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Images for street art; more images...

Images, UC QuakeStudies

Graffiti on a damaged building. The photographer comments, "They should have painted four leaf clover, if they wanted this tagging to survive the demolition of the earthquake damaged Ozone in Christchurch

Images, UC QuakeStudies

A photograph of a sign for Dematerialization - an immersive experience linking physical space and virtual reality. This virtual performance was created by Patrick Hegarty, Madeline Sewall and Jayden Kenny, for FESTA 2014.

Images, UC QuakeStudies

A plaque on the ground in front of the 'Passing Time' sculpture on the corner of Madras Street and St Asaph Street. The 'Passing Time' sculpture was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).

Images, UC QuakeStudies

Various walls on the street of Christchurch have become public art spaces. This work, "The Phoenix", by professional graffiti artists, Jacob, aka Yikes, Nick, aka Icarus and Wongi includes a fire Phoenix and the words "Christchurch destined to rise". Above it is an advertisement for Phonequip.

Images, UC QuakeStudies

A residential street in New Brighton. Liquefaction still lines the street, and lampposts are leaning in different directions. The photographer comments, "This is the New Brighton red zone, which is parallel to the Avon River. The area suffered serious liquefaction during the numerous earthquakes/aftershocks and the land is being bought by the government. Although the houses do not look too bad in the background they have suffered badly. On the day I took this picture the council had just hours before cut the grass, which made the area look less abandoned".

Images, UC QuakeStudies

A view across Montreal Street to the Christchurch Art Gallery. The building was used as the headquarters for Civil Defence in the aftermath of the 22 February 2011 earthquake, and large white marquees have been set up in its forecourt to accommodate extra personnel. The site is surrounded by a safety fence. On the left is a sign advertising the "Van der Velden: Otira" exhibition, which was cut short by the earthquake.