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Images for work site; more images...

Images, UC QuakeStudies

A view of an empty site that is now covered with weeds and silt from liquefaction. On the site is a digger and two shipping containers. In the background, demolition work on the Manchester Securities House can be seen.

Images, UC QuakeStudies

A view of an empty site that is now covered with weeds and silt from liquefaction. On the site is a digger and two shipping containers. In the background, demolition work on the Manchester Securities House can be seen.

Videos, UC QuakeStudies

A video of an interview with artefact analyst Gwen Jackson, about the artefacts found at the site of the Theatre Royal. Hundreds of artefacts were found under the Isaac Theatre Royal, including bottles and ceramic shards. This was part of a greater project by archaeologists to examine pre-1900 sites in the Christchurch central city before work is conducted on them. Archaeological assessment of pre-1900 buildings is required by the 1993 Historic Places Act before work can be done on the site.

Videos, UC QuakeStudies

A video of an interview with Andy Cole, site supervisor at Geovert, about the procedure for blasting rocks in Hillsborough. The rock-blasting work was paid for by two Christchurch couples whose properties were red-zoned and red-stickered. The couples hope that the blasting work will encourage CERA to change their land zoning from red to green, allowing them to rebuild their homes on the same sites.

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Leading hand, Iain Piper (left) and site manager Mike McKee at work on the upstairs seating area".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Leading hand, Iain Piper (left) and site manager Mike McKee at work on the upstairs seating area".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Leading hand, Iain Piper (left) and site manager Mike McKee at work on the upstairs seating area".

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Site manager Mike McKee (left) and leading hand, Iain Piper, look over the work to be done in the towers".

Images, UC QuakeStudies

Looking down Gloucester Street where ongoing demolition and reconstuction work are continuing. Street signs on the road say 'no road marking' and 'truck crossing'. In the background is a Wilson's carpark, converted from a site where a building has been demolished.

Images, UC QuakeStudies

Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.

Images, UC QuakeStudies

Photograph captioned by Fairfax, "Work to restore and earthquake-strengthen the badly damaged historic St Paul's Trinity Pacific Presbyterian Church on Cashel Street has begun after resource consents were granted by the Christchurch City Council, and a preferred contractor was selected recently. Site manager Mike McKee inspects the domes to be restored".

Images, UC QuakeStudies

A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".

Videos, UC QuakeStudies

A video of a tour of two completed shops in New Regent Street. Mark Galletly from Galletly Builders talks about the damage caused by the 22 February 2011 earthquake, the work that was done to restore the shops, and the items that archaeologists found on the sites. The items found included the foundations of a nineteenth century ice skating rink, and bowling shoes. The video also includes an interview with shop owners Brian and Betty Hazeldine.

Images, UC QuakeStudies

Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.