A photograph of Sharon Wilson removing excess grout from Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "One the grout was complete, the whole chair had to be cleaned of excess grout, polished, and sealed. A dirty job with dremmels and various scrapers."
A photograph of a truck transporting Crack'd for Christchurch's armchair artwork along Ferry Road. The armchair has been wrapped in a tarpaulin and secured to the back of the truck with rope.
A photograph of a detail of Mike Hewson's installation 'View from the Studio' in Re:Start Mall. An outline of the cathedral's tower is sketched on plywood, accompanied by the words, "Mike Hewson 2012. 'View From Studio'. (We should try keep some part of the cathedral rather than just demo-ing it)".
A photograph of members of the Australian artist collective Field Theory. They are on the roof of C1 Espresso for the launch event of The Stadium Broadcast - a 72-hour non-stop performance of personal tributes to Lancaster Park. The performance ran from from 14 to 17 November. The launch event was part of FESTA 2014.
A photograph of members of Crack'd for Christchurch cleaning their armchair mosaic.Crack'd for Christchurch comments, "Once the grout was complete, the whole chair had to be clean of excess grout, polished, and sealed. A dirty job done with dremmels and various scrapers. From left: Helen Campbell, Katherine O'Connor, and Sharon Wilson."
A photograph of a paste-up on the cordon fence surrounding the Crowne Plaza demolition site. The paste-up is in the shape of an awards ribbon, and reads, "Voted Chch best demo 2012".
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Love Man", and is on the east side of the Victoria Mansions building.
A photograph of the outside of the building housing the As Far As Eye Can See exhibition. Posters in the window advertise the exhibition.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of a labyrinth laid out in bricks on the former site of St Luke's church.
A PDF copy of pages 356-357 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Kissing Booth'. Photos: Audrey Baldwin
A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".
A photograph of some of the craft artists who were involved in creating the As Far As Eye Can See exhibition.
A photograph taken at the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of volunteers laying bricks to create a labyrinth on the former site of St Luke's church.
A copy of the information board displayed at Greening the Rubble's Green Room on Colombo Street. The board contains information about the Green Room and Crack'd for Christchurch's armchair and ottoman artworks.
A photograph of a detail of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A PDF copy of pages 336-337 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Green Frame Exhibition'.
A photograph of an installation on the corner of Gloucester Street and Colombo Street. The installation is titled "Etch-a-Sketch", and is part of the LUXCITY event.
A photograph of the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of a group of people plaiting fabric strips to create artworks for the As Far As Eye Can See exhibition.
A photograph of two children standing next to Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from an angle such that the artwork gives the illusion that the walkway is transparent.
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from beneath the walkway, so that the distorted perspective which enables the illusion can be seen.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Running Hipster", and is on a building on the corner of Madras Street and St Asaph Street.
A PDF copy of pages 304-305 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fitzgerald Ave Community Garden'. Photos with permission from Greening the Rubble
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A photograph of members of Crack'd for Christchurch working on their armchair artwork. Reporter Mike Thorpe is in the background.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Jenny Cooper, Marie Hudson, and Sharon Wilson."