Seen from Cambridge Terrace, the 'White Lights of Hope' spotlights shine into the sky behind a crane and damaged buildings on Oxford Terrace.
An entry from Ruth Gardner's blog for 17 January 2012 entitled, "Loopy Lights".
People stand beside the cordon fence on the Worcester Street bridge. The photographer comments, "This was some of the many people waiting for the White Lights of Hope to be turned on, but when they were we hardly noticed. Sadly it was a big disappointment".
A digitally manipulated image of a black truck parked outside the Bus Exchange building on Colombo Street. The photographer comments, "Life is always full of surprises".
An illustration of the Quake Lights in Cathedral Square.
New lights in the space under the library will make it nice and bright.
New lights in the space under the library will make it nice and bright.
New lights in the space under the library will make it nice and bright.
New lights in the space under the library will make it nice and bright.
The "White Lights of Hope" spotlights shining into the sky at night from the central city.
Shoppers and sightseers in Re:Start Mall. Street lights have been decorated with banners with Canterbury colours, red and black.
A photograph of fairy lights strung over metal bedsteads. The bedsteads have been used to create a fence at Gap Filler's 'Film in the Gap' project.
Re:Start mall decorated with flowers, and street lights with red and black banners. In the background is a Wilson's carpark where a building use to be.
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.
View down Re:Start mall, an elephant grass sculpture presented by the Christchurch Garden City Trust and street lights with banners in the Canterbury colour, red and black.
Looking down Victoria Street, demolition site on the right and the Crowne Plaza Hotel at the end of the street. Flags in Canterbury colours, red and black can be seen on the street lights.
A digitally manipulated image of a broken window. The photographer comments, "There is hardly anything left of Christchurch's proud heritage buildings. Most older buildings were made of brick and though they should have had improvements to make them withstand a medium earthquake most did not. They were badly damaged when hit with a series of earthquakes that were up to 2.2g at the epicentre and 1.88g in the City".
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
View down Victoria Street with the Casino on the right having some construction working being done, and the deconsruction of the Crowne Plaza Hotel at the end of the street. Flags in Canterbury colours, red and black can be seen on the street lights.
A view down Beresford Street in New Brighton, looking west towards the city at sunset. The photographer comments, "On the other side of the Avon river from New Brighton is the Bexley red zone. Here numerous earthquake damaged streets of houses will be flattened due to it being to uneconomical in the current climate to repair the land to be suitable for housing. There is a campaign at the moment to try and convert all this red zone land, which is mainly adjacent to the Avon river to a giant park".
The deconstruction of the Crowne Plaza Hotel, with a digger and a pile of demolition rubble in front. Road cones and signs have been placed in front to divert traffic around the area. Flags in Canterbury colours, red and black can be seen on the street lights.
The deconstruction of the Crowne Plaza Hotel, with a digger and a pile of demolition rubble in front. Road cones and signs have been placed in front to divert traffic around the area. A flag in Canterbury colours, red and black can be seen on the street lights.
A residential street in New Brighton. Liquefaction still lines the street, and lampposts are leaning in different directions. The photographer comments, "This is the New Brighton red zone, which is parallel to the Avon River. The area suffered serious liquefaction during the numerous earthquakes/aftershocks and the land is being bought by the government. Although the houses do not look too bad in the background they have suffered badly. On the day I took this picture the council had just hours before cut the grass, which made the area look less abandoned".
A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".
A video of an interview with Laurence Mote about the wall of containers in Sumner. Shipping containers line the south side of Main Road in Sumner, protecting road users from potential rock fall from the cliffs above. Mote bikes past the containers every day on his way to work. He talks about the risks facing cyclists along Main Road and in greater Christchurch, including pot holes and narrow roads. He advises cyclists to wear bright clothing and lights, and for cars to slow down and give cyclists room.
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.