 23 December 2013. The advertisement reads, "You're amazing (even if you don't think so). Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a poster from the Let's Talk About Parenting project of the All Right? campaign. The caption reads, 'Petrina, Avonside: "My son loves his kai so meals are a great time to catch up." Real families aren't picture perfect. They're messy, playful and so much better'.
A photograph of people gathered in front of the temporary light installation titled Etch-A-Sketch.
A photograph of a postcard depicting Julia Holden's painting 'Cotter Building'
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A report which details the archaeological investigations carried out during the course of SCIRT project 11232, wastewater renewal work in Sorensens Place.
A document which stipulates SCIRT's minimum standard for managing the risks arising from working around services.
A photograph of conference-goers producing a poster at the second annual Out of the Heart Pacific Women's Leadership Conference, held at Riccarton Racecourse on 21 May 2016. The conference was sponsored by All Right? and featured posters from the All Right? I am ... Identity project.
A PechaKucha speaker presenting at Gap Filler's cycle-powered cinema.
A photograph of the faces of two 'All Righties'. The photograph was used as a profile picture on the All Right? Facebook page. All Right? posted the photograph on their Facebook page on 4 August 2014 at 1:07pm.
A report created by BRANZ, the University of Auckland and Constructing Excellence New Zealand which was commissioned by the Productivity Partnership. It examines the use of KPIs by a number of rebuild organisations.
Members of Civil Defence sitting outside the Christchurch Art Gallery after an aftershock hit during one of their briefings. The Christchurch Art Gallery served as the headquarters for Civil Defence after the 22 February 2011 earthquake.
A photograph of a crowd in a shop on New Regent Street, for the launch of Whole House Reuse. The official release of the Materials Catalogue and premiere of a short documentary was part of FESTA 2013.
Soldiers from the New Zealand Army and Singapore Armed Forces guarding a cordon in the central city.
A photograph of Amanda from Halswell taking part in #FiveYearsOn. Evans holds a sign which reads, "Amanda Evans, Halswell Lyttelton areas// Five years on, I feel... Waiting to hear and wats our city had to Rebuild and feel Better to see our New City because No more Sad City either. Wants to feels happy and sleeping Much Better [sic]".
A zip file of an interactive 360-degree panoramic photograph in HTML5 format. The photograph was taken at the intersection of Manchester Street and Cashel Street on 23 August 2012.
A photograph of Red Cross NZ volunteers putting All Right? corflute signs on cordon fence. Hotel Ibis is in the background. The All Right? corflute signs are from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
Slides from a presentation by Lucy-Jane Walsh and Jennifer Middendorf at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "UC CEISMIC and the Shag(ged) Rock Problem".
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."