Shot from up Hunstbury Hill with a 600mm f/4 on a very grey morning. 8am demolition. The guy behind me only looked up when the sounds of the explosion reahed us and the building was half way down!
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A few older Christchurch Earthquake Pics from after the 6.3 last Feb (2011). And yes the aftershocks are still happening.. Twitter | Facebook |
Went into this cafe a few times in years gone by (all on camera club field trips or photowalks). It was a nice two-storey building then. Not now after the earthquakes of 2010 and 2011.
www.youtube.com/watch?v=SPXqb7k4azU Details inside a half demolished theatre in central Christchurch. November, 2012. Christchurch, NZ. (c)Mike Brebner. All rights reserved.
Due to the 7.1 earthquake on 4th September 2010 and then the following earthquakes Godley House has suffered severe damage. Godley house was built in 1880 by Harvey Hawkins - see www.godleyhouse.co.nz/
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Built in the early 1960s for the Lyttelton Road Tunnel, it was severley damaged in the February 2011 earthquake and is not currently used.
Demolition of the relatively new seven-storey Waters Edge Apartments in Ferrymead continues. CERES Environmental NZ are doing the job for CERA (Canterbury Earthquake Recovery Authority). Some will be pleased to see this block go as there was lot of resentment to it being built on the site of the old Ferrymead Tavern, Selected for Explore, #347...
The sea wall at Beachville Road, Redcliffs, after the earthquake. It used to be straight and level - not now! As a teenager I went fishing off this wall.
17mm M42 Takumar Fisheye on a Canon 1D MkIII (1.3x crop factor) via an adaptor ring.
The whare whakairo or traditional Māori meeting house plays an important part in Māori society and identity. These whare tell the tale of their origin, and in so doing, the origins of their people. The analysis of the meeting house, the histories expressed in its decorative carvings and structural elements are inextricably linked with and dependent upon the structure of the world created by myth and the Māori worldview. However, due to the deleterious effects of colonisation, the art of wood carving and associated architectural practices - central to Māori identity, suffered decline in many parts of the country, leading to the decline of Māori culture and identity. Sir Apirana Ngata instigated the National Institute of Māori Arts and Crafts to resurrect the dying art of Māori carving and carved houses would be a catalyst for the restoration of Māori culture throughout the country. Ngata saw these whare whakairo as being the heart of Māori communities by establishing a renewed sense of belonging and identification with space for Māori, through the telling of tribal histories and emphasising key geographical features. New threats in the form of global hegemony and urbanisation have further impacted on Māori notions of identity, creating a generation of displaced urban Māori youth. This research proposes to establish an architectural response to capture displaced Māori youth through the resurrection of the Māori carving school and return to them the lost stories of their cultural history and identity. This program will be developed within the complex challenges that exist within post-earthquake Ōtautahi/Christchurch, where many have lost homes and livelihoods, especially Māori youth in the Eastern Suburbs. The building elements of the proposed Māori carving school give reference to the historio-cultural features of the original Ōtautahi/Christchurch landscape that are situated in tribal song and myth. It is envisioned that the development of a Māori carving school will help restore Māori identity and a renewed sense of belonging, and allow for the telling of this generations stories through traditional narratives.