Ruth Gardner's Blog 23/02/2013: Attractive Artworks

Articles, UC QuakeStudies

An entry from Ruth Gardner's blog for 23 February 2013 entitled, "Attractive Artworks".

Ruth Gardner's Blog 25/10/2011: Additional Artwork

Articles, UC QuakeStudies

An entry from Ruth Gardner's blog for 25 October 2011 entitled, "Additional Artwork".

Ruth Gardner's Blog 15/08/2011: Artworks Unveiled

Articles, UC QuakeStudies

An entry from Ruth Gardner's blog for 15 August 2011 entitled, "Artworks Unveiled".

Interview: What's your favourite artwork in Christchurch now?

Videos, UC QuakeStudies

A video interview with Christchurch locals, asking what their favourite artwork in Christchurch is.

Ruth Gardner's Blog 04/07/2011: Anticipating our artwork

Articles, UC QuakeStudies

An entry from Ruth Gardner's blog for 4 July 2011 entitled, "Anticipating our artwork".

Photograph number UC 10-0503-13

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Lydia Baxendell checks an artwork in the library.

Photograph number UC 10-0503-14

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Lydia Baxendell checks an artwork in the library.

Christchurch Press Infographic: 1 April 2011 (6)

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A map showing the location of damaged public artworks.

Christchurch: The Transitional City Pt IV, pages 70-71: Bandaid Artwork

Articles, UC QuakeStudies

A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)

Photograph by Jocelyn Kinghorn 1889

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Painted artwork on the front of the 'Book Discussion Scheme (BDS)' office on Colombo Street.

1972 - Canta Magazine

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A scanned copy of an artwork from the University of Canterbury Students' magazine, Canta, in 1972.

Photograph by Jocelyn Kinghorn 2200

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An exhibition of artworks on the cordon fence. This was a project by the Linwood Community Art Centre.

Photograph by Jocelyn Kinghorn 2610

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This artwork is a legal graffiti work, part of Project Legit which is run by the Christchurch City Council.

As Far As Eye Can See Photograph 5

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A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.

As Far As Eye Can See Photograph 3

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A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.

Christchurch Press Image: Carys Monteath 2010:09:14 12:18:57

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Photograph captioned by Fairfax, "Mosaic artist Sarah Rutland creates artwork from broken objects and hopes to create art from Canterbury's rubble".

Christchurch Press Image: Carys Monteath 2010:09:14 12:41:37

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Photograph captioned by Fairfax, "Mosaic artist Sarah Rutland creates artwork from broken objects and hopes to create art from Canterbury's rubble".

As Far As Eye Can See Photograph 1

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A photograph of a group of people plaiting fabric strips to create artworks for the As Far As Eye Can See exhibition.

Koen Broekema's Photograph 028

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A view down High Street looking towards the Holiday Inn building and the Westpac building (right). The 'Flour Power' artwork by Regan Gentry stands in the foreground.

Koen Broekema's Photograph 032

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A view down High Street looking towards the Holiday Inn building and the Westpac building (right). The 'Flour Power' artwork by Regan Gentry stands in the foreground.

Photograph by Jocelyn Kinghorn 2535

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Detail of the artwork 'Homage To The Lost Spaces (Government Life Building Studio Series' by Mike Hewson. These were installed on damaged buildings, this one being the Cranmer Courts.

Photograph by Jocelyn Kinghorn 2536

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Detail of the artwork 'Tony De In The Door (Government Life Building Studio Series' by Mike Hewson. These were installed on damaged buildings, this one being a building opposite the Cranmer Courts.

End of the Line Photograph 3

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A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.

End of the Line Photograph 4

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A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.

End of the Line Photograph 1

Images, UC QuakeStudies

A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.

End of the Line Photograph 2

Images, UC QuakeStudies

A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.

We Lived Here: Oxford Terrace Photograph 151

Images, UC QuakeStudies

A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.

The Steam-Punk Sewage Works

Images, UC QuakeStudies

Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".

Photograph by Jocelyn Kinghorn 1732

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The empty space where the Fishers' Building previously was, on the corner of Litchfield and Hereford Streets. In the background are cranes, and the Holiday Inn building (centre) with the Westpac building on the right. Also on the right is the 'Flour Power' artwork by Regan Gentry.

We Lived Here: Oxford Terrace Photograph 055

Images, UC QuakeStudies

A photograph of a painting in Donna Allfrey's house at 406 Oxford Terrace. The painting depicts heritage buildings which were demolished in Christchurch, as well as the year or era in which they were built.