A piece of personal experience writing about the Canterbury earthquakes, written by Max.
A piece of personal experience writing about the Canterbury earthquakes, written by Mitchell.
A piece of personal experience writing about the Canterbury earthquakes, written by Jae Youn
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 1.
A piece of personal experience writing about the Canterbury earthquakes, written by Jack 2.
A piece of personal experience writing about the Canterbury earthquakes, written by George.
A piece of personal experience writing about the Canterbury earthquakes, written by Sean.
A piece of personal experience writing about the Canterbury earthquakes, written by Tim.
Wayne Youle's mural, 'I Seem to Have Temporarily Misplaced My Sense of Humour' (2012), in Sydenham.
A piece of personal experience writing about the Canterbury earthquakes, written by Jonathan.
A piece of personal experience writing about the Canterbury earthquakes, written by Jake.
A piece of personal experience writing about the Canterbury earthquakes, written by Sam.
An audio documentary created by Kris Vavasour about the multitude of challenge the musicians, performers and venue owners in Lyttelton face in the aftermath of the Canterbury earthquakes. All songs are from the 'Harbour Union' album (2011), in alphabetical order: 'Even Keel' (Lindon Puffin); 'Ghost of this Town' (Marlon Williams); 'How Lucky You Are' (Delaney Davidson & Marlon Williams); 'Human Enough' (Lindon Puffin); 'It's So Good' (Delaney Davidson); 'Little Mountain Town' (Marlon Williams); 'Rocking Bell' (Adam McGrath); 'The Waterside' (Adam McGrath).
A PDF copy of pages 244-245 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arts Circus'. Renders: Pivnice
A PDF copy of pages 326-327 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Sanctioned Graffiti Across the City'. Photos: Reuben Woods, Wongi FREAK Wilson (Deadpool Production, Graffalaphabet, BDS Full Production).
A PDF copy of pages 122-123 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'We Love Pop Up'. Photo with permission: SHAC
A PDF copy of pages 344-345 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Canterbury Quakes'. Photos courtesy of Canterbury Museum
A PDF copy of pages 70-71 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bandaid Artwork'. Photographs: Heather Hayward (top left), Reuben Woods (top right), Jenna Lynn Brown (bottom left and right)
A PDF copy of page 138 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'CERA'.
A PDF copy of pages 328-329 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Unsanctioned Graffiti Across the City'. Photo: Reuben Woods
A PDF copy of pages 14-15 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Rent Party Club'. Photos: Laura Harper. With permission: Rent Party Club.
A PDF copy of pages 150-151 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bobo'. Drawings: Andrew Just, Jen McBride
A short story by Shirley Eng titled, "Resolutions".
A photograph of volunteers painting a mural in Kaiapoi.
A short story by Shirley Eng titled, "Stage Fright".
A short story by Jane Seaford titled, "Shaken Apart".
A short story by Shirley Eng titled, "Haruka's Cranes".
A photograph of the entrance to the Re:Entry event.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.