Crack'd for Christchurch Photograph 095

Images, UC QuakeStudies

A photograph of mosaics of flowers laid on the floor of a garage.Crack'd for Christchurch comments, "The flower motifs on mesh and cardboard backings."

Photo by Jennifer Middendorf 226

Images, UC QuakeStudies

Tape woven into the mesh of the cordon fence on Madras Street spells out "Hapori".

Koen Broekema's Photograph 225

Images, UC QuakeStudies

Tape woven into the mesh of the cordon fence on Madras Street spells out 'Hapori'.

Crack'd for Christchurch Photograph 067

Images, UC QuakeStudies

A photograph of Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a wooden base in Helen Campbell's garage. The ottoman has been made out of polystyrene, wood, mesh, and concrete, laid over a steel frame.Crack'd for Christchurch comments, "December 2013. Jonathan delivers the footstool to Helen's garage where it will be mosaicked.."

Crack'd for Christchurch Photograph 063

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have attached to the front legs.

Crack'd for Christchurch Photograph 064

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Crack'd for Christchurch Photograph 065

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Crack'd for Christchurch Photograph 066

Images, UC QuakeStudies

A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have been attached to the front legs.

Crack'd for Christchurch Photograph 062

Images, UC QuakeStudies

A photograph of the steel frame of Crack'd for Christchurch's armchair artwork. The frame is on a pallet in the Greening the Rubble workshop. Two cast-iron bath feet have been attached to the front legs. The bottom half of the frame has been covered with mesh, wood, polystyrene, and concrete by Jonathan Hall.

Photograph by Jocelyn Kinghorn 593

Images, UC QuakeStudies

Mesh fencing around a residential property. A recyling and an organics bin have been used to support the fencing, and inside a pile of building rubble can be seen.

WEMO ERT Set 1 - February 2011 - Photograph 28

Images, UC QuakeStudies

A photograph of a UK Fire and Rescue International Search and Rescue tent in Latimer Square. Cordon tape and plastic mesh has been placed around the tent.

WEMO ERT Set 1 - February 2011 - Photograph 29

Images, UC QuakeStudies

A photograph of a UK Fire and Rescue International Search and Rescue tent in Latimer Square. Cordon tape and plastic mesh has been placed around the tent.

WEMO ERT Set 1 - February 2011 - Photograph 31

Images, UC QuakeStudies

A photograph of a Singapore Rescue Team tent set up in Latimer Square after the 22 February 2011 earthquake. In the foreground there is a group of tents, cordoned off with tape and plastic mesh.

WEMO ERT Set 1 - February 2011 - Photograph 05

Images, UC QuakeStudies

A photograph of a group of tents set up in Latimer Square next to the Singapore Rescue Team's store and equipment area. Plastic mesh and tape has been placed around the tents as a fence. The tents were used as temporary accommodation for emergency management personnel after the 22 February 2011 earthquake.

Crack'd for Christchurch Photograph 050

Images, UC QuakeStudies

A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Crack'd for Christchurch Photograph 051

Images, UC QuakeStudies

A photograph of a half-finished flower mosaic. The mosaic has been made out of pieces of broken china which have been laid over a paper design. Mesh has also been placed over the design so that it can be transferred easily to Crack's for Christchurch's concrete chair. Other pieces of china are scattered around the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."

Crack'd for Christchurch Photograph 068

Images, UC QuakeStudies

A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."