A piece of personal experience writing about the Canterbury earthquakes, written by Max.
A piece of personal experience writing about the Canterbury earthquakes, written by Mitchell.
A piece of personal experience writing about the Canterbury earthquakes, written by Jae Youn
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 1.
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 2.
A piece of personal experience writing about the Canterbury earthquakes, written by George.
A piece of personal experience writing about the Canterbury earthquakes, written by Sean.
A piece of personal experience writing about the Canterbury earthquakes, written by Tim.
Wayne Youle's mural, 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), in Sydenham.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
An audio documentary created by Kris Vavasour about the multitude of challenge the musicians, performers and venue owners in Lyttelton face in the aftermath of the Canterbury earthquakes. All songs are from the 'Harbour Union' album (2011), in alphabetical order: 'Even Keel' (Lindon Puffin); 'Ghost of this Town' (Marlon Williams); 'How Lucky You Are' (Delaney Davidson & Marlon Williams); 'Human Enough' (Lindon Puffin); 'It's So Good' (Delaney Davidson); 'Little Mountain Town' (Marlon Williams); 'Rocking Bell' (Adam McGrath); 'The Waterside' (Adam McGrath).
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A PDF copy of pages 122-123 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'We Love Pop Up'. Photo with permission: SHAC
A PDF copy of pages 344-345 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Canterbury Quakes'. Photos courtesy of Canterbury Museum
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A PDF copy of page 138 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'CERA'.
A PDF copy of pages 328-329 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Unsanctioned Graffiti Across the City'. Photo: Reuben Woods
A PDF copy of pages 14-15 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Rent Party Club'. Photos: Laura Harper. With permission: Rent Party Club.
A PDF copy of pages 150-151 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bobo'. Drawings: Andrew Just, Jen McBride
Page 12 of the Go section of the Christchurch Press, published on Friday 7 October 2011.
A PDF copy of pages 16-17 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The RDUnit - Mobile Broadcasting Facility'. Photos: Rachel Morton
A PDF copy of pages 56-57 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Occupy Otautahi-Christchurch'. Photo: Richard 'Popx art' Baker
A PDF copy of pages 346-347 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Frames'. Photos: Te-O
A PDF copy of pages 236-237 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Volstead Trading Company'. Photos: Irene Boles
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A PDF copy of pages 276-277 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Homer on the Range'. Photo: Nick Sargent
A photograph of metal bedsteads which have been used to create a fence at Gap Filler's 'Film in the Gap' project.
A photograph of fairy lights strung over metal bedsteads. The bedsteads have been used to create a fence at Gap Filler's 'Film in the Gap' project.