A PDF copy of pages 84-85 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Am...'. Photo: Harry Tranter
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of a vacant site on the corner of Manchester Street and Worcester Street. This is to be the location of the Archrobatics project, which is part of LUXCITY.
Graffiti on a damaged building. The photographer comments, "After some of the walls were demolished this graffiti was exposed. The next day this wall was gone as well".
A concrete block wall with a large diagonal crack running through it. The photographer comments, "This wall has fascinated me. It has cracked across in a dead straight diagonal line during one of Christchurch's many earthquakes. How could this have occurred?".
The roof of this collapsed building on Atlas Lane has fallen almost intact on top of the rubble. The photographer comments, "Whenever I go past this place it reminds me of a sinking ship".
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of people watching a model posing in a large inflatable ball as part of the In Your Face installation at LUXCITY.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Garden City II, Ticketyboo' and was painted in 2013. The original painting is acrylic on linen and measures 400mm in diameter.
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A photograph of local artist Gaby Montejo in a cow onesie, before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Manchester Street. The installation is part of LUXCITY.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of people walking among the large inflatable balls that were part of the installation titled In Your Face. The installation is part of LUXCITY.
A photograph of Gaby Montejo's Milk Fight - a dairy-fuelled urban food fight, which was part of FESTA 2014. Milk Fight was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Colombo Street. The installation is part of LUXCITY.
A photograph of the installation titled In Your Face on the corner of Gloucester Street and Colombo Street. The installation is part of LUXCITY.
Summary of oral history interview with Coralie Winn about her experiences of the Canterbury earthquakes.
Summary of oral history interview with Anna Mowat about her experiences of the Canterbury earthquakes.
The "Lyttelton Review" newsletter for 21 November 2011, produced by the Lyttelton Harbour Information Centre.
A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.
A photograph of Jeni Reveley at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.
A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).