A recorded conversation about the arts in Christchurch, facilitated by Rosalee Jenkin (UC CEISMIC) and featuring Sophie Davis (UC Masters student and co-director of North Projects), Lara Strongman (Senior Curator at Christchurch Art Gallery), Gaby Montejo (visual art practitioner and teacher) and Wongi Wilson (street artist and professional graffiti artist). The podcast is the first in a series of conversations hosted by UC CEISMIC about Christchurch, five years on from the February 22 earthquake.
A PDF copy of a 'chapbook' featuring selected writings of "some of Canterbury's most exciting young writers, aged 10-15 years". The booklet was created for the WORD Christchurch Writers and Readers Festival 2014 with the support of All Right?, The School for Young Writers, Christchurch City Libraries, and WORD Christchurch.
A photograph of members of Crack'd for Christchurch sitting outside a cafe in the Tannery arcade.Crack'd for Christchurch comments, "The work might be finished for now but the fun continues."
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Report now available 'Getting it together - Third Sector in Post Recovery Christchurch'".
A PDF copy of six posters for free family events at Christchurch 2014 WORD Festival. Each poster features a quote from a young Christchurch writer, composed at the 2014 'Write Now' workshops.
Making the most of now: Young women's experiences of COVID-19 - PowerPoint Presentation.
A photograph of members of Crack'd for Christchurch breaking up pieces of china.Crack'd for Christchurch comments, "November now, a nice shot of us (from left: Marie Hudson, Helen Campbell, Sharon Wilson, and Shirley Walden). We met regularly over that first winter, trying to keep on top of the china as it flowed in."
A photograph of members of Crack'd for Christchurch breaking up pieces of china.Crack'd for Christchurch comments, "November now, a nice shot of us (from left: Marie Hudson, Helen Campbell, Shirley Walden, and Sharon Wilson). We met regularly over that first winter, trying to keep on top of the china as it flowed in."
A photograph of members of Crack'd for Christchurch, who have been breaking up pieces of china.Crack'd for Christchurch comments, "November now, a nice shot of us (from left: Marie Hudson, Jenny Cooper, Helen Campbell, Sharon Wilson, and Shirley Walden). We met regularly over that first winter, trying to keep on top of the china as it flowed in."
A PDF copy of a poster promoting the 'Write Now' 2014 young writers workshops. Some of the best works from the workshop were published in a chapbook and in posters for Christchurch 2014 WORD Festival. The workshops were supported by All Right?, Christchurch City Libraries and The School for Young Writers.
A PDF copy of a poster promoting the 'Write Now' 2014 young writers workshops. Some of the best works from the workshop were published in a chapbook and in posters for Christchurch 2014 WORD Festival. The workshops were supported by All Right?, Christchurch City Libraries and The School for Young Writers.
Photograph captioned by BeckerFraserPhotos, "The now empty site of Cranmer Centre with salvaged material (former Christchurch Girls High School)".
A photograph captioned by BeckerFraserPhotos, "The floral clock in Victoria Square, now full of weeds".
Photograph captioned by BeckerFraserPhotos, "40-46 Armagh Street, the now totally cleared site of the Cranmer Centre, formally the Christchurch Girls High School".
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 5 June 2012, looking over Cashel Street where the Re:Start container mall now sits.
A photograph captioned by BeckerFraserPhotos, "Now there's a new Christchurch scene. People clad in high-vis and buildings that look temporary painted jauntily".
An image designed to promote the 'Write Now' 2014 young writers workshops. Some of the best pieces from the workshop were published in a chapbook and on posters for the Christchurch 2014 WORD Festival. The workshops were supported by All Right?, Christchurch City Libraries and The School for Young Writers. All Right? posted the image on their Facebook page on 15 July 2014 at 4:31pm.
Colour photograph showing the IRD building and Latimer Square, and the now empty site where the CTV building once was.
Photograph captioned by BeckerFraserPhotos, "Shands Emporium, 88 Hereford Street. Shands Emporium is one of the oldest retail buildings in Christchurch, but is now very fragile".
The city centre and Tuahiwi Marae, the home of Ngāi Tūāhuriri, are now linked by names. The Anglican cathedral and Tuahiwi’s church, both called St Stephens, sit on land called Whitireia. Whitireia was the house of Paekia, the ancestor who landed on the North Island on the back of a whale at Tūranga, which is now the name of Christchurch’s city library.
A photograph of the south side of the ChristChurch Cathedral, taken from the edge of Cathedral Square. Scaffolding has been set up against one of the walls and a turret has been removed from the building and is now situated in a secure holding on the grass in front.
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting people in Christchurch. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Christchurch has changed a lot and we all see things a little differently. And that's all right".
A PDF document which discusses the lessons learned by the Christchurch Migrant Inter-Agency group after the 22 February 2011 earthquake. The group was set up to support migrants and refugees following the February 22 earthquake in 2011, and has now been dis-established. However, the Christchurch Migrant Centre continues to co-ordinate services and help migrants settle into life in Christchurch. The purpose of the report is to provide a record of key events and responses of the group in the immediate aftermath of the February 22 earthquake, and to offer some candid discussion and insight with respect to their success or otherwise.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. After nearly five years of 'Emergency Response' where sustainability has been sacrificed in the interests of speed, we can assume that this phase is now behind us. We see no reason why this period should be extended until April 2016. Lessons must be learned from the past. It is time to move into the 'Restoration Phase'. Once seismic and building standards are corrected, and risks are notified, mapped and accepted, sustainability will be ensures. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents. We support option 3+."
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Future Insurability. In an article in the New Zealand Herald of 5 November 2014, the CEO of IAG refers to cooperation with the NZ Government on a strategic intent in 2011 to avoid depopulation of Christchurch. Now that the ICNZ has signalled its intention to withdraw from high-risk areas and the CCC also plans to redefine the boundaries of the city so as to exclude properties below the Mean High Water Springs. We ask whether a 'recovery' involves abandoning people once the insurance and bank sectors have managed a retreat? We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 23 December 2012, looking over Cashel Street where the Re:Start container mall now sits. The Holiday Inn and Westpac Trust Building have been demolished.
Presentation to The Collective Trust on 21 May 2021 by Louise Tapper and Rosemary Du Plessis - Researchers Young Women's Experiences of the COVID-19 pandemic research project.
A snapshot from GPS Boomerang's SmartBird flight over the Christchurch red zone on 23 December 2012, looking over the Town Hall and Victoria Square with the site of the Crowne Plaza Hotel visible in the bottom left, GapFiller's Pallet Pavillion now in the space.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Seismic Risk. One thing we can learn from the past is that seismic risk in Canterbury has been underestimated before the earthquakes struck. This is confirmed in a report for EQC in 1991 (paper 2005). It is also the conclusion of the Royal Commission in the CTV report. A number of recommendations have been made but not followed. For example, neither the AS/NZS 1170.5 standard nor the New Zealand Geotechnical Society guidelines have been updated. Yet another recovery instrument is the Earthquake Prone Building Act, which is still to be passed by Parliament. As the emergency response part of the recovery is now behind us, we need to ensure sustainability for what lies ahead. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
Photograph captioned by BeckerFraserPhotos, "Close up of the cranes working on the Clarendon Tower. Big Red behind is now the crane in Christchurch capable of lifting the largest load. The yellow crane is a tower crane which is still being assembled".