A pdf copy of panel 14 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gerard Smythe about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smythe sitting outside the Cathedral of the Blessed Sacrament.
A pdf copy of panel 13 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Sophie Walton about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Walton on the walkway from Taylor's Mistake to Boulder Bay.
A photograph of the completed Green Room garden on Colombo Street. Crack'd for Christchurch's armchair and mosaic artworks are on a platform in the back. The armchair and ottoman have been wrapped in calico and secured with a bow. A blue ribbon has been tied across the entrance of the garden.
A photograph of the members of Crack'd for Christchurch gathered on and around their armchair and ottoman artworks. The artworks have just been unveiled during the launch of the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Everyone enjoying the chair."
A photograph of Crack'd for Christchurch's partially-completed mosaic on their armchair artwork.Crack'd for Christchurch comments, "We had many interesting discussion about the 'opus' (the background cream colour surrounding our pattern). Should it flow like the pattern, or be a geometric grid as these lines drawn on the chair indicate?."
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Katherine O'Connor, Helen Campbell, and Sharon Wilson."
A pdf copy of panel 1 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Meredith Dyer about her experiences of the 22 February 2011 earthquake. Above this is an image of Dyer sitting on a path in the Botanical Gardens.
A pdf copy of panel 6 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Paul Jenkins about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Jenkins sitting in a room of his house.
A pdf copy of panel 3 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Rose Laing about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Laing in her earthquake-damaged and overgrown garden.
A pdf copy of panel 8 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gwenda Michael about her experiences of the 22 February 2011 earthquake. Above this is an image of Michael sitting on the patio of her house.
A pdf copy of panel 9 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Maria Thackwell about her experiences of the 22 February 2011 earthquake. Above this is an image of Thackwell sitting in the entrance to the kitchen in her earthquake-damaged house.
A pdf copy of panel 11 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Bishnu Pokhrel about his experiences of the 22 February 2011 earthquake. Above this is an image of Bishnu Pokhrel sitting outside the main building of Hagley Community College.
A pdf copy of panel 4 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Denny Anker about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Anker sitting in front of the front door of her house.
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A photograph of Crack'd for Christchurch's partially-constructed armchair artwork. The armchair is on a pallet in Greening the Rubble's workshop. Jonathan Hall has moulded polystyrene, wood, mesh, and concrete over the steel frame to construct the armchair. Two cast-iron bath feet have attached to the front legs.
A photograph of someone reading a copy of The Wet Issue by Freerange Press, at the public launch event. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of a detail of Mike Hewson's installation 'View from the Studio' in Re:Start Mall. An outline of the cathedral's tower is sketched on plywood, accompanied by the words, "Mike Hewson 2012. 'View From Studio'. (We should try keep some part of the cathedral rather than just demo-ing it)".
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Once the opus starts to go on, things speed up. We have a September deadline for the big reveal. Here we are in July. From left: Helen Campbell, Jennie Cooper, and Sharon Wilson."
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."
A video about the Christchurch Pops Choir which is performing at the Christchurch Arts Festival. The video includes interviews with artistic director Luke Di Somma and president Lee Harris. Di Somma and Harris talk about starting the choir after the 2010 and 2011 Canterbury earthquakes, and singing pop music. The video also includes footage of the choir singing as part of a flash mob at the Christchurch International Airport.
A video of a presentation by André Lovatt, Chair of Regenerate Christchurch, during a panel at the 2016 Seismics in the City Conference. The panel has three themes:A City on the Move: Collaboration and Regeneration: "'Christchurch is now moving rapidly from the recovery phase into a regeneration stage with Central and Local Government working with the wider community, including the business community to ensure we get optimal outcomes for greater Christchurch' (CECC)."Looking Back: Remembering and Learning: "What are the milestones? What are the millstones? What have we learnt? What have we applied?"Looking Forward: Visioning and Building: "What do we aspire to? What are the roadblocks? What is the way forward?"
A photograph of the crowd at the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "Before the speeches. The Green Room is on Colombo Street in the centre of the rebuild, with vacant lots surrounding it. We wanted it to be an oasis of calm and hope for Christchurch people. It is only a temporary site."
A photograph of the crowd at the launch of the Green Room on Colombo Street.Crack'd for Christchurch comments, "Before the speeches. The Green Room is on Colombo Street in the centre of the rebuild, with vacant lots surrounding it. We wanted it to be an oasis of calm and hope for Christchurch people. It is only a temporary site."
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".
A photograph of cakes made by Cakes By Anna. The cakes are being sold at a temporary installation titled Antigravity, which was created by students from the University of Auckland, in partnership with Cakes by Anna. em>Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of the launch event for Australian artist collective Field Theory's project The Stadium Broadcast. The launch is being held on the rooftop of C1 Espresso. The Stadium Broadcast was a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. The journal is being 'launched' with an elastic tie by Freerange Press director Barnaby Bennett. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of Freerange Press director Barnaby Bennett standing on a chair to give a speech at the public launch event for The Wet Issue by Freerange Press. The event was held at Space Academy as part of FESTA 2014. It was accompanied by a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek.
A photograph of Jason Maling from the Australian artist collective Field Theory. Maling is on the roof of C1 Espresso for the launch event of The Stadium Broadcast - a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from 14 to 17 November. The launch event was part of FESTA 2014.