Photograph by Paul Corliss 3285
Images, UC QuakeStudies
A photograph of a window of the IRD building. Directions to a rear entrance have been written on the window.
A photograph of a window of the IRD building. Directions to a rear entrance have been written on the window.
A document which contains a set of procedures for the "best practice" mark out and recording of subsurface utilities.
A designer's guideline which explains the role of Technical Leads at SCIRT.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "UPDATED forum location and other announcements".
The outdoor seating area of C1 Expresso's new location in the Alice in Videoland building.
Members of the public sitting in the outdoor seating area of C1 Expresso's new location in the Alice in Videoland building.
A woman and her dog in the outdoor seating area of C1 Expresso's new location in the Alice in Videoland building.
A PDF copy of pages 282-283 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Co-Location of Secondary Schools in Christchurch Post 22 February 2011 Earthquake'. Photo: Phil Arvidson. With permission: St Bede's, Marian College and the Ministry of Education.
A video of an interview with Tanja Grzeta and Alastair Wells, the Co-Directors of Unlimited School, about the news that they will be merging with Discovery One. Grzeta and Wells talk about their excitement about the merge, their pursuit of a location for the school within the Christchurch central city, and their hopes that the school can be open 24/7.
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.