A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
Messages on the "I hope Christchurch will..." blackboard on the corner of Tuam and Colombo Streets. Members of the public were invited to fill in the gaps with what they would like to see in the rebuilt city. Messages can be seen, such as, "Smile!", "Be filled with art and culture!", "Cater and be fun for all ages", "Always be positive" and "Wake up".
A photograph of a vacant site on the corner of Manchester Street and Gloucester Street. This is to be the location of a large-scale sculpture titled Altitude, which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of people at the Pavilions & Lighting Devices market at LUXCITY, taken from inside one of the temporary installations. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of one of the creators of the Pavilions & Lighting Devices market standing with her constructed installation on the corner of Manchester Street and Gloucester Street. The market is part of LUXCITY.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of the illuminated Silhouette Carnival installation at on Gloucester Street. Part of In Your Face can also be seen on the left. The installations are part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A blog post from US Ambassador to New Zealand and Samoa, David Huebner, titled, "Christchurch Earthquake Teams in Motion".
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City III, Tunnel control' and was painted in 2013. The original painting is acrylic on linen and measures 400 by 400mm.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Double Bill' and was painted in 2011. The original painting is acrylic on canvas and measures 1010 by 410mm.
A photograph of a pad of brochures for The Stadium Broadcast, a 72-hour non-stop performance by Australian artist collective Field Theory. The launch event for The Stadium Broadcast was part of FESTA 2014.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A PDF copy of pages 354-355 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'End of the Line'. Photos: Gaby Montejo
A pdf transcript of Pat Penrose's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Maggie Blackwood.
A photograph of a vacant site on the corner of Gloucester Street and Manchester Street. The site is to be the location of Pavilions & Lighting Devices, an installation which is part of LUXCITY.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A PDF copy of pages 108-109 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Silver Bulletin'. Photo: Matthew Galloway
A PDF copy of pages 260-261 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Light Inspiration for Lyttelton'. Photos: Alan Povall
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods