Residential properties in Bexley with overgrown gardens, see from inside a vehicle. Dried liquefaction silt still covers the ground. The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt".
A residential property in Bexley with an overgrown garden. Dried liquefaction silt still covers the ground. The photographer comments, "Today I took a drive around the residential area between Bexley and New Brighton. It was a stark reminder to be thankful for the situation we're in and perhaps not complain too much that our garden wall hasn't yet been rebuilt".
A photograph of a poster and picket signs in the window of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The poster depicts Gerry Brownlee in the style of Barack Obama's "Hope" campaign poster, and reads "Democracy nope". The picket signs read "Brownlee: rise, lies and pies" and "Overwrought, overdrawn, over EQC".
A photograph of picket signs in the windows of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The signs read, "Welcome to EQC,. Your call is important to us...", "EQC: fool me once, shame on you...", "Pig brother is watching you", and "Another winter of discontent".
A photograph of "Concrete Propositions" by Melbourne-based artist Ash Keating. It is located on Manchester Street, between Gloucester Street and Worcester Street. An advertisement for Fortis Construction covers part of the work.
A photograph of an advertising image in the window of Sugar Hair and Beauty, on the ground floor of the Inland Revenue Building. There are search and rescue codes spray-painted on the window, and a pile of rubble on the footpath in front.
A photograph of street art on the side of the Victoria Mansions building. The artwork is part of the "Roger Sutton/Man About Town" paste-up series created by Nathan Ingram and Jemma Brown.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Henry Berry and Co, 30 Bedford Row'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Guthrey Centre, Cashel Mall'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Liquidity, 128 Oxford Terrace'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'TSB Building, corner Colombo and Hereford Streets'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'The Bog Irish Bar, Cashel Mall'.
A PDF copy of a newsletter sent by All Right? to their mailing list in August 2013
A PDF copy of a newsletter sent by All Right? to their mailing list in October 2013
A PDF copy of a newsletter sent by All Right? to their mailing list in February 2013
A PDF copy of a newsletter sent by All Right? to their mailing list in April 2013
A PDF copy of a newsletter sent by All Right? to their mailing list in June 2013
A transcript of Bruce Morriss's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 9 November 2012. Morriss is the South Island Regional Manager for Tearfund NZ.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'C1 Cafe, 152 High Street'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Christchurch Star, 56 Cathedral Square'.
Sally Roome and Troy Gillan at the UC QuakeBox in the carpark of Westfield Riccarton.
A zip file of an interactive 360-degree panoramic photograph in SWF format. The photograph was taken in Cathedral Square on 24 June 2013.
A zip file of an interactive 360-degree panoramic photograph in SWF format. The photograph was taken in Cathedral Square on 7 February 2013.
A zip file of an interactive 360-degree panoramic photograph in SWF format. The photograph was taken in Cathedral Square on 24 June 2013.
A photograph of the badly-damaged building at 128 Manchester Street. Shipping containers are stacked on the road in front of the west-facing facade.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the badly-damaged building at 128 Manchester Street.
A photograph of the corner of a badly-damaged building at 128 Manchester Street. Shipping containers are stacked on the road in front of the west-facing facade.
A photograph of the badly-damaged building at 128 Manchester Street. Shipping containers are stacked on the road in front of the west-facing facade.
A photograph of the badly-damaged building at 128 Manchester Street. Shipping containers are stacked on the road in front of the west-facing facade.