Disaster recovery involves the restoration, repair and rejuvenation of both hard and soft infrastructure. In this report we present observations from seven case studies of collaborative planning from post-earthquake Canterbury, each of which was selected as a means of better understanding ‘soft infrastructure for hard times’. Though our investigation is located within a disaster recovery context, we argue that the lessons learned are widely applicable. Our seven case studies highlighted that the nature of the planning process or journey is as important as the planning objective or destination. A focus on the journey can promote positive outcomes in and of itself through building enduring relationships, fostering diverse leaders, developing new skills and capabilities, and supporting translation and navigation. Collaborative planning depends as much upon emotional intelligence as it does technical competence, and we argue that having a collaborative attitude is more important than following prescriptive collaborative planning formulae. Being present and allowing plenty of time are also key. Although deliberation is often seen as an improvement on technocratic and expert dominated decision-making models, we suggest that the focus in the academic literature on communicative rationality and discursive democracy has led us to overlook other more active forms of planning that occur in various sites and settings. Instead, we offer an expanded understanding of what planning is, where it happens and who is involved. We also suggest more attention be given to values, particularly in terms of their role as a compass for navigating the terrain of decision-making in the collaborative planning process. We conclude with a revised model of a (collaborative) decision-making cycle that we suggest may be more appropriate when (re)building better homes, towns and cities.
Aotearoa has undoubtedly some of the most beautiful landscapes in the world, a privilege for its inhabitants. However, as our cities have developed post-colonisation, the connection between the natural environment and its occupants has diminished. Designers play a vital role within an ever evolving world to progress the built environment in a way that reflects and restores vital values that have been deprioritised. Future practice should prioritise diversity, care for the land, enhancement of community space, and sustainable practices. This research sets out to demonstrate that new design methodologies can encourage kaitiakitanga, whilst meeting the needs of urban public space. Initially through critical analysis and literature based research, a study of Ōtautahi Christchurch, the South Island’s largest city, was undertaken. The principles of a ‘15 minute city’ were also explored and applied to the city, establishing issues within the built environment that drove the overall research direction. Through the tools of critical reflection and a research through design methodology, a design toolkit was constructed. This toolkit sets out to provide designers with a simple streamlined method of developing urban interventions that are sustainable and beneficial for human well-being. The toolkit incorporates an abstraction of the ‘15 minute city’ ideology and introduces the concepts of evolving green transportation routes within cities. Ōtautahi Christchurch, a city with a significant history of earthquake-caused damage, was chosen as the primary site for the application of this research’s proposed toolkit. The city becomes a canvas for an urban rebuild that explores and aims to set a precedent for a progressive 21st-century city. A key finding as the toolkit research developed was the idea of a ‘temporary’ phase or intervention, being added to traditional design methodologies prior to permanent building. The research explains how this temporary phase could more actively engage diverse user groups and create active conversations between communities and designers. The refined toolkit sets outs proposed timeline phases, methods of site analysis and development of design drivers. Alongside this, a modular architectural system establishes a design proposal for the temporary phase of an individual site within an evolving green route. This outcome provides further opportunity for realistic testing, which would actively involve communities and aims to shift our priorities within urban development. The introduction of the ‘temporary’ phase is beneficial in mitigating psychological implications on people and limiting physical impacts on the landscape. The final design stage of the thesis applied the toolkit process to three sites in Ōtautahi Christchurch. Through a holistic lens, the toolkit framework set out methods to collate information that provides guidance for development on the sites. While some layers are initiated simply by recognising site characteristics, others are informed through software such as GIS. Connected by a proposed green transport route, the three initial sites are developed with temporary interventions that utilise the modular design set out previously in the research. Contextualising the interventions on real world sites tested the flexibility of the system and allowed for critical reflection on the applicability of the toolkit to Aotearoa. The research concludes by identifying future research opportunities and speculates on possible applications of its findings within the real world. Temporary Permanence highlights the significant role that we, as designers, have in shifting urban priorities to create more holistic, sustainable, and inclusive cities for people and the planet.
Natural disasters are often unpredictable and are happening frequently. Some natural disasters cause damage to communities, resulting in displaced individuals. Due to this there is a need for shelter, however, there are many unknown factors. These include unknown demographics, a strain on time, cost, and resources, and the unknown location. This study begins by identifying a lack of identity and personality in existing post-disaster shelter designs, including the example of Linwood Park from the Christchurch 2011 earthquake. Further research shows the lack of personalisation within shelters, along with addressing key requirements needed for shelters. While providing the basic needs is essential, this thesis also addresses how personalisation can impact a space. Taking bach architecture as a driver for a basic, yet unique approach to temporary accommodation, Lake Clearwater Settlement was used as a case study. Through surveys, interviews, and a reflective design process, the importance of embracing identity emerges as a key element in fostering dignity, livelihood, and a sense of self in displaced individuals. This thesis explores innovative approaches to post-disaster shelter design with a focus on accommodating the unique needs and individuality of displaced individuals. From challenging conventional shelter concepts to embracing self-design and community involvement, the research addresses the question of how interior and exterior features can cater to the diverse requirements of those affected by natural disasters.
Sea level rise is one consequence of Earth’s changing climate. Century-long tide gauge records show that global-mean sea-level rise reached 11-16 cm during the twentieth century at a mean rate of 1.2 mm/y. Today, the average rate of global-mean sea-level rise is higher at 3-4 mm/y and is expected to increase in the future. This represents a hazard to low elevation coastal zones worldwide. Yet, before global sea level projections can be used to characterise future coastal flood hazard at a local scale, the effects of tectonics (and other processes) that drive vertical land motion (VLM) must be considered. VLM is defined as the vertical velocity (uplift or subsidence) of the solid surface with respect to the centre of Earth. In this study, new VLM maps are generated over coastal strips in New Zealand, using Sentinel-1 InSAR and GNSS data. In New Zealand, measuring VLM using InSAR on naturally vegetated or agricultural land is difficult due to signal decorrelation. Along the rural Bay of Plenty coastal strip, I use a persistent-scatterer approach to generate a VLM map from both east-looking ascending and west-looking descending Sentinel-1 data between 2015-2021. Using time-series data over the same time period from a dense network of 20 GNSS sensors, I tie InSAR-derived line-of-sight velocity to the 2014 ITRF reference frame. I test two different methods for measuring VLM and compare the results against GNSS vertical velocity along the Bay of Plenty coast. Best results are achieved by first removing the interpolated horizontal GNSS velocity field from each of the InSAR datasets, before averaging the two VLM estimates. Measured VLM is between -3 and 3 mm/y, with negative values (subsidence) occurring within the low-lying Rangitāiki Plain and Ōpōtiki valley, and uplift across the elevated region west of Matatā. This thesis integrates geomorphological, geological, and historical levelling VLM records with modern satellite datasets to assess VLM across timescales ranging from 10 to 100,000 years at Matatā. Uplift rate has been variable through time, with average uplift over the last 300,000 years of 1 mm/y, 4.5 mm/y since 1720 years, 2 mm/y between 1950-1978, and 10 mm/y between 2004-2011. Previous modelling has shown that the best fit to the 2004-2011 rapid uplift rates is an inflating magmatic source at ~10 km depth beneath Matatā. To reconcile all data, I present a VLM model that consists of short-lived periods (7 years) of rapid uplift (10 mm/y), separated by longer periods (30 years) of lower background uplift (3 mm/y). The episodic nature of VLM at Matatā likely reflects short-lived periods of magmatic intrusion. Episodic VLM characterised by large rates of uplift (10 mm/y) has been seen at Taupō volcano, and other volcanic centers globally. It has been 12 years since the end of the last intrusion episode; this modelling suggest one may expect to observe increased uplift rates at Matatā in the coming decades. Densely populated urban coastal strips are most at risk from the effects of relative sea-level rise. At the same time, anthropogenic activities associated with urbanization, such as groundwater withdrawal, and land reclamation can lead to local land subsidence (LLS), further exacerbating the risk to urban infrastructure. LLS refers to subsidence relative to nearby land area assumed to be stable. In this thesis, I create the first high-resolution (10 m) maps of LLS at six urban coastal strips in New Zealand, with a combined length of 285 km, using Sentinel-1 InSAR data between 2018-2021. This analysis reveals 89% of urban coastal strips are subsiding at rates of -0.5 mm/y or greater, and 11% is subsiding at higher rates of -3.0 mm/y or greater. On average, subsidence is -0.6 to -2.9 mm/y higher at the coastal strip, compared to inland areas occupied by GNSS stations. This analysis also documents highly-localised hotspots of LLS, with subsidence rates of up to -15 mm/y. In Christchurch, rapid and localised subsidence (-8 mm/y) is observed within coastal suburbs New Brighton and Southshore. In most cities, the highest subsidence rates occur on land reclaimed in the early-late twentieth century, and in areas built on Holocene sediment. Time-series analysis of LLS at sites of reclaimed land shows both linear and non-linear rates of deformation over time periods of up to 6-8 years. This thesis highlights the variable exposure to relative sea-level rise of New Zealand coastal strips, and demonstrates that in many cases current rates of VLM should be expected to continue for the next few decades.
The title is 'Main faultline to be probed'. The cartoon shows an image of Maori Party MP Hone Harawira with two small firemen on his shoulder squirting water into one ear so that it explodes out of the other. One of the firemen says 'I tell ya now the next quake will be an eight point four!' Context - The problem of criticism of his own party by maverick Maori Party MP Hone Harawira. Harawira says that many Maori believe the party has not been able to be an independent voice because of its government partnership and so Mr Harawira is calling for his party to consider its options at the next election. Mr Harawira said that the problem was exacerbated because when the Maori Party was going into coalition with National, the whole world was going into recession and when this happens their choice (National) is to help the rich guy, help the big business, on the basis that they will stay here and keep their business here and everybody will get a job He said the Maori Party needed to get back to supporting basic social policies to help the poor. There is a reference to the Christchurch earthquake of 4 September 2010 and the many strange ways of trying to predict the earthquakes and aftershocks that Christchurch has been experiencing.. (Stuff 18 January 2011) Quantity: 1 digital cartoon(s).
Maori Party MP for Te Tai Tonga, Rahui Katene' is buried up to her neck in earthquake rubble as she reads a newspaper headline referring to her statement that the aftermath of the earthquake has demonstrated 'racism and ethnic profiling'. Rahui Katene's head is disintegrating and two engineers who are examining the damage decide that 'This can't be repaired, it needs to be condemned'. Rahui Katene says the authorities, who kicked a Christchurch family out of a welfare centre that was set up after the Christchurch earthquake that struck on the 4th September, should apologise for judging them too early and shaming them publicly. Mrs Katene was also concerned about claims that Maori youth were being targeted by police. "I've heard from whanau that in one particular area rangatahi who were volunteering in their community and helping their whanau were accused by police of theft. The whanau are trying to work these issues through with the police, but I'm growing concerned about what appears to be ethnic profiling." Quantity: 1 digital cartoon(s).
Finance Minister Bill English holds a large axe that represents the 'budget' and says 'I wanted to retrieve all my spending tools, but, sadly, with allotted time short, I could only grab this!..' He is standing outside the barrier that surrounds the Christchurch CBD. Context - The Christchurch central business district has been largely out of bounds to anyone but those dealing with the after-effects of the earthquake of February 22 but business owners have been allowed restricted access to retrieve gear and belongings. The 2011 budget looks as though it will be focused on paring everything down because of the sad state of New Zealand's economy at present (made worse by the need to rebuild Christchurch), hence the axe. Quantity: 1 digital cartoon(s).
Text reads 'What??... Is it another quake?.. No, it's just Gerry Brownlee rushing the CERA bill through'. The cartoon shows the huge back of Minister for Christchurch Recovery Gerry Brownlee moving energetically and forcefully to get the CERA bill past its third reading. Context - The bill establishes the Canterbury Earthquake Recovery Authority (Cera) and empowers it to lead reconstruction efforts in Christchurch. It gives Cera specific powers to get information from any source, to requisition and build on land and to carry out demolitions. It can also take over local authorities if they are not working effectively on recovery work. Quantity: 1 digital cartoon(s).
Two men chat over the fence about the state of their houses after the 4th September earthquake in Christchurch. One of them is complaining about the slow pace of reconstruction of houses after the magnitude 7.1 earthquake on 4 September 2010; the second man thinks they are doing their best. Context - Frustration over the slow rate of processing insurance applications and building inspections after the magnitude 7.1 earthquake on 4 September 2010 which although it resulted in a lot of damage, no-one died. In the cartoon the man's red sticker (meaning the house is uninhabitable) has faded to green after being put on the house after the September earthquake. Three days after this cartoon was published the much more disastrous earthquake of the 22nd February struck and many people died. Quantity: 1 digital cartoon(s).
The cartoon shows a rugby goalpost in a bad state of repair; it is held together with bandages and when a player kicks a ball that represents 'World Cup Games' towards the goalpost, it hits one of the side posts that flies a Christchurch flag, causing the post to break. Context - the decision that Christchurch will not be able to host any of the Rugby World Cup games because of the damage caused by the earthquakes of 4 September 2010 and 22 February 2011. Quantity: 1 digital cartoon(s).
A man representing the South Island stands under an umbrella representing 'hope' to shelter from a bucketload of water representing 'misfortune'. Context - in the last year apart from the usual droughts and floods the South Island has suffered the Pike River Mine disaster on 19 November 2010 in which 29 coal miners were killed, the 7.1 earthquake on 4 September 2010 in which there was a lot of damage but no deaths and now on 22 February 2011 a 6.3 magnitude earthquake which has probably killed more than 200 people (at this point the number is still not known) and caused more severe damage. The reason the apparently lesser magnitude quake caused more destruction is because it was very shallow, was in the middle of the day and struck very close to the centre of the city. Quantity: 1 digital cartoon(s).
'Cappuccino dreams'. Christchurch mayoral candidates Jim Anderton and incumbent mayor Bob Parker tell constituents that they will get respectively more transparency in 'financial dealings' and in 't-shirts'. As the earthquake strikes they continue their electioneering until they are told to 'clear orf' because 'these frames lack substance'. A front-end loader begins to dismantle the structure from which they are speaking. Refers to the local body elections to take place 9th October and the Canterbury earthquake of 4th September. Published in the Presto Quantity: 1 digital cartoon(s).
The cartoon is a spoof of Rodin's famous sculpture 'The thinker' and shows it with a globe for its head. It holds a newspaper that reads 'Massive 'quake in Japan - ChCh. 'quake, China 'quake, Aus. Floods fires etc. etc.' The thinker ponders 'What's with all these disasters?..' Context - The massive earthquake in Japan that led to a devastating tsunami and now threats from several damaged nuclear power stations, the earthquakes in Christchurch on 4 September 2010 and 22 February 2011, the 5.8-magnitude earthquake in Yingjiang County, southwest China's Yunnan Province on March 15, 2011, and the January floods in Queensland, Australia, as well as bush fires on the outskirts of the Western Australia capital Perth. Quantity: 1 digital cartoon(s).
Text top left reads 'Downsizemic activity' and a seismic graph zigzags wildly but gradually tails off into the words 'Interest rates' which take a serious downwards trend. Context - The Christchurch earthquakes of 4 September 2010 and 22 February 2011 which have had an impact on an already stagnating economy. The Reserve Bank has made a relatively large 50-point cut in its benchmark interest rate, the Official Cash Rate (from 3% to 2.5 per cent). Critics say that inflation is already running unacceptably high and there is a threat of much higher inflation in a year or two when the rebuilding of Christchurch begins to put pressure on limited resources. The Reserve Bank acknowledged these factors, but it has chosen instead to focus on the immediate impact of the earthquake on the economy and particularly on all-important business and consumer sentiment. (Press editorial 12 March 2011) Quantity: 1 digital cartoon(s).
A play on rhyming words 'whacked' for terrorist Osama bin Laden who has been killed in a Pakistan village, 'hacked' for 'Sony' after massive hack attacks on three separate gaming systems it runs, 's'ACT' with Rodney Hide who has been ousted as ACT leader by former National leader Don Brash, 'wracked' for Christchurch because of the earthquakes, 'blacked' to describe a $5 bottle of milk, 'smacked' for Glenfield, hit by a tornado, 'jacked' for petrol prices and 'quacked' for a duck in the duck-shooting season. Colour and black and white versions available Quantity: 2 digital cartoon(s).
Prime Minister John Key drives a tractor to which is attached a crane and a huge demolition ball in the shape of MP Gerry Brownlee's head; the ball smashes against a historic building bringing stone pediments down. Context - Gerry Brownlee, who is Earthquake Recovery Minister, has caused a stir by suggesting that if he had his way some of Christchurch's older buildings would be "down tomorrow". He also said the price of saving some historic buildings badly damaged in the February 22 earthquake was too high. People had died in the quake because of attempts to save historic buildings badly damaged in the September 4 quake. Brownlee said he had no regrets despite the stir his comments caused - but he was annoyed by suggestions the Cathedral and Riccarton House were among buildings he thought should be bowled. He believed those buildings should be saved, and they would be. "I'm not a philistine; I was chairman of the trust that actually saved Riccarton House from the bulldozers in 1990. "I understand conservation architecture very well and I do have an appreciation of heritage buildings." Original cartoon held at A-474-048 Quantity: 1 digital cartoon(s).
In the top panel a kiwi reads the newspaper which has headlines reading 'Milk prices', 'BMW limos', 'Dodgy politicians', and 'Foreign despot news' and says 'Let's get this all in perspective'. In the lower panel the kiwi walks among the ruins and the graves of Christchurch and thinks 'Christchurch and Canterbury need our attention and care!!' Context - The very severe Christchurch earthquake of 22 February 2011 in which probably more than 200 people died and an enormous amount of structural damage has been done. The headlines refer to Fonterra putting a freeze on the price of milk, the government buying expensive limos (both of these making headlines because of the state of the economy) and lastly the 'foreign despot' is Gaddafi in Libya. Quantity: 1 digital cartoon(s).
A passerby stops at an advertisement on the lawn outside a house which reads 'Sound commercial property - Christchurch $450,000' and comments to the owner that it 'seems a good buy'. The owner tells him that's 'the yearly rental'. Context - property and rental prices in Christchurch since the earthquakes of 4 September 2010 and 22 February 2011. Quantity: 1 digital cartoon(s).
A man stares at an enormous roadsign reading 'Cleanup' that dwarfs a smaller one pointing to Canterbury. Refers to the damage resulting from the Christchurch earthquake of 4th September 2010. Quantity: 1 digital cartoon(s).
A man knocks at the door of a portaloo and asks if the sewer has been down long. The portaloo has a TV mast, a washingline, a letterbox, and flowers planted outside. In the background is a wrecked house. . Refers to the use of portaloos in parts of Christchurch since the earthquake of 4th September because of damage to plumbing infrastructure. Quantity: 1 digital cartoon(s).
In a Christchurch street still covered in liquefaction man weeps over his four-wheel drive car, which has a number plate showing the word 'macho'. Two women who are working at clearing the road of silt watch and one of them observes that 'he's not handling the quake well at all... Keeps getting silt smears on the 4 x 4!' Context - The Christchurch earthquake of 22 February 2011. Liquefaction is a particular problem. There is a point being made here about the 'macho' man who sobs over his car and the two staunch women who get on with the cleaning-up effort. Quantity: 1 digital cartoon(s).
Text below the image reads 'More silence?..' Prime Minister John Key and the Governor General Sir Anand Satyanand and several 'hangers-on' almost suffer coronaries when an official suggests in discussions about 'cost-saving ideas' that 'One of the National Projects we could "reprioritise" in the wake of the earthquake is to axe any Kiwi VIP attendance at the royal wedding'. Context - The PM and Governor General are thought to be on the list for invitations to the wedding of Prince William and Kate Middleton but after the catastrophic Christchurch earthquake of 22 February 2011, which is going to cost the country billions, a wag wonders whether they should go. Quantity: 1 digital cartoon(s).
In the foreground PM John Key drives a bulldozer over Christchurch; in the background two engineers read a newspaper report that says 'P.M. gives false demolition number, PM gives false World Cup hope' and one of them says 'Now I know why those things are called BULLdozers..' Context - Prime Minister John Key is sticking to a government estimate that 10,000 Christchurch homes will need to be razed despite criticism that he should wait for official figures; he also stated that 100,000 homes may need repairs, despite Civil Defence saying it has only checked 70,000 homes so far. John Key was also insisting that there was a chance of keeping World Cup rugby games in Christchurch but an official announcement on 16 March dashed those hopes. Quantity: 1 digital cartoon(s).
Several rats that represent 'looters' scramble among the debris left after the Christchurch earthquake of 22 February 2011. Published in The Press Quantity: 1 digital cartoon(s).
A man and woman clutch each other in terror as their house rocks in an aftershake; the man grabs his phone and offers his land for sale adding that 'foreigners are welcome'. Refers to the Canterbury earthquake of 4th September 2010 which continues to experience aftershakes, some of them quite significant. Refers also to the debate about whether New Zealand should be selling land, particularly farms, to foreigners; one side of the debate considers the sale of land to foreigners to make economic sense while others feel that our heritage is being lost. Both colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).
The cartoon simply has the time '12.51' printed in large text. Context - exactly a week after the Christchurch earthquake which occurred at 12.51 on Tuesday 22 February 2011, the people of New Zealand stopped whatever they were doing for 2 minutes of silence' (the date was Tuesday 1 March 2011) Quantity: 1 digital cartoon(s).
The word 'AFTERSHOCKS' appears printed across the Canterbury landscape. Text reads 'Canterbury from the air...' Refers to the earthquake of 4th September and the frequent aftershocks that continued for at least two weeks. Quantity: 1 digital cartoon(s).
A woman sits reading a newspaper with reports about the Japanese earthquake and the latest news on Christchurch post-earthquake. Her husband has just put a Jerry Lee Lewis record on the turntable and the song 'Whole lotta shakin' goin' on' is playing; he says Didn't I always say this guy was ahead of his time?' Context - The Christchurch earthquakes of September 4 2010 and February 22 2011 as well as the Japanese earthquake and tsunami of 11 March 2011. Quantity: 1 digital cartoon(s).
Two people peer out from underneath a table waiting for an earthquake predicted by astrologer Ken Ring. One of them says 'Load of rubbish that Ken Ring prediction eh?' and the other agrees. Context - After the two big earthquakes in Christchurch on 4 September 2010 and 22 February 2011, the so-called Moon Man, Ken Ring, is backing away from his prediction that Christchurch will be whacked by a huge earthquake on the 20th of March 2011. His claims terrified Cantabrians and led to people fleeing Christchurch. Quantity: 1 digital cartoon(s).
In the first frame an excited rugby player runs across a rugby field wearing a shirt with the words 'Rugby Cup venues' printed on it and carrying a ball that represents 'extra games'. In the second frame a huge arm that represents 'extra costs' smashes into the player. Context - Christchurch cannot host the five games allocated to it. Auckland Council has agreed to pick up the $2.9 million tab it will cost to host three additional Rugby World Cup games. The government supports claims that the three bonus games could boost spending in Auckland by at least $28 million. (Stuff 31 March 2011) Colour and black and white versions of this cartoon are available Quantity: 2 digital cartoon(s).