A large collection of human bones were uncovered on the corner of Cambridge Terrace and Hereford Street during the 1850s. They belonged to the early Waitaha inhabitants (1000 – 1500 AD) who h…
The Royal Exchange’s beautiful tower, dome and decorative facade is taking shape as the building nears completion. Fresh to the shores of New Zealand, the Australian architect brothers …
Dominating a once simpler Cathedral Square, are the formidable buildings – Government Life Insurance Building, the Grand Theatre, the Crystal Palace Theatre, the Reuters Telegram Company Buil…
The neat and narrow, plastered brick building of William Henry Harris, Tinsmith of Christchurch stood at 101 Colombo Street in a matching line with a set of others. Standing opposite Mason Struther…
Christchurch’s newest and grandest hotel in the first decade of the 1900s was the Clarendon Hotel situated on the corner of Oxford Terrace and Worcester Street. It replaced the former two-sto…
In 1907, a former public house on the corner of Durham and Battersea Street, Sydenham, was opened as the first women’s maternity hospital in Christchurch. Founded by the Right Honorable Richa…
‘Ice Cream Charlie’ operated a well-known ice cream cart in Cathedral Square for much of the first half of the twentieth century. He was reknowned for his friendly nature and delicious …
Imagine you were born 100 years ago… what job would you have done? If you are female, part of the working class and living in England, then there is a one in three chance that you would be pa…
Drunkeness was a serious problem in Christchurch by the late 1870s. It didn’t help that for a city of its size, there were 47 hotels and breweries as opposed to just 10 dentists and chemist …
Written by Helen Solomons In 1879, my great grandfather, Mortimer Cashman Corliss, was promoted to head telegraphist in Christchurch’s newly built Post and Telegraph Office in Cathedral Squar…
Up until February 22nd, 2011, the city of Christchurch was a unique, historic and cultural living and breathing entity. Inherited from a long list of valuable contributors dating back to its incep…
The growing permanence and sophistication of Christchurch, is evident in this photograph of Lichfield Street. Taken by the Burton Brother’s, the photograph shows us that the little frontier …
On this summer’s day in 1906, the ten o’clock morning tram to Sumner is about to depart from outside the Royal Exchange in Cathedral Square. An excursion to Sumner was a popular outing …
The pace of town appears leisurely as pedestrians meander across High Street, while several trams slowly move past them c. 1929. There are a large number of men on they bicycles – perhaps th…
In response to the loss of our inner city of Christchurch, we were inspired to create this website, Lost Christchurch, as a freely accessible archive of photographs, social history and memories of …
Wendy Riley A relative newcomer to Christchurch, Wendy has deep-rooted connections to the city. Her ancestors, like many colonial New Zealanders, traced their origins to Scotland and England. After…
Museums around the world are often affected by major catastrophes, and yet planning for these disasters is an often neglected aspect of museum practice. New Zealand is not immune from these events, as can be seen in the recent series of serious earthquakes in Christchurch in 2010 and 2011. This dissertation considers how prepared the New Zealand museum sector is to handle unexpected events that negatively affect its buildings, staff, operations and treasured collections. The central research question was: What is the overall state of emergency planning in the New Zealand museum sector? There was a significant gap in the literature, especially in the local context, as there has been only one other comparable study conducted in Britain, and nothing locally. This dissertation makes a valuable contribution to the field of museum studies by drawing on theory from relevant areas such as crises management literature and by conducting original empirical research on a topic which has received little attention hitherto. The research employed a number of methods, including a review of background secondary sources, a survey and interviews. After contextualising the study with a number of local examples, Ian online survey was then developed an which enabled precise understanding of the nature of current museum practices and policies around emergency planning. Following this I conducted several interviews with museum professionals from a variety of institutional backgrounds which explored their thoughts and feelings behind the existing practices within the industry. The findings of the research were significant and somewhat alarming: almost 40% of the museum and galleries in New Zealand do not have any emergency plan at all, and only 11% have what they considered ‘complete’ plans. The research revealed a clear picture of the current width and depth of planning, as well as practices around updating the plans and training related to them. Within the industry there is awareness that planning for emergencies is important, but museum staff typically lack the knowledge and guidance needed to conduct effective emergency planning. As a result of the analysis, several practical suggestions are presented aimed at improving emergency planning practices in New Zealand museums. However this study has implications for museum studies and for current museum practice everywhere, as many of the recommendations for resolving the current obstacles and problems are applicable anywhere in the world, suggesting that New Zealand museums could become leaders in this important area.
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Page 12 of Section A of the Christchurch Press, published on Monday 28 February 2011.