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Images, UC QuakeStudies

The dome of the Isaac Theatre Royal covered in sheeting and suspended in the backstage area. In the foreground, a small digger sits on the bed of a truck, and a crane is visible to the left. The photographer comments, "This is the 'dome' of the Isaac Theatre Royal's heritage stage. The front section of the theatre has stayed and so has the back, but the middle has been completely demolished. The best way to hide a secret is in plain sight. Could this really be an ancient UFO stored secretly in the old theatre for decades and now exposed by the earthquake? Is the waiting crane and transporter ready to whip it away to another secret location in the dead of night?".

Videos, UC QuakeStudies

A video about the restoration of New Regent Street. The restoration is hoped to be completed in time for the Christmas shopping season. The project is being led by Edward Leeson of Naylor Love, who is also managing the restoration of the Isaac Theatre Royal next door.

Videos, UC QuakeStudies

A video of an interview with artefact analyst Gwen Jackson, about the artefacts found at the site of the Theatre Royal. Hundreds of artefacts were found under the Isaac Theatre Royal, including bottles and ceramic shards. This was part of a greater project by archaeologists to examine pre-1900 sites in the Christchurch central city before work is conducted on them. Archaeological assessment of pre-1900 buildings is required by the 1993 Historic Places Act before work can be done on the site.

Videos, UC QuakeStudies

A video of a tour of Gloucester Street from Dallington to Rolleston Avenue, a five kilometre journey which can be seen as a cross-section of the Canterbury rebuild. The video includes footage of the site of the demolished St George's Presbyterian Church in Linwood, New Regent Street, the Rendezvous Hotel, the Isaac Theatre Royal, the Press building, the Christchurch Art Gallery, and Christ's College.

Videos, UC QuakeStudies

A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.