“Bridges are as much a distinctive part of the Christchurch landscape as its well-planted appearance and its old Gothic style provincial buildings. The chance which placed the city by the river Avo…
The story of a rugby mad church cleric, his neglected wife and a widowed publican. Read time approximately 26 minutes. He was a widower and father of two children. She was a cleric’s wife, te…
“In the bay in which we landed, we found two or three miserable primitive Maori cabins, inhabited by half-a-dozen helpless old creatures and a few diseased children — forming a pa named Rapaki.”…
The health benefits, cleanliness and exoticism of the Turkish Bath so appealed to Canterbury settlers that it became the height of fashion in the 1880s. Today we enjoy city operated spa facilities …
“William Wilson was formerly a cabbage dealer in Canterbury; but fourteen years ago he was poor, whereas now he is rich, a circumstance attributable to a lucky speculation in a piece of land …
Cobb & Co, Corner of Cashel and High Streets c. 1880. Source: Christchurch City Libraries Photo Collection 22, Img 00803, Private Collection For as far back as 1856, when the first hansom cab p…
Retired Aircraft Engineer, Corporal Colin Creighton, No. 41 Squadron, RNZAF recounts his experiences serving during the American Vietnam war.
Charismatic, athletic and intelligent, Jonathan Roberts came from a respectable family. A native of Cornwall, he immigrated to New Zealand with his family as a small child in 1862. After leaving sc…
Dressed in a black cutaway coat, dark trousers and a white silk neckcloth, and sporting a Billy-Cock hat over short hair, Henry Jame Muir stood before a London magistrate in 1889 dressed in the clo…
From 1919 until 1963, New Zealand audiences were guaranteed ‘snappy scenes, bright singing, excellent dancing and sparkling comedy’ when attending a Stan Lawson Production.
Sandwiched between the iconic White Hart Hotel and the Universal Boot Depot at 223-225 High Street, was the business founded by Mr James Freeman, a pastry cook and caterer. Opened in 1891, the buil…
“Perambulators are one of the necessities of the nineteenth century. The children of savages may roll in the dust or be carried in a shawl, or strapped to a piece of board, but the children of civi…
John Jauncey Buchanan and his Valuable Allotment Before arrival in Christchurch, the family of Scotsman John Jauncey Buchanan purchased land on what would become the centre of Christchurch. It was …
The Commissioner of the Christchurch Constabulary Department, Robert Clarke Shearman, was undeterred. He saw Little River, a pivotal stop between Akaroa and the plains, as a prime location for figh…
In the Tasmanian News “Miscellaneous Wanted” section of the 18 March 1892 issue, a small classified, nestled among advertisements for pears, clean rags, and 250 pigeons, read, “Wanted a…
Tina, the debut feature film of Miki Magasiva is a love letter to both Samoan culture and how choral music, across cultures, can assist people in change. The way art can enable acceptance of the richness of our difference. But Tina is also centrally about how Pasifika women are leaders in taking culture forward. The title translates in English as mother, or female elder. And in the lead role Anapela Polata'ivao plays Mareta, a mother struggling after the death of her daughter in the 2011 Christchurch Earthquake. Taking on a job as a teacher at a wealthy Pakeha-dominated private school, Mareta connects with kids who it turns out also really need support. She takes them all the way to the Big Sing National Choir Competition. Anapela Polata'ivao gives a remarkable performance. She is the constant, complex beating heart of this movie. As a director and actor Anapela has long played a significant leadership role in bringing Pacific voices to stage and screen, and last year became an officer of the New Zealand Order of Merit in recognition of her service. We welcomed her to Culture 101 to play 'Fast Favourites' where her choices were Lindah Lepou, Jordyn with a Why and writer directors Arianne Mnouchkine, Vela Manusaute and Nina Nawalowalo.
The Ngai Tahu High Court case against the Crown over freshwater and Christchurch marking the 14th anniversary of the 2011 earthquake.
A campaign video made to raise money for Gap Filler project 22, the Pallet Pavilion, made by Jacob Stanley Creative.
A video of people dancing at Gap Filler's Dance-O-Mat, 124 Oxford Terrace, in preparation for the visit by Prince Charles and Camilla, the Duchess of Cornwall. Coralie Winn, Creative Director of Gap Filler, talks about her preparations for meeting the two royals.
A video of Prince Charles and Camilla, the Dutchess of Cornwall, at Gap Filler's Dance-O-Mat, 124 Oxford Terrace. Charles and Camilla came to the Dance-O-Mat to meet the staff of Gap Filler, Life in Vacant Spaces, and the Student Volunteer Army.
A video about Gap Filler project 15, the Dance-O-Mat, made by Jacob Stanley Creative in order to highlight the interactive nature of Gap Filler's Dance-O-Mat.
Video of people building the 10 Square Metre Office Building, the new Gap Filler Headquarters.
A copy of the project report from Gap Filler's 30th project, Rock on Eastside.
This paper begins with a discussion of the history of negligent manslaughter in New Zealand and its development from the standard of ordinary negligence to the current test of a “major departure” from the expected standard of care, as set out under s 150A of the Crimes Act 1961. The paper then examines failings in s 150A’s current application, arguing that the “major departure” test has created injustices due to its strictly objective nature. Two examples of this are discussed in-depth, Bawa-Garba v R (UK) where a doctor was convicted of grossly negligent manslaughter for the death of her patient; and the decision not to prosecute the negligent engineers of the CTV building which collapsed in the Christchurch earthquake of 2011. The paper discusses three potential resolutions moving forward. It concludes that a more subjective interpretation of the wording of s 150A, which takes account of circumstances excusing or condemning a defendant’s conduct, would prevent future injustices and be a reasonably open interpretation on the wording of s 150A.
A copy of a document containing questions from members of Gap Filler, Greening the Rubble, the Christchurch Transitional Architectural Trust (producers of FESTA), and Life in Vacant Spaces, to candidates in the 2014 National election. The questions were sent to candidates from the Green, Labour, and National parties. They were also sent to Earthquake Minister Gerry Brownlee. This document contains the answers received from Labour candidates Tony Milne and James Dann.
A poster advertising Gap Filler's forty-third project, Have a Steak in Your City. This event was created by Gap Filler to raise awareness for the 2013 Christchurch Local Body Elections.
December 2011
Scavenger Hunt 101 - SH 8 (abandoned building or ruin) The ruins/remains of what was the third highest building in Christchurch, pre earthquakes, the Price Waterhouse Coopers building in Armagh Street. At 76.3 metres ( 21 floors) the demolition has left the basement (now flooded) and these supports. Just one of many photos from Christchurch ...
See previous photo (exactly 3 hours earlier). Demolition of the support structure for NZ Breweries smokestack in Christchurch. CERES NZ's nibbler is at work, the pipe stack having been removed yesterday (Saturday). This is three hours after the previous photo, and just a pile of rubble sits beside the tree (largely undamaged despite being next...
What was one of the busier intersection pre earthquakes!