A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
An image that appeared on the opening pages of the web edition of Christchurch Art Gallery's magazine Bulletin in Winter 2013 (no. 172). The image depicts an 'All Rightie' listening to music and dancing alongside Rita Angus' well-known painting 'Cass'. The image reads, "Had a good boogie lately?".
A view down Chancery Lane through cordon fencing. A sign reading "No Entry" is posted on the fence, and fallen leaves have accumulated around the fence and buildings. The photographer comments, "Chancery Lane in the Christchurch CBD red zone looks like it has had no one through at all since the February earthquake".
Part of Mike Hewson's installation 'Homage To Lost Spaces' in the Cramner Courts building, a photograph of a young man working at a desk has been inserted into a gap in the building. The photographer comments, "Although Cranmer Courts are in ruins pictures have been inserted into the windows to make them look occupied".
A digitally manipulated photograph of a stencilled logo for the Christchurch School of Music. The photographer comments, "The Christchurch School of Music donated several old broken pianos to be placed on Gap Filler sites in Christchurch. Gap Filler make the land where buildings have been demolished into places the local inhabitants can enjoy. As in Maths two negatives make a positive".
The entrance to the West Avon building on Montreal Street. The photographer comments, "This very wonderful Art Deco heritage building in Christchurch had residents living in it until another visit from the building engineers re-re-checking for earthquake damage. Now it is fenced off and on the list for possible demolition".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
A photograph captioned by Paul Corliss, "Off New Brighton Mall".
Detail of a mural painted on the side of a building.
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Old foundry, Woolston".
A photograph captioned by Paul Corliss, "Off New Brighton Mall".
A photograph captioned by Paul Corliss, "Off New Brighton Mall".
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
The glass facade to Christchurch Art Gallery and the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole, outside the gallery. A building across the street is reflected on the glass.
The Christchurch Art Gallery, with a Police car parked on the road in front. On the forecourt of the gallery is the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole.
A photograph of temporary art installations at FESTA's Canterbury Tales event. In the background people are setting up food and beverage stalls. Canterbury Tales was created by Free Theatre Christchurch as the main event of FESTA 2013.
Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".
The project report for Gap Filler project 24, Concrete Prepositions.
A photograph captioned by Paul Corliss, "Knox Church, Bealey Avenue".
A photograph captioned by Paul Corliss, "Knox Church, Bealey Avenue".