A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A photograph of an installation view of Julia Holden's exhibition, 'its like now'. The installation was exhibited at the ArtBox gallery on the corner of Madras and St Asaph Streets.
A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates revisits the performance venues for former festivals to show how the central city has changed since the 2010 and 2011 earthquakes.
A video of an interview with Kim Evans, manager of the Shirley Bakery, about the flooding of her store. Evans describes the flood damage as being worse than the damage caused by the 2010 and 2011 Canterbury earthquakes.
A photograph of a portrait of Marie le Lievre, painted by Julia Holden. The portrait was from a 'selfie' provided by Marie, and was part of Julia Holden's exhibition, 'its like now'.
A copy of the final image used for the invitation to Julia Holden's exhibition 'its like now'. The exhibition was held at the ArtBox Gallery. The invitation features twelve portraits of local art practitioners. The portraits were part of the exhibition.
A photograph of a portrait of Natalia Saegusa, painted by Julia Holden. The portrait was from a 'selfie' provided by Natalia, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Chris Archer, painted by Julia Holden. The portrait was from a 'selfie' provided by Chris, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Neil Dawson, painted by Julia Holden. The portrait was from a 'selfie' provided by Neil, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Liv Worsnop, painted by Julia Holden. The portrait was from a 'selfie' provided by Liv, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Bridget Kelly, painted by Julia Holden. The portrait was from a 'selfie' provided by Bridget, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Alex Wootton, painted by Julia Holden. The portrait was from a 'selfie' provided by Alex, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Rosalee Jenkin, painted by Julia Holden. The portrait was from a 'selfie' provided by Rosalee, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Michael Purdie, painted by Julia Holden. The portrait was from a 'selfie' provided by Michael, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of Sarah Sutherland at Gap Filler's Inconvenience Store, standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of the ten paintings were their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a postcard depicting Julia Holden's painting 'Red Zone Home 2'.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.