A photograph of unfinished art work using Māori motifs at the Community Law Centre located on Madras Street.
Photograph captioned by BeckerFraserPhotos, "Art work on the north-east corner of Manchester and High Streets".
Photograph captioned by BeckerFraserPhotos, "The cosy container installation in Sumner being installed".
Photograph captioned by BeckerFraserPhotos, "Preparing for the Sunday festival in Sumner".
Photograph captioned by BeckerFraserPhotos, "The cosy container installation in Sumner being installed".
Photograph captioned by BeckerFraserPhotos, "The cosy container installation in Sumner".
Photograph captioned by BeckerFraserPhotos, "The cosy container installation in Sumner".
A photograph of street art at the Addington Saleyards. Text in the art work reads, "Gone but never forgotten".
A photograph of unfinished art work using Maori motifs at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
Photograph captioned by BeckerFraserPhotos, "Art work decoration on a shipping container, Main Road, Sumner".
A photograph of unfinished art work using Māori motifs, at the Community Law Centre on Madras Street.
A photograph of unfinished art work using Māori motifs at the Community Law Centre on Madras Street.
Photograph captioned by BeckerFraserPhotos, "Gap Filler project, a garden in the site of a demolished building on the corner of Oxford and Colombo Street, 822 Colombo Street".
Easter art work on a road cone on Cannon Hill Crescent in Mt Pleasant. A bunny picture has been cut out and cellotaped to a road cone.
Easter art work on a road cone on Cannon Hill Crescent in Mt Pleasant. A bunny picture has been cut out and cellotaped to a road cone.
Easter art work on road cones on Cannon Hill Crescent in Mt Pleasant. Cardboard has been cut out and cellotaped to road cones to look like bunnies.
Easter art work on a road cone on Cannon Hill Crescent in Mt Pleasant. Cardboard has been cut out and cellotaped to the road cone to look like a bunny.
A digitally manipulated image of liquefaction around a house in Avondale. The photographer comments, "The bottom of the gates were swallowed up by liquefaction, but the house still looked in good condition, which was confirmed by builders just going in to work on the property. It is in the Christchurch red zone, which after testing has been deemed unsuitable for houses to be built on. All the land will be bought by the Government and they would also buy any properties that could be repaired. The remaining insured property owners will get a payment from the insurance company. All the buildings are condemned to be knocked down".
Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.
Various walls on the street of Christchurch have become public art spaces. This work, "The Phoenix", by professional graffiti artists, Jacob, aka Yikes, Nick, aka Icarus and Wongi includes a fire Phoenix and the words "Christchurch destined to rise". Above it is an advertisement for Phonequip.
A photograph of stencilled words on a footpath on Peterborough Street. The words read, "On Peterborough Street the houses are wonky. The ground has been pulled out from underneath them. The trick worked and the houses stayed up, but they are wonky. If you lived in them you might become wonky too".
A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".
Graffiti on a wooden wall depicts a child pointing at a site across the street and reads "I remember when the Kazbah was over there." The photographer comments, "A local street artist has commemorated Christchurch's deadliest earthquake. The anniversary is tomorrow. Where the photograph was taken was the site of the Ozone Hotel, which has now gone as well. For some of us who live and work in the East of Christchurch the earthquake was not what happened in the City as we were almost unaware of it. We had no water, toilets and most of all no electricity for weeks. For myself petrol was low and with tales of all the petrol stations on our side of town being damaged we could not take the chance of venturing out on severely damaged roads to find no petrol and the possibility of not getting home. We walked around and saw the damage that was local to us. TJ's Kazbah was one that stood out. A building that had a beauty with its round tower standing proud and always looked well kept - it was now collapsed. Its tower, which was once pointing towards the sky was laying on its side. It had kept its shape, but had a lightning shaped crack through it. The one thing that kept us feeling almost normal through the coming weeks was The Press our daily paper still being delivered even though the Press building and staff had suffered so badly themselves.