A PDF copy of pages 82-83 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Wonky Peterborough'. Photo: Reuben Woods
A photograph of a heart-shaped bag created by Jane Quigley. The bag is hanging from a post in the NG Gallery car park.
A PDF copy of pages 330-331 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Social Soup'. Photos: Joel Cocks
A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of the site of the LUXCITY project Etch-A-Sketch on the corner of Gloucester Street and Colombo Street.
An artist's impression of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of a vacant site on Gloucester Street. This is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A PDF copy of pages 190-191 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Projects in Kaiapoi'. Photos: Gap Filler
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
A photograph of the site of the LUXCITY project Etch-A-Sketch on the corner of Gloucester Street and Colombo Street.
A photograph of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'. The photograph is captioned by Paul Corliss, "Colombo Street Gap Filler".
A photograph of a performer using a large hoola hoop during a performance in the 'Sound Cone' space at LUXCITY.
The "Lyttelton Review" newsletter for 5 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 6 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 10 June 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 19 March 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 25 February 2013, produced by the Lyttelton Harbour Information Centre.
An entry from Deb Robertson's blog for 17 August 2014 entitled, "The 'Sure to Rise' quilt".The entry was downloaded on 3 November 2016.
A mural on the exposed wall of a building on Peterborough Street. This was a joint project between Gap Filler and the Flying Cup Cafe. The mural is a beach scene with a quote from Anne Frank, reading, "Isn't it wonderful that nobody need waste a single moment to improve the world", and incorporates pre-existing street art and posters.
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.
A digital copy of a painting by Julia Holden. The painting is of an excavator and a large mound of building rubble. In the background is the badly-damaged Farmers car park building on Gloucester Street.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
A digital copy of a painting by Julia Holden. The painting is of Manchester Street. Shipping containers have been stacked against the Excelsior Hotel on the right, and the kinetic sculpture, 'Nucleus', is depicted on the left.
A photograph of three drawings stuck to a bus timetable in the Christchurch central city. The drawings depict Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Gerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes.
A photograph of Julia Holden's Whittaker's Big Egg Hunt artwork on display at the Auckland Museum. The artwork was on display during a black tie auction where it was auctioned to raise money for the Starship Foundation.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.
A photograph of painted artworks from the Whittaker's Big Egg Hunt on display at the Auckland Museum. The eggs were on display during a black tie auction where they were sold to raise money for the Starship Foundation.
A photograph of Jeni Reveley at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of the corner of Manchester Street and Cashel Street. The site has been fenced off and there is building rubble on the ground. There is a coloured tape installation on the fence, and an image of Homer Simpson on the exposed wall of the second storey of the building.