A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 11, 14, 17, 19 and 23 December 2013. The advertisement reads, "You make the tough times better. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 17, 19 and 23 December 2013. The advertisement reads, "Your smile is life changing. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 17 and 23 December 2013. The advertisement reads, "You've got a lot to offer. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 9, 14, 17, 19 and 23 December 2013. The advertisement reads, "You're lovelier than the summer sun in Hagley Park. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a poster created with the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "Walking up Harry Ell makes everything all right. Alana, Cashmere." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:07pm.
A PDF copy of a poster like those created on the All Right? Poster Generator. The poster features the responses from a number of Christchurch residents about what makes them feel good, such as "Talking to my friends. Tatiana (11), Woolston." The posters were placed around the city at locations such as cafes, doctors surgeries and fish and chip shops. All Right? posted this poster on their Facebook Timeline on 10 May 2013 at 4:06pm.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 19 and 23 December 2013. The advertisement reads, "You're a wee Canterbury Gem. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A photograph of members of Crack'd for Christchurch in their workshop. A number of mosaics of flowers and leaves have been laid out on the carpet in front of them. In the background there are boxes of broken china and furniture stacked in a pile.Crack'd for Christchurch comments, "Early November 2013. Last day for Shirley Walden who is leaving the city. From left: Helen Campbell, Shirley Walden, and Sharon Wilson. We miss you Shirley."
An image used as a profile picture on the All Right? Facebook page. The image reads, "All Right? Winter Photo Competition. Win dinner at Roots Restaurant! Share a picture of what's making you feel All Right this winter and be in to win a five course meal for two (worth $150!) at Roots, Lyttelton's hot new restaurant." The image was also posted by All Right? to their Facebook Timeline on 30 July 2013 at 9:18am.
A video made by Julian Vares about FESTA - the Festival of Transitional Architecture. The video includes explanations from FESTA director Jessica Halliday and key collaborators about what FESTA is about, and the important role it plays in the rebuild and recovery of Christchurch. It also includes a compilation of footage from the first three FESTA events of 2012, 2013 and 2014. This footage was shot by Rick Harvie (Belmont Productions), Peter Young (Fisheye Films), Ed Lust and John Chrisstoffels.
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A bunch of flowers laid beside the Avon River during the River of Flowers event held in Riccarton Bush, commemorating the second anniversary of the 22 February earthquake. The photographer comments, "The organisers told me these were brought by an elderly South African woman. She had a disability so couldn't make it down to the riverbank herself, so she asked the organisers to throw them in on her behalf".
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
A video of the reopening ceremony for the Heritage Hotel in Cathedral Square, which has been closed since the 22 February 2011 earthquake. The video shows Governor General Sir Jerry Mateparae opening the building while a string trio plays. It also includes footage of a speech by the Governor General, and a tour of the hotel.
A video of a presentation by Dr Craig Davis of the Los Angeles Department of Water and Power on "Learning and planning collaboration on 'Earthquake-Flood Multi-Hazard Impact on Lifelines' and 'Resilience Measures and Strategies'". The presentation was delivered at the Learning from Lifeline Week and Planning Collaborations forum as part of the University of Canterbury's Lifeline Week.
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A PDF copy of pages 42-43 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Oxford Terrace Temporary Streetscape and Interpretation'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of a bow made out of curtains pinned to Siobhan Murphy's house at 436 Oxford Terrace. In the background, the house has been covered in plastic sheeting. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".
Volunteers photographed around one of Gap Filler's painted pianos. The piano has been set up at the demolished site of the Crowne Plaza Hotel. A wooden structure has been built around the piano with Perspex and corrugated iron on top and plastic sheeting to the left and right. This is to protect the piano and pianist from wind and rain.
A photograph of a room in Donna Allfrey's house at 406 Oxford Terrace. The fireplace has been removed and boarded up with gib board. The mantelpiece has been propped in front of the gib board, and two couches have been placed on their sides next to it.
A photograph of the house number spray-painted on the footpath in front of 390 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".